IMDb-BEWERTUNG
3,9/10
1096
IHRE BEWERTUNG
Eine Rasse von sexy Frauen aus Angvia, einem Planeten in einer anderen Dimension, kommt auf die Erde, um Frauen zu entführen und ihren Planeten neu zu bevölkern.Eine Rasse von sexy Frauen aus Angvia, einem Planeten in einer anderen Dimension, kommt auf die Erde, um Frauen zu entführen und ihren Planeten neu zu bevölkern.Eine Rasse von sexy Frauen aus Angvia, einem Planeten in einer anderen Dimension, kommt auf die Erde, um Frauen zu entführen und ihren Planeten neu zu bevölkern.
- Regie
- Drehbuch
- Hauptbesetzung
Carol Hawkins
- Zara
- (as Carolanne Hawkins)
Empfohlene Bewertungen
I believe I first became aware of this sci-fi/sexploitationer via the biography for actress Valerie Leon included among the extras on the Anchor Bay DVD of Hammer's superior BLOOD FROM THE MUMMY'S TOMB (1971); incidentally, the film under review was made by rival company Tigon.
To begin with, the script was apparently inspired by a comic strip (such cinematic adaptations were all the rage at the time no doubt, the makers were encouraged by the success of BARBARELLA [1968]). Still, even reading through the cast list, I knew not to raise my 'artistic' hopes too highly given that it featured both James Robertson-Justice and Charles Hawtrey, stalwarts of (respectively) the popular "Doctor" and "Carry On" comedy franchises who actually turn out to be the villains of the piece!! The narrative drew heavily on another then-current fad i.e. espionage in fact, the hero is a stud-like albeit laid-back secret agent who naturally proves irresistible to the alien women (actually, an alternate moniker for the film) the titular figure (played by veteran Dawn Addams) sends his way in order to derail his investigation into the abduction of several earth girls.
That said, the plot is barely there and becomes especially confusing not to say silly during the latter stages; for what it's worth, the film culminates in a chase wherein the otherworldly gals kill virtually all of their male pursuers simply by pointing their fingers at them (accompanied by the incongruous noise of gunshots)!! Needless to say, ZETA ONE's raison d'etre and prime asset is its relentless parade of innumerable but anonymous starlets of the era in the nude or otherwise scantily-clad: the above-mentioned Valerie Leon herself is underused, but fellow future Hammer lead Yutte Stensgaard who engages the hero (to whom he's recounting his non-exploits) in a lengthy and decidedly irrelevant game of strip-poker comes off quite well (no pun intended). Also worth mentioning are the low-budget but appropriately psychedelic sets and the title tune (featuring a reasonably effective guitar riff).
To begin with, the script was apparently inspired by a comic strip (such cinematic adaptations were all the rage at the time no doubt, the makers were encouraged by the success of BARBARELLA [1968]). Still, even reading through the cast list, I knew not to raise my 'artistic' hopes too highly given that it featured both James Robertson-Justice and Charles Hawtrey, stalwarts of (respectively) the popular "Doctor" and "Carry On" comedy franchises who actually turn out to be the villains of the piece!! The narrative drew heavily on another then-current fad i.e. espionage in fact, the hero is a stud-like albeit laid-back secret agent who naturally proves irresistible to the alien women (actually, an alternate moniker for the film) the titular figure (played by veteran Dawn Addams) sends his way in order to derail his investigation into the abduction of several earth girls.
That said, the plot is barely there and becomes especially confusing not to say silly during the latter stages; for what it's worth, the film culminates in a chase wherein the otherworldly gals kill virtually all of their male pursuers simply by pointing their fingers at them (accompanied by the incongruous noise of gunshots)!! Needless to say, ZETA ONE's raison d'etre and prime asset is its relentless parade of innumerable but anonymous starlets of the era in the nude or otherwise scantily-clad: the above-mentioned Valerie Leon herself is underused, but fellow future Hammer lead Yutte Stensgaard who engages the hero (to whom he's recounting his non-exploits) in a lengthy and decidedly irrelevant game of strip-poker comes off quite well (no pun intended). Also worth mentioning are the low-budget but appropriately psychedelic sets and the title tune (featuring a reasonably effective guitar riff).
Well I liked it!
If you're a fan of Yutte Stensgaard (cor!) it's a goodie - she appears throughout.
A good cast in a strange mixture of Doctor/Carry On/Spy spoof (watch for the Harry Palmer lookalike!) & Sci-fi, containing much female pulchritude!
There's Rita Webb as a bus conductress, & watch out for Carol Hawkins - Sharon Eversleigh from 'Please Sir'.
The woodland finale, inexplicably, reminded me of The Avengers.
And did I mention Yutte? Cor! :D
If you're a fan of Yutte Stensgaard (cor!) it's a goodie - she appears throughout.
A good cast in a strange mixture of Doctor/Carry On/Spy spoof (watch for the Harry Palmer lookalike!) & Sci-fi, containing much female pulchritude!
There's Rita Webb as a bus conductress, & watch out for Carol Hawkins - Sharon Eversleigh from 'Please Sir'.
The woodland finale, inexplicably, reminded me of The Avengers.
And did I mention Yutte? Cor! :D
Fun but very silly B-movie. Not so much poundshop 007 as pervy Dr Who. There is scant story, dialogue or direction. Both James Robertson Justice and Charlie Hawtrey are completely wasted (although were they actually wasted their performances might actually improve). A half hour nap would not disrupt your viewing pleasure.
The photography, art and wardrobe (or lack of) are the only things keeping the ship afloat as it lurches towards the final credits; although sheer awfulness of execution makes for truly comical moments along the way. If you like "so bad it's good" movies I recommend this one.
