Airport

"Airport" is an impressive disaster epic that rises high above the ground due to its characters. Every key player adds to the plot and that fact makes "Airport" a very good film from a great decade of movies. Oscar-winner Helen Hayes, in particular, dominates when she appears on the screen. Unfortunately this film would spawn one of the most trivial genres in the history of the cinema. 4 out of 5 stars.

In 1968, Arthur Hailey's best selling novel Airport was a fixture atop the best seller's lists. It was an intricate detailed telling of the inner workings of fictional Lincoln International Airport trying desperately to function during one of the worst snow storms in decades. Hailey had researched the book for five years, and as he weaved his soap opera storyline magic, we gained a fascinating behind the scenes look of airport operations, why airlines function the way they do, and a detailed look at the stressful lives of air-traffic controllers. It was these details that made the novel great. Hailey wrote his characters with substance, digging deep into their personalities, motivations and psyche, so that we always understood their actions and reactions. The basic plot lines may have been high class soap-opera but the book as a whole was one of great substance and readability.

In 1970, Hailey's book hit the big screen as an all star glitzy Hollywood production. Unable to put the complex details of Airport operations onto the big screen, director and writer George Seaton gave us all melodrama and not much technical details. As Hollywood spectacle it's fun to watch and taken on that level you won't mind giving it a look. If you've read Hailey's novel, you'll probably be disappointed.

Of course in a film such as this with enough plots to make six movies, you are bound by the unwritten law of Hollywood to have a recognizable all star cast. So get your pens and pencils out and get ready to draw a chart. Headlining Airport are Burt Lancaster as Mel Bakersfield the airport manager, and Dean Martin as his Mel's brother-in-law and a philandering pilot, Vern Demerest. Lancaster is easily the better of the two. He has this aura about him that makes us believe he could be running a Metropolitan Airport. Martin is not quite as successful as Lancaster. He is Dean Martin playing Dean Martin pretending to be the aforementioned playboy pilot. Heck, though, he makes the character a likable enough guy that you won't mind it a bit. Another disappointment is that Martin and Lancaster only have one brief scene together. It would have been nice if Seaton would have added a few more, just so we could watch two legends work together.

Jean Seberg plays Tonya Livingston, an airline representative who has designs on Mel despite the fact that Mel is still married. We believe her as the airline rep., but the chemistry between Seberg and Lancaster never really clicks. If the relationship were gone into in more detail then perhaps one would feel differently. Unfortunately that's one thing this film is in short supply of is important details.

Next up in our role call is Jacqueline Bisset, who plays stewardess and Mistress Gwen Meighen who also happens to be pregnant (Captain, we have an extra passenger on board). As Gwen, Bisset gives us one of the more believable characters in this film, making us understand her feelings for Vern enough that though she never says it we see her love for him. George Kennedy provides comedy relief as Joe Patroni, an ace airline mechanic brought in to remove an airliner mired in the snow and blocking a key runway. Helen Hayes is on hand as an airplane stowaway. Though she may look like a sweet little old lady, don't be fooled. Having won an Oscar in 1932 for The Sin of Madelon Claudet, she would pick up another on thirty eight years later as a supporting actress for her role as Ada Quonsett.

The very best in this film though are Van Heflin as D.O. Guerrero, a down on his luck, out of work construction worker, who hatches a chilling desperate plan to change the financial fortunes of his family. As his wife Inez, Maureen Stapleton may not have copped the Oscar, but should have. Her portrayal of Inez has some of the more touching moments in Airport.

One of the other great stars of Airport is the snow storm itself. In scenes filmed by Ernest Lazlo and directed by Henry Hathaway, the outdoor settings of snow blanketing the airport are so realistic; you'll be going to the closet to grab a coat. Alfred Newman's lush score blends right into the goings on, and his opening title overture will suck you right into the film.

Ross Hunter was the producer on airport. His involvement in glitzy Hollywood soap operas of the past such as Imitation of Life, Madame X, would help to explain much of the goings on in this film. On another note, I was unimpressed with Edith Head's costume design for the stewardesses. They are unattractively bland, and seem almost matronly.

