Füge eine Handlung in deiner Sprache hinzuFramed for a bank robbery, bounty killer Django's brother, Steve is lynched. Django hunts down Sartana, Steve's supposed accomplice, but finds him innocent also. The two men seek out the rea... Alles lesenFramed for a bank robbery, bounty killer Django's brother, Steve is lynched. Django hunts down Sartana, Steve's supposed accomplice, but finds him innocent also. The two men seek out the real robbers.Framed for a bank robbery, bounty killer Django's brother, Steve is lynched. Django hunts down Sartana, Steve's supposed accomplice, but finds him innocent also. The two men seek out the real robbers.
- Regie
- Drehbuch
- Hauptbesetzung
Bernard Farber
- Philip Singer
- (as Bernard Faber)
Augusto Pescarini
- Singer Henchman
- (as Augosto Pesarini)
Mirella Pamphili
- Saloon Girl
- (as Mirella Pompili)
Tania Alvarado
- Maria
- (Nicht genannt)
Fortunato Arena
- Bandit
- (Nicht genannt)
Calogero Azzaretto
- Mexican
- (Nicht genannt)
Ugo Ballester
- Gravedigger
- (Nicht genannt)
Federico Boido
- 1st Gunman
- (Nicht genannt)
Dolores Calò
- Crying Woman
- (Nicht genannt)
Empfohlene Bewertungen
I am a big fan of westerns, especially spaghetti, some are above average and i think this is one of them. It has a good, well thought out story and there is plenty of action and gun-play, ( fist fights and shoot outs ) to keep your attention. I also think the actors playing Django ( Tony Kendall ) and Sartana (George Ardisson ) are very good. The actual plot keeps you hooked and there are also a few surprises along the way. One thing i really liked was the rousing music score and the title song. There are of course many Django and Sartana movies some very good, some not so good, i have seen most of them and i think that, this is, one of the better one's and would recommend that if you get the chance,catch it.
¨Django dares Sartana¨ was well directed by Pasquale Squitieri as William Redford . Passable Western concerning about a bank robbing , then Steve (Alvar) is suspected to have committed the hold-up . After that , a bloody vengeance takes place , as Steve is hanged by the enraged townspeople . Meantime , Djanjo (Tony Kendall) takes the law on his own hands against the killers who murdered his brother , this one was a bank clerk and while making love with a prostitute (Tania Alvarado) , he is subsequently kidnapped , mistreated and hung to take a loot . Acceptable Spaghetti dealing with usual theme : a relentless revenge . It deals with Djanjo (Tony Kendall) who seeks vengeance when his sibling is lynched and hanged ; as he carries out a cruel slaughter , and he thinks of Sartana (Giorge Ardisson) is real culprit , then it occurs the predictable battle of wits . Shortly after , Djanjo find out the true executioner of the grisly killing is a nasty band , as he joins Sartana and both of whom kill anyone they meet for blind vendetta . As Djanjo pulls off his vengeance by means of a cruel manner . He is relentless in his vendetta , deadly in his violence . The conflict is simple , one between avenger Djanjo , helped by Sartana, against relentless murderers and never hesitating to kill.
It's an exciting Vengeance western with breathtaking showdown between the protagonists Tony Kendall/Ardisson against the ominous enemies . Both of them are fine, they ravage the screen , kill , betray , hit and run , and they execute massacre and atrocity , they proceed a single-handedly revenge , and kills each enemy involved on their way ; and ultimately takes places the final showdown . This thrilling western contains a story full of violence , good dramatic pace and slick direction though packs some flaws . Enjoyable Spaghetti Western ; it follows the Sergio Leone wake , including close-up , zooms , choreographic duels and no being proceeded in American style . The film packs action , shootouts , drama , high body-count and it's fast moving and quite entertaining . It's a moving western with attractive outdoors and breathtaking confrontation among heartless protagonists , and their nasty nemesis and slimy , menacing underlings . Decent action sequences with rousing crossfire and spectacularly bloody shootouts at the end . Charismatic performance for the whole casting . The notorious Spaghetti actors , Tony Kendall and Giorgio Ardisson , are good in their usual tough as well as silent roles . There appears habitual secondaries in Italian Western , here in their ordinary roles as a villains and in cruelly baddies characters , such as : RickBoyd , Fortunato Arena and Tania Alvarado .
