Tage und Nächte in der Wildnis

Story is about friends going to a vacation to disconnect from daily life for a while. The writer, Sunil Gangopadhyay, is one of the best novelists of Bengal who wrote beautifully about youth and thus this film too. There are scenes of them drinking which has been served as a reference for drunk scenes for decades. Also, the memory game scene breaks the classical expositions in film and a source of many pop quizzes, memes and minimalistic posters. At least 2 post-millennial film I can remember directly inspired by this - Goutam Ghose's 'Abar Aranye', a sequel and Anjan Dutt's 'Chalo Let's Go', a remake?!. Again, like all his films, Rabi Ghosh steals a lot of scenes. And again, lot of sexy women.

As a passionate movie buff, I have the highest regard for Ray's films. That has been reconfirmed after watching this subtly nuanced film from Ray. To the casual viewer, it might seem like the escapades of four middle class gentlemen when they go out of their constrictive surroundings into the wilderness and meet three women. However, a rigorous viewing will expose different layers, some surprising, and others not so surprising. With flawless and fluid direction, Ray tells a story of love lost, confidence regained, inhibitions of a conservative society blown away, overwhelming sadness, and the joy and freedom of coming close to nature. Even though it is quite an old film, it speaks of the human nature and its eternal characteristics so beautifully, that it does not seem dated at all- which is the mark of a classic. Highly recommended.

"Aranyer Din Ratri" is an underrated lyrical masterpiece from the great Satyajit Ray. Its structure is one of the most musical of Ray's films, yet it remains one of the most scathing indictments of pompous urban men. A must see. The memory game sequence alone is worth the price of the film.

I feel compelled to respond to Ravenus, who writes: "Simi Garewal's hilariously accented Bengali makes her tribal character a hard act to digest." We must remember that Duli, the character Simi plays, is not a sophisticated woman from Calcutta, but a tribal woman from Palamau, which is 300 miles west of Calcutta. Her accent is perfect for the character.

We always loved our friends. When we wish to do anything we go to our friends. Friends like a shelter. Whenever we need help friends to come over to us. Any kind of help if we need to kill someone they help us.if we fall in love mostly help us, friends. They play a vital role in our life.

This movie is typically a Roy film. Sunil babu writes this novel and outstanding idea come over to film by Roy. This plot comes over four friends. Based on forest and four friends go together and they enjoy the forest life. WE all try to do government jobs. Our fours heroes are not different. They do a job in Kolkata and when they have any kind of vacation they go to the near jungle. The story begins in a jungle and there have a lot of stories. And they find two girls who have also come on vacation.

This movie is smashing. If we talk about Roy he is awesome in his direction. Sarmilla thakur look like a queen. What a beauty!

-'Aranyer Din Ratri' opens with four Calcuttan friends on a hedonistic road trip to a forest. Each friend has a distinctive personalitry trait: Ashim (Soumitra Chatterjee) is successful, slightly dominating and slightly narcissistic, Sanjoy (Subhendu Chatterjee) is shy, conventional and neutral, Shekhar (Robi Ghosh) is the funny one, and Hari (Samit Bhanja) is rash and impulsive. While they almost forcefully settle down in the guest house much against the caretaker's request (as it will cost him his job) and observe the surrounding locales, they come across three different women: Aparna (Sharmila Tagore) an enigmatic confident and smart young lady, her widowed sister-in-law (Kaberi Bose) who is welcoming and cheerful and a tribal girl named Duli (Simi Garewal) who is ready to offer services in exchange of money. It is this encounter in the forest that leads to a development that will change the lives of Ashim, Sanjoy and Hari while Shekhar remains his own funny self. Ray proves again that less can be more if done properly. The lyrical story is told with sheer subtlety and profound depth. The sexual chemistry, the underlying themes such as class differentiation, poverty, loneliness and love are displayed with a skillful quietness. His fluid direction and the actors performances draws the viewer into this little forest of quiet enigma. It is no surprise that Ray has worked with the best actors and 'Aranyer Din Ratri' is no different in that respect. The two Chatterjees, Ghosh and Bhanja are superb. It really felt as though we were watching four close friends. Garewal provides some comic relief. She may be an unusual choice for Duli but she pulls it off quite well. Sharmila Tagore excellently downplays the part of Aparna. Ray's films have a timeless quality as they never feel outdated. Needless to say, the terrific 'Aranyer Din Ratri' is one such movie.