Airport will never be confused with great film making. None the less, it is still highly watchable entertainment. It gives us a lot of plots, a lot of stars, a lot of snow and a some suspense. And for all that you get my grade which is: B

I recently watched "Airport" on TCM. It was the first time I had seen it in its original widescreen format since it came out in 1970. I was surprised at how well it has held up with the passage of time. Although there have been disaster movies from the beginning of cinema in the late 19th century and one that dealt specifically with an airplane in danger ("The High and the Mighty"), this was the film that launched the modern disaster craze that produced "The Towering Inferno," "The Poseidon Adventure," and countless others including "The Day After Tomorrow." The hilarious spoof "Airplane" which poked fun at the clichés and pretentiousness of the films did much to discredit the genre until recently.

"Airport" was based on the popular best seller by Arthur Hailey. Although over two hours long, the movie moves and the viewer never gets bored. The stellar cast does an exceptional job with a standout performance by the legendary Helen Hayes. The ending is both happy and sad. So it does not cop out on several key themes of the story. Many of the roles, such as George Kennedy's Joe Patroni, are played lightly and this adds zest to the performances. When the script begins to get syrupy a new element of emergency is thrown in to pick it up and go.

Forget all the cliché-ridden disaster flicks you have seen since "Airport." You will be entertained and not feel cheated when the closing credits appear.

Airport is a film that has been unfairly tarnished by having spawned three `sequels' which were really just variations on the aviation disaster plot-line with little in common with this film. In fact there is a whole lot more to this film than aviation disaster but at no point is there the feeling of `gee I wish the plane would hurry up and crash'. Much of the running time is taken with exploring the personal dramas of the various personalities of Lincoln Airport; Mel Bakersfield (Burt Lancaster) must contend with stacked up planes and a snow-bound airport, a bitter wife, and philandering and antagonistic brother-in-law Vernon Demerest (Dean Martin). Between dealing with complaints by nearby residents and airport officials, Mel loves Tania Livingstone (Jean Seberg), the calm and efficient Airport administrator who spends her time at the airport dealing with complaining customers, customs cheats, and little old lady stowaway Ada Quonset (Helen Hayes). Meanwhile Vernon, married to Mel's sister Sarah also loves flight attendant Gwen Mieghan (Jacqueline Bissett) who has just announced her pregnancy. Much sympathy is generated for struggling older woman Inez Guerrero (Maureen Stapleton, who is excellent) who discovers that her heavily insured husband D O Guerrero (Van Heflin, also excellent in one of his last roles) who has claimed to have found demolition work in Milwaukee, has actually booked a one-way ticket to Rome. Inez frantically travels to the airport but arrives after the plane has taken off... with Vernon, Gwen and Ada amongst those on board.

The film is an classy, old-fashioned drama which does not feel at all like the wave of disaster films that followed. The acting and characterisation is good and the subplots genuinely involving. There is also an interesting use of split-screen type devices, and a nice line in comedy. A great film if you can ignore all those silly disclaimers insisting that Boeing 707s are excellent aeroplanes, etc. (Not that they aren't good planes or anything...)

Universal assembled an all-star cast for this film version of Arthur Hailey's best-selling novel "Airport", and the result was a critical and box-office smash that earned 10 Oscar nominations. The film is at its basics pure soap-opera built around the impending bomb on a 707 bound for Rome. The workings of a major international airport are well depicted and the cast provides some great performances. Burt Lancaster, Jacqueline Bisset, Jean Seberg, Maureen Stapleton, Dean Martin, and Van Heflin all turn in some of the best performances of their careers, and Helen Hayes (who won an Oscar for supporting actress) is endearing as the stowaway, who has worked out quite a system for flying for free. "Airport"'s success signaled the beginning of the disaster movie era that was followed over the next several years by such films as "The Poseidon Adventure", "The Towering Inferno", "Earthquake", "Two Minute Warning", and "Rollercoaster". "Airport" also inspired three sequels, although none of them even approached the original.