The musician Piero Umiliani composes an attractive soundtrack , well conducted , this turns out to be one of the most memorable parts of the movie , as it's plenty of enjoyable sounds and haunting musical background and with agreeable leitmotif , including catching songs and ballads stunningly sung . Nice cinematography , including good sets, filmed on locations in Rome, Lazio, Italy and Elios studios . The motion picture was compellingly directed by Pasquale Squitieri , under pseudonym William Redford , though contains some gaps and flaws. Pasquale was longtime companion of actress Claudia Cardinale , who usually played his films , and father of Claudia their daughter . He is a writer and director, especially known for Atto Di Dolore (1990), Russicum (1988) and Mussolini's lover (1984). He also made another Western titled ¨La vendetta è un Piatto Che Si serve Freddo" or "Vengeance Is a Dish Served Cold" (USA title) (1971) . He wrote/ directed a lot of movies dealing with Italian Mafia such as 1988 Russicum , 1985 "Il Pentito" or "The Repenter , 1978 L'arma , 1978 Corleone , 1977 Il Prefetto di Ferro , 1975 El Ambicioso or "The Climber" , 1974 I Guappi , 1972 Camorra ; many of them starred by his wife Claudia Cardinale and notorious Spaghetti actor Giuliano Gemma
It's an exciting Vengeance western with breathtaking showdown between the protagonists Tony Kendall/Ardisson against the ominous enemies . Both of them are fine, they ravage the screen , kill , betray , hit and run , and they execute massacre and atrocity , they proceed a single-handedly revenge , and kills each enemy involved on their way ; and ultimately takes places the final showdown . This thrilling western contains a story full of violence , good dramatic pace and slick direction though packs some flaws . Enjoyable Spaghetti Western ; it follows the Sergio Leone wake , including close-up , zooms , choreographic duels and no being proceeded in American style . The film packs action , shootouts , drama , high body-count and it's fast moving and quite entertaining . It's a moving western with attractive outdoors and breathtaking confrontation among heartless protagonists , and their nasty nemesis and slimy , menacing underlings . Decent action sequences with rousing crossfire and spectacularly bloody shootouts at the end . Charismatic performance for the whole casting . The notorious Spaghetti actors , Tony Kendall and Giorgio Ardisson , are good in their usual tough as well as silent roles . There appears habitual secondaries in Italian Western , here in their ordinary roles as a villains and in cruelly baddies characters , such as : RickBoyd , Fortunato Arena and Tania Alvarado .
The musician Piero Umiliani composes an attractive soundtrack , well conducted , this turns out to be one of the most memorable parts of the movie , as it's plenty of enjoyable sounds and haunting musical background and with agreeable leitmotif , including catching songs and ballads stunningly sung . Nice cinematography , including good sets, filmed on locations in Rome, Lazio, Italy and Elios studios . The motion picture was compellingly directed by Pasquale Squitieri , under pseudonym William Redford , though contains some gaps and flaws. Pasquale was longtime companion of actress Claudia Cardinale , who usually played his films , and father of Claudia their daughter . He is a writer and director, especially known for Atto Di Dolore (1990), Russicum (1988) and Mussolini's lover (1984). He also made another Western titled ¨La vendetta è un Piatto Che Si serve Freddo" or "Vengeance Is a Dish Served Cold" (USA title) (1971) . He wrote/ directed a lot of movies dealing with Italian Mafia such as 1988 Russicum , 1985 "Il Pentito" or "The Repenter , 1978 L'arma , 1978 Corleone , 1977 Il Prefetto di Ferro , 1975 El Ambicioso or "The Climber" , 1974 I Guappi , 1972 Camorra ; many of them starred by his wife Claudia Cardinale and notorious Spaghetti actor Giuliano Gemma
If you are familiar with the spaghetti western genre, you have probably correctly guessed that "Django Defies Sartana" was a cash-in, naming its protagonists after the heroes of past popular spaghetti westerns. Actually, the Sartana character in this movie does have some resemblance to the original Sartana character, though the Django character does not (no machine gun, among other things.) But I didn't care if the movie was a rip-off or not, I just wanted it to be entertaining. The movie does get to a slow start, with the plot not starting until a quarter of the running time has passed. But when the plot kicks in, the movie does manage to keep some interest in the viewer, with some action and various plot twists. I'm not saying this is a GREAT spaghetti western, but fans of the genre will probably find it decent enough. And it's the closest we'll ever get to uniting Django and Sartana in the same film!
