Z: Anatomie eines politischen Mordes

This is a great Costa-Gavras' masterpiece about a political confusion caused by a murder of a politic. Costa-Gravas again shows his talent in this interesting film that is full of conspiracy, tension and confusion. The plot is complex but you can follow it and, once you do it, you enjoy the film a lot. There's this dark atmosphere in the whole length of the movie that gives it a nice and enchanting look. I think the best way to watch "Z" is in total silence, with your eyes glued to the screen and your mind turned towards the frames and all the great actions and dialogues.

My rate 8 out of 10

... even today, although the abuse of government and power by those on both extremes of the political spectrum is usually far more subtle than the flagrant corruption and abuse presented here, but not always - as the murder of journalists by western sponsored nations is usually forgiven, especially if large reserves of oil can be used to acquire weapons from the sponsor.

Each occasion who I saw this remarkable film, I discovered new virtue of it. First - the cast . Impressive at whole under the art of Costas Gavras. Second, the slice of Greece contemporary story. Not the last, the universal message. A great film about dictatorship and justice, values and idealism. Powerful message about fragility and mistakes of democacy, splendid hommage to the truth.

When the preview of "Z" was shown at the Oscars, it received a standing ovation. I didn't know why until I saw the movie. The Oscar forced it to be shown in the United States. At the time, the US backed the military government in Greece. The totalitarian government represented a stand against communism. This movie depicts the true story of a beloved olympic athlete who became a doctor and began speaking out against his Greek government. For that, he was murdered. This is about a brave investigator who begins to search for the origin of the orders to have the doctor killed.

It leads to the downfall of a country. Mikis Theordorakis wrote the music from house arrest in Greece and it was smuggled out to be placed on the film. Yves Montand played the lead role and was blacklisted from getting a US Visa for his participation until some strings were pulled and he was allowed a 24 hour visa, to be extended each 24 hours in order to allow him to film "On A Clear Day You Can See Forever". At the end of filming,that night he made a surprise appearance on Johnny Carson's Tonight Show. He told the story about "Z" and commented that he was in the care and custody of US Immigration and the FBI. The camera panned right and a dark suited man slid quickly behind the curtain. He apologized for his abruptness, but his visa expired at midnight and he had to get to the airport. When I saw these things, I was shocked my government would take a movie so seriously. When it showed up in an obscure movie theater in Houston, I had to go. I was the only person buying a ticket just after noon that day. Upon entering the theater, a dark suited man was sitting in the lobby. I walked into theater and then stuck my head back out to see what the only other individual in the theater was doing. He was stepping away from the ticket booth. I watched as he walked the short distance to my car, took out a notebook and wrote in it while looking at my license plate. This is how it happened. It was 1969. J. Edgar Hoover had stated publicly that no truly loyal American would pay money to see such a movie. It was unpatriotic. Newspaper articles that spring reported it.

Watch this movie and consider the importance "entertainment" can have on government, media, and yourself.

I have to start by getting slightly off topic. I've wanted to see this film for thirty years. Not because I've read or heard anything about it, but entirely because of the trailer I saw when it was first released, back when I was 14. Although I now remember more the feelings the trailer inspired than the trailer itself, it still reminds me how awful trailers almost always are. The trailer for "Z" was some the most intense, exciting few seconds of film I had ever seen, and I wanted to see more. A brilliant ultra-short film production. And it did it without revealing and spoiling the movie's story. So when I finally did see "Z" I was able to enjoy something fresh and new.

It wasn't what I expected, but turned out to be one of the best political thrillers I've ever seen. You don't really have to know Greek history to see it, in part because the movie never explicitly mentions Greece. Better to do it the other way around, by getting swept up in the gritty often tawdry intrigues you will be learning Greek history without realizing it. Or if you are into conspiracies and cover-ups in general you'll learn how they really aren't the brilliantly crafted master-plans of distant omnipotent figures that most movies show, but are usually the creation of dull mediocrities, full of flaws, stupidities, and ham-fisted improvisations. That they often succeed is more because of brute force than any innate cleverness. This is a powerful and effective movie, which is almost certainly due to its being based closely on reality and the passions that inspired it's making, and from it not being a recycled and denatured Hollywood product. I highly recommend it.