Ein Sheriff in New York

When the Mystery Movies started on NBC, the viewer was treated to a set of rotating series, including the great Columbo, the fresh MacMillan & Wife, the unusual Hec Ramsey, the very 70s Banacek, to name a few. And then there was this fish-out-of-water series about a New Mexican lawman working in the Big Apple, and it was cool, very fun and enjoyable.

Having never seen Coogan's Bluff, I had no comparison points and so took the program on its own merits. The cast was excellent. Lanky, likable Dennis Weaver wore Marshall Sam McCloud like a second skin, and because he'd been in Westerns, was believable as the cowboy cop; his riding and gun-handling skills appeared very natural, and he was also good at fight scenes. Short-fused police Chief Peter B. Clifford was his foil, adeptly portrayed by veteran actor J. D. Cannon. These two formed the main dynamic conflict for the programs. They were supported by a good cast of characters that included long-suffering Sergeant Joe Broadhurst(Terry Carter), a lovely reporter in love with Sam named Chris Coughlin(Diana Muldaur), and a changing roster of cops(including a delightful turn by Teri Garr as Sergeant Phyllis Norton).

The writing was decent, and the episodes where McCloud went even further afield to places like Australia, Paris and Hawaii were great. The chemistry of the cast was never flat, and there did slowly build in the cranky Chief Clifford a grudging respect for McCloud's unconventional approach to police investigation. When stuck in Hawaii on a trumped-up murder charge, Clifford is almost even glad that McCloud is there with him...almost.

Unlike some of the other shows that aired in the NBC Mystery Movies, this one has not grown stale or appears too dated, much like Columbo. Yes, it was at times formulaic, but the formula was appealing and easy to enjoy, and the main character less grating than some from that same time period. It wasn't as dated as Banacek or as silly as the Snoop Sisters, but like Columbo and McMillan & Wife, has aged gracefully and is still a fun ride, you betcha.

McCloud was one of my favorite detective series of the 70's. I guess the best thing about it was the way Sam McCloud not only caught the bad guys, but the way he usually was able to make fools of the uptight holier than thou New York cops who considered him a southern country bumpkin. The police chief, Peter Clifford, always looked like he was on the verge of having a stroke whenever McCloud was around. If only he had let McCloud do his job without making such a fuss, the bad guys would still have been caught, and with a lot less trouble.

Although I think that the original inspiration for the McCloud series came from Clint Eastwood's film Coogan's Bluff which involved a New Mexico sheriff in New York, Dennis Weaver certainly made Marshal Sam McCloud his own character and certainly was a lot less stiff than Eastwood's Joe Coogan.

The premise had Sam McCloud of Taos, New Mexico in New York to take some training in new law enforcement techniques. But it seemed that in every show he was teaching those New York City slickers a thing or two about criminal apprehension.

He was the bane of the existence of Chief Clifford who was played by J.D. Cannon. Cannon looked like he was about to let an ulcer get the better of him in each show. A bit more patient was the NYPD babysitter Terry Carter who played Sergeant Joe Broadhurst. Weaver even got a little romance going with reporter Diana Muldaur. Weaver was good for scoops at least.

And there was McCloud's eternal catchphrase. Whenever the New Yorkers finally got whatever he was doing it was always "There Ya Go". Weaver was always springing country aphorisms which he had to translate.

Weaver really made this show click. He hated playing Chester in Gunsmoke, always thought he should have been the marshal.

I'd say he proved it with McCloud.

Sam McCloud is one of the more entertaining characters ever created for television, and possibly the most natural "fish out of water" creation.

In the pilot, McCloud escorts a witness in an important murder case to New York, and winds up solving a complicated case virtually single-handedly. The premise then becomes that he is "assigned" by the Taos, NM Sheriff's Office to stay in New York as learn their police techniques and procedures.

Each episode becomes a study of how McCloud's stubborn, but common sense, demeanor trumps his big city colleagues to find the truth where more common methods fail.

While the cases presented are serious -- most often murders -- the series has a comical edge the will cause you to chuckle out loud at least a few times per episode.

The only failing is that some of the plots have a few holes in them, and today, it's hard to not only find the episodes, but to find uncut versions that don't leave out important scenes.

Dennis Weaver is brilliant in the show.

"There ya go."

I miss the NBC Mystery Movie, which gave us Columbo, McMillan and Wife, McCloud, and several shows that didn't make it. McCloud deservedly was a show that lasted. It starred Dennis Weaver who, after his big success as Chester on "Gunsmoke" proved that he wasn't one to be typecast. He was terrific as McCloud, a westerner assigned to work in New York City under Chief Clifford (the ever-irate J.D. Cannon). Though his ways were often criticized, McCloud always got the job done. "You said yourself I'm funky," he once told Clifford. Terry Carter provided able support.

Diana Muldaur was McCloud's sophisticated Manhattan girlfriend, and you could really see how she'd fall for him - it's obvious she saw him as a real man in a world of dull types.

At the time of this writing, Dennis Weaver is 81 and still working occasionally, though not enough for his many fans. He has given us some wonderful characters over the years. McCloud is one, a funky cowboy riding the Manhattan streets.