Django (Tony Kendall) returns to his hometown of Tombstone to find his brother, local banker Steve, hanging from a noose. Steve has been executed following accusations that he had teamed up with Sartana (George Ardisson) to empty the safe of the bank, and had assisted his new colleague in the murder of bank manager Mr Singer (Bernard Faber). In reality, Singer had entrusted Steve with the task of confronting Sartana, and paying him to leave Tombstone rather than raiding the bank. A disgusted Sartana refuses this offer.
Believing his brother to be innocent, Django sets out in pursuit of Sartana to discover the truth. The two heavy-weight protagonists stand face to face in combat, before learning that all is not as it seems with Singer's murder, and team up on a quest for justice and revenge.
On locating a copy of "Django Against Sartana" I was immediately convinced that it would be a low budget, fairly average flick, name-checking the established characters in a vain effort to generate interest. But there is no denying that my squinting eyes display the threatening figures of Django and Sartana in front of me. It must be said however, a recent visit to the opticians had highlighted that I have clearly needed glasses for sometime (yet my vanity had prevented it). Reaching for said specs soon confirmed my original expectations - this Django is certainly no Nero (and not even a Hill or Steffen), and Sartana is no Garko. We are talking Z-list Django and Sartana here! Only the vague costume resemblance provides a hint to the identity of these feared gunfighters.
Despite my obvious mickey-taking, I must say that I did really enjoy this film - probably largely because it was such an unintentional parody of the genre to which it belongs (it certainly wasn't for the wooden character acting!). The story did provide some great entertainment though, even if it was fairly predictable. I did also enjoy the effect of the freeze-frame grand entrance of the main characters.
However...... I couldn't hold my hand to my heart and recommend it to anyone. And I guess, truth be told, I never thought I would be able to.
Believing his brother to be innocent, Django sets out in pursuit of Sartana to discover the truth. The two heavy-weight protagonists stand face to face in combat, before learning that all is not as it seems with Singer's murder, and team up on a quest for justice and revenge.
On locating a copy of "Django Against Sartana" I was immediately convinced that it would be a low budget, fairly average flick, name-checking the established characters in a vain effort to generate interest. But there is no denying that my squinting eyes display the threatening figures of Django and Sartana in front of me. It must be said however, a recent visit to the opticians had highlighted that I have clearly needed glasses for sometime (yet my vanity had prevented it). Reaching for said specs soon confirmed my original expectations - this Django is certainly no Nero (and not even a Hill or Steffen), and Sartana is no Garko. We are talking Z-list Django and Sartana here! Only the vague costume resemblance provides a hint to the identity of these feared gunfighters.
Despite my obvious mickey-taking, I must say that I did really enjoy this film - probably largely because it was such an unintentional parody of the genre to which it belongs (it certainly wasn't for the wooden character acting!). The story did provide some great entertainment though, even if it was fairly predictable. I did also enjoy the effect of the freeze-frame grand entrance of the main characters.
However...... I couldn't hold my hand to my heart and recommend it to anyone. And I guess, truth be told, I never thought I would be able to.
I'm a fan of westerns, this was watchable, but very average. The story does keep you interested, the lead actors are reasonably convincing, and the camera work is different.
Djangos brother is accused of helping the gunman Sartana rob the bank. The townsfolk take the law into their own hands and hang him. Django blames Sartana for the incident, and goes out to track him down. However, there is a twist to the story and things don't turn out the way we're led to believe.
Worth watching if you've nothing better to do. The music at times leaves a lot to be desired.
Djangos brother is accused of helping the gunman Sartana rob the bank. The townsfolk take the law into their own hands and hang him. Django blames Sartana for the incident, and goes out to track him down. However, there is a twist to the story and things don't turn out the way we're led to believe.
Worth watching if you've nothing better to do. The music at times leaves a lot to be desired.
Wusstest du schon
- WissenswertesItalian censorship visa # 56019 delivered on 30 April 1970.
- PatzerWhen Loco (Django's Mexican friend) throws his machete at the two baddies outside, which instead misses and sticks in the fence, the sun's shadow on the blade is at four o'clock. When Django shoots the two baddies immediately after this, the sun's shadow on the blade is suddenly at two o'clock.
- VerbindungenReferenced in Django: The One and Only (2003)
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- 1 Std. 25 Min.(85 min)
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