The photography, art and wardrobe (or lack of) are the only things keeping the ship afloat as it lurches towards the final credits; although sheer awfulness of execution makes for truly comical moments along the way. If you like "so bad it's good" movies I recommend this one.
It's another cold snowy winter day here so I once again took advantage of our Amazon Prime subscription and picked a flick. This time I watched a film from 1969 called 'zeta one' (aka 'The Love Factor'). It's a British made secret agent film...sort of... maybe it's more a sex-ploitation film. I can best describe it as a cross between the over the top spy films like 'Our Man Flint' and the recent Austin Powers films. Also a touch of James Bond. There is a 'Barbarella' sci fi element to it too. There's a race of alien women with advanced technology who want us for mating purposes or something. I'm not really sure. Like so many other B-movie female aliens they only seem to have women in their society. Women who like to dress as male fantasies. Even their warrior women dress in pasties and G strings. Evidently it's their favorite combat gear no matter how impractical and uncomfortable it must be. Yes, this is one of those movies. It's loaded with 60s era nudity, mini skirts, boots and even a psychedelic trip or two. It reminds me of the Austin Powers movies because it seems more an exaggerated spoof of the 60s then what it really is, a real 60s film. I lived through that time as a young teen so I know a little. It even had 'Laugh-in Style' girls dancing topless in body paint. It's more 60s then I ever remember the 60s as being, it you can understand that. It's like what people now seem to imagine those days to be who weren't there.
Anyway, it's a funny film if you're in the right frame of mind. There is one agent who looks like a British version of Barney Fife in round glasses. Their version of M here is more into 'S & M'. Yes, it's a strangely entertaining flick that bad movie fans should enjoy.
Anyway, it's a funny film if you're in the right frame of mind. There is one agent who looks like a British version of Barney Fife in round glasses. Their version of M here is more into 'S & M'. Yes, it's a strangely entertaining flick that bad movie fans should enjoy.
Angvia is in space, in a different timescale or something. The first fifteen minutes are spent watching James (Robin Hawdon) and Ann (Yutte Stensgaard) paying cards.
Highpoints, at least as far as casting is concenred is Charles Hawtrey (as Swyne) and James Robertson Justice (Major Bourdon). These two legendry performers could be said to be playing their roles uncharacteristically straight - or possibly uninterested.
Zeta One attempts to be a sort of sci-fi, camp James Bond production. Viewed in 2021, it is pretty tedious and tame. The first scene features James coming home to find Ann barely dressed, having prepared a sumptuous dinner (which they never get to eat). I'm no fan of knocking productions that were very much a product of its time - it's a very lazy and unfair thing to do - but if I say this lacks the wit and sophistication of the Carry On films, you'll get some idea as to its level. Sadly, despite featuring a planned sexy alien invasion of swinging London in 1969, it's also rather dull.
James Word (... is his Bond, get it?) sports a moustache that comes and goes, and spends most of the time pouting and posturing in bed with many lovely young ladies while trying to glue the paper-thin plot strands together. The inconsistencies in the execution (Word disappears for vast swatches of time, and Bourdon disappears before the finale) indicate some kind of troubled production. Actor Hawdon tested for the role of James Bond before Roger Moore got the role.
It's odd rather than amusing, looks pretty cheap and every female character seems to be dubbed, which happened a lot in films around this time. A rather tedious curio. My score is 4 out of 10.
Highpoints, at least as far as casting is concenred is Charles Hawtrey (as Swyne) and James Robertson Justice (Major Bourdon). These two legendry performers could be said to be playing their roles uncharacteristically straight - or possibly uninterested.
Zeta One attempts to be a sort of sci-fi, camp James Bond production. Viewed in 2021, it is pretty tedious and tame. The first scene features James coming home to find Ann barely dressed, having prepared a sumptuous dinner (which they never get to eat). I'm no fan of knocking productions that were very much a product of its time - it's a very lazy and unfair thing to do - but if I say this lacks the wit and sophistication of the Carry On films, you'll get some idea as to its level. Sadly, despite featuring a planned sexy alien invasion of swinging London in 1969, it's also rather dull.
James Word (... is his Bond, get it?) sports a moustache that comes and goes, and spends most of the time pouting and posturing in bed with many lovely young ladies while trying to glue the paper-thin plot strands together. The inconsistencies in the execution (Word disappears for vast swatches of time, and Bourdon disappears before the finale) indicate some kind of troubled production. Actor Hawdon tested for the role of James Bond before Roger Moore got the role.
It's odd rather than amusing, looks pretty cheap and every female character seems to be dubbed, which happened a lot in films around this time. A rather tedious curio. My score is 4 out of 10.
Wusstest du schon
- Wissenswertes"Angvia," the planet the aliens are from, is an anagram for vagina.
- PatzerWhen Bourdon's lackey is dispatched after Zara, he is easily close enough to grab her at the foot of the ladder, but as she is having difficulty maneuvering the rungs in go-go boots, he obviously pauses to give her a head start.
- Zitate
Maj. Bourdon: [to a girl whose hemline barely covers her crotch] Well, lift up your skirts and let's see your pretty legs.
- Alternative VersionenThe original UK cinema release suffered BBFC cuts which removed most of the nudity, including Mark's assorted flings with naked women, and toned down the torture of Zara by Bourdon. Later video and DVD releases were uncut.
- VerbindungenFeatured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 2 (1996)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is The Love Factor?Powered by Alexa
Details
- Laufzeit1 Stunde 26 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen