Der Alkoholiker Bernie soll auf seine Nichte Winnie aufpassen. Sie fahren zum Strand, doch der Ausflug artet aus, als er Freunde und Bekannte dazu drängt, ihm Getränke zu spendieren.Der Alkoholiker Bernie soll auf seine Nichte Winnie aufpassen. Sie fahren zum Strand, doch der Ausflug artet aus, als er Freunde und Bekannte dazu drängt, ihm Getränke zu spendieren.Der Alkoholiker Bernie soll auf seine Nichte Winnie aufpassen. Sie fahren zum Strand, doch der Ausflug artet aus, als er Freunde und Bekannte dazu drängt, ihm Getränke zu spendieren.
- Regie
- Drehbuch
- Hauptbesetzung
Beatie Edney
- Winnie
- (as Beatrice Edney)
Peter Sellers
- Stallholder
- (as A. Queen)
Thomas Heathcote
- Dice Player
- (as Tom Heathcote)
Bertel Lauring
- Louis
- (as Bertil Lauring)
Sisse Reingaard
- Daughter of Cafe Proprietress
- (as Sisse Reingärd)
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I recently had a look at the comments about this film. I am rather amazed that all of them attribute this movie to Roman Polanski. As IMDb writes it, this movie was directed by Simon Hesera, my late brother, and not Roman Polanski. It was his first major feature movie, saluted as a masterpiece by movie critics or other directors (such as Michelangelo Antonioni). Time has gone by, and for some unknown reason, in spite of the fact that Polanski is only mentioned as the one who adapted the story to the screen, the name of the director was skipped and the movie added to Polanski's curriculum. I was 17 years old and remember well the time when this film was made. Polanski, Peter Sellers and my late brother were all good friends and the movie was made "between friends". The story goes that my brother was given, with this sad movie and its tragic subject, a difficult first chance at directing a movie. Had he been given another subject, happier, funnier or more commercial, he would have made a hit and started a popular career as director, no less than Polanski's, who recognized my brother's genius.
As someone who usually does not like movies soliciting compassion for alcoholics or drug addicts I was surprised how much I liked A Day at the Beach. The title's promise is fulfilled in the best way possible. A young, intelligent alcoholic takes his little niece to a small seaport for a day. The man is most of the time looking for booze or ingesting it, occasionally rendering verbal outbursts which often sound very lucid. The girl is left to her own devices most of the time but fiercely loyal to her uncle.
From the technical side the movie is virtually faultless. Foreground and background are always in very sharp focus, except for two brief episodes with POV shots of the very drunk main character. The drabness of the place (it is always raining or overcast) is occasionally contrasted by bright, vivid colors. It looks all very controlled and there can be no doubt that a true master is behind this picture. The cast is brilliant down to every secondary character. I found Peter Seller's contribution as a fairy unnecessary and superfluous, though.
I watched the DVD release from Odeon Entertainment. There is an informative booklet about the movie, but Roman Polanski's involvement in the actual shooting is not clear. According to the booklet Polanski left the film while the final editing was in progress. Doesn't this mean that the effectively directed the movie? I would not be surprised if this were the case, in my opinion it very much looks like a Polanski movie. Its stunning how timeless his work is!
A Day at the Beach would never have attracted a mass audience, and from the look of it (and the choice of actors) it probably was never meant to be a blockbuster. But everybody who can stand this difficult and rather depressing subject matter (men preferring drugs to other humans) this is a rewarding and aesthetically satisfying movie. It's great that they made it available on DVD.
From the technical side the movie is virtually faultless. Foreground and background are always in very sharp focus, except for two brief episodes with POV shots of the very drunk main character. The drabness of the place (it is always raining or overcast) is occasionally contrasted by bright, vivid colors. It looks all very controlled and there can be no doubt that a true master is behind this picture. The cast is brilliant down to every secondary character. I found Peter Seller's contribution as a fairy unnecessary and superfluous, though.
I watched the DVD release from Odeon Entertainment. There is an informative booklet about the movie, but Roman Polanski's involvement in the actual shooting is not clear. According to the booklet Polanski left the film while the final editing was in progress. Doesn't this mean that the effectively directed the movie? I would not be surprised if this were the case, in my opinion it very much looks like a Polanski movie. Its stunning how timeless his work is!
A Day at the Beach would never have attracted a mass audience, and from the look of it (and the choice of actors) it probably was never meant to be a blockbuster. But everybody who can stand this difficult and rather depressing subject matter (men preferring drugs to other humans) this is a rewarding and aesthetically satisfying movie. It's great that they made it available on DVD.
