Nachts, wenn Dracula erwacht

It is sad that this film is so often overlooked...it's really a gem. Christopher Lee's portrayal of Dracula here is probably his best ever (at least in terms of following Stoker's book) as an aging vampire who progressively gets younger (20 years before Coppola's version). In addition, Klaus Kinski is brilliant as the insane Renfield. Lee's Dracula is given more of a human side that is missing in the Hammer films, where he usually barely speaks at all. There are some weak spots, but overall quite good, and a must for Lee fans really gives a different perspective of the Hammer legend.

this is an unjustly obscured, great horror film that does more justice to the novel than any of the Hammer versions but maintains their atmosphere perfectly and outdoes "the horror of dracula" by far. christopher lee looks just like the description of the Count in stoker's novel, and far from being 'funny' or 'cheap' as some of the other reviewers here have called it (did they watch the same movie, or what?), you don't doubt it's reality for a moment. the soundtrack is really eerie and appropriate to some of the truly horrifying scenes, such as the poor woman screaming outside the castle at dracula to give her baby back, and the surrealistic scene in which jonathan harker leaps out the castle's window. kinski is superb and utterly convincing (and i'm usually not all that impressed by him) as renfield, and it is really creepy to watch his behavior at times. (especially when he eats bugs and smears the friggin blood on the rubber walls. ick!) in fact, i could find very little wrong with this movie at all, and any true horror fan will revere it. not just a must watch, a must own.

Jess Franco's version of the Bram Stoker classic has Count Dracula (Christopher Lee) as an old man who grows younger whenever he dines on the blood of young maidens.

I recently watched the Dan Curtis version of Dracula and found that to be a very faithful adaptation, possibly the best up to that point (being later eclipsed by Francis Ford Coppola). But there is something to be said about this one, too. While some aspects are played down -- the boat ride from Transylvania to London is never shown -- others are played up. Curtis did not much focus on Renfield, while Franco makes him (played expertly by Klaus Kinski) front and center, even having him eat insects.

Some of what is shown is cheesy, especially the bat outside the window -- clearly a rubber bat on a string ,as it never flaps its wings. I love that although the effect is terrible, they use it probably ten times. And why not? When you have this level of talent (Lee, Kinski, Herbert Lom) and such beautiful sets, who needs effects?

Despite some relatively poor production values, this film has the requisite quality of "creepiness" that any good Dracula film really should have. Kinski is fine. This is also Christopher Lee's most accurate performance as the Count. Too bad the editing is so jumpy. It's almost like watching a documentary, or an antique silent film (but with sound). If they had just invested a little more money, this could have become "the" authentic film adaptation of the novel. As it stands, it is only for real devotees of the genre.

A really good Dracula adaptation indeed! I liked it even better than Francis Ford Coppola´s multi million Dollar version of Bram Stroker´s classic novel! Unimaginable what Franco had done if he would have had a higher budget... However, it doesn´t seem to need much money to create a gothic atmosphere, which is so creepy that you can feel a cold breeze in your neck. Once more horror legend Christoper Lee is giving the demonic vampire lord and he´s as perfect as usual in the role, but the most impressive part has Herbert Lom as Dr. Van Helsing, what even makes Hollywood superstar Sir Anthony Hopkins looking like an old fogey! But Franco, who directed such mini classics like "Vampyros Lesbos" as well as awful turkeys, wouldn´t be the same of there wasn´t a bundled load of camp: Especially, I liked the plastic bats where you can clearly see the strings they were fixed on. Another problem is the part of acting genius Klaus Kinski: it´s a total riddle to me why Franco hadn´t stretched his brilliance more, because Kinski´s sitting the whole time in a rubber room, eats flys and has no text to say... A real waste of talent!! Nevertheless an underrated horror gem!! Really worth to be seen, even if you hate Franco..!