Pokerspiel für Zwei

Whilst I would agree that Rosemary Forsyth is a great reason to watch this film, there are other points in favour of Where It's At. David Janssen plays a Type A casino owner who tries to bring his son (Robert Drivas, in a low key but effective performance) into the business. Shot on location at Las Vegas Caesar's Palace, this is a trip down memory lane for anyone who spent time in that city of sin back in the '70s. You'll see lots of big names in lights on marquees, but alas, Totie Fields is not amongst them. Anyhoo, the canny Drivas turns the tables on his father, leading to an unlikely though plausible family hug at the end of the picture.

Another interesting aspect of Drivas' character is the screenplay's refusal to commit on his sexuality. He's presented with willing female partners throughout the film (including the astonishing Edy Williams and cute as a button Brenda Vaccaro) but never consummates the relationship, and doubt is repeatedly cast on his manhood. I don't know if Drivas was gay, but the fact that he died of AIDS at the age of 48 lends a bittersweet piquancy to his performance here. All in all, an interesting film that will keep your attention.

Casting bone to pick: David Jannsen was 38 playing the father of Robert Drivas, who was then, 31 (yeah, I realize he's supposed to be just out of college, but clues in the script have him being a loafer and so he's probably 24-25 in the script--- that still puts Jannsen in parenting classes in Junior High). I assume the AMA wrote medical miracle up in their 1938 Year in Medicine. This movie hasn't aged very well at all and now it's main appeal is just to see a snap shot of Sin City, circa 1969 and all the incessant smoking, the weird hair (Drivas has an atomic comb over that makes him resemble a well-groomed hip Cousin It) and trendy fashions that went along with it. If anyone remembers, LV wasn't exactly London... the city coddled the mob and codger gamblers in those days. Drivas comes off as sexually ambiguous; his dad thinks he might be gay (in a sad irony, Drivas himself died of AIDS at 47) and the soapy conflict is from the generation gap issue (ahem, as if one may call 7 years a gap). Sonny boy wants to be his own man and dad wants to pull him into the casino (Caesar's Palace