Films about alcoholism are never going to be easy to watch, but what makes this film special is that we see the full effects of the selfishness and path to destruction alcoholics do to their loved ones.
If you have ever been in the presence of a drunk, when you are sober yourself, you have probably seen the worst aspect of that person, which can often come across as either boring, bullying, or downright nasty. To the credit of this film and the excellent acting by Mark Burns, all of these characteristics are explored in the film. By the end of the film, your heart goes out to little Winnie (Beatie Edney) who deserves a far better dad, whom she believes is her uncle because of the shame that Bernie (Mark Burns) has brought onto his family.
This film has the otherworldiness that Willy Wonka & the Chocolate Factory suffers from. It features British actors, talking in English, but the film was done in Denmark. It kind of works in a weird parallel universe sort of way. It is not really important because the story counts more.
Anyone who has kids knows the dreaded feeling of trying to kill a day while finding ways to entertain them. So spending a rainy day at the beach just to get out of the house is something parents can relate to. The cameo of Peter Sellers (credited as A. Queen) and Graham Stark was light relief the film really needed because, from then on, it becomes a catalogue of distressing episodes as Bernie self-destructs.
The scene when the selfish parents join Bernie in the pub and leave the kids in the car says a lot about the 70s. Different times. A different world.
A powerful but sad film. I am glad I caught it on Netflix.
If you have ever been in the presence of a drunk, when you are sober yourself, you have probably seen the worst aspect of that person, which can often come across as either boring, bullying, or downright nasty. To the credit of this film and the excellent acting by Mark Burns, all of these characteristics are explored in the film. By the end of the film, your heart goes out to little Winnie (Beatie Edney) who deserves a far better dad, whom she believes is her uncle because of the shame that Bernie (Mark Burns) has brought onto his family.
This film has the otherworldiness that Willy Wonka & the Chocolate Factory suffers from. It features British actors, talking in English, but the film was done in Denmark. It kind of works in a weird parallel universe sort of way. It is not really important because the story counts more.
Anyone who has kids knows the dreaded feeling of trying to kill a day while finding ways to entertain them. So spending a rainy day at the beach just to get out of the house is something parents can relate to. The cameo of Peter Sellers (credited as A. Queen) and Graham Stark was light relief the film really needed because, from then on, it becomes a catalogue of distressing episodes as Bernie self-destructs.
The scene when the selfish parents join Bernie in the pub and leave the kids in the car says a lot about the 70s. Different times. A different world.
A powerful but sad film. I am glad I caught it on Netflix.
I saw this film at Pacific Cinematheque in Vancouver around 1994/95. The lead character is a pathetic drunk who takes his daughter for a day out. I believe it is set in a Danish seaside town. Certainly northern European of some sort. It is a series of episodes in a search for drinks, and the little girl ends up having to rescue her drunk dad. An allegory of life and the parent/ child relationship, perhaps. Peter Sellers is hilarious as a homosexual stall keeper. The atmosphere is relentlessly bleak, dark, ominous, and finally it rains. Could be depressing if the viewer has a family member similarly afflicted by alcoholism.
Too bad it is not available. Would love to see it again.
Too bad it is not available. Would love to see it again.
Special in many ways before you even start watching, this miniature is not desperate to be liked and is in fact rather admirable for its commitment to being unlovely.
If you're wondering where they're going with this, then you may be disappointed; it is a snapshot of the miserable lives that play out in plain site when you truly don't care about anything but forgetting.
Often painful but not quite excruciating, this vision of a man living a day as if it might truly be his last in freedom though he seems anything but free in practice.
An exorcise in the pretentiousness of vulgar people always accompanied by a fairly agreeable child star.
Polanski seems like he can do no wrong in his writing of this.
If you're wondering where they're going with this, then you may be disappointed; it is a snapshot of the miserable lives that play out in plain site when you truly don't care about anything but forgetting.
Often painful but not quite excruciating, this vision of a man living a day as if it might truly be his last in freedom though he seems anything but free in practice.
An exorcise in the pretentiousness of vulgar people always accompanied by a fairly agreeable child star.
Polanski seems like he can do no wrong in his writing of this.
Wusstest du schon
- WissenswertesLost for 20 years due to a "paperwork error" by Paramount Pictures. Was tracked down in 1992.
- VerbindungenFeatured in The Unknown Peter Sellers (2000)
- SoundtracksWhere Are We Going
by Kenny Lynch and Mort Shuman
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- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Un día en la playa
- Drehorte
- Kopenhagen, Dänemark(kinema weekly 26/4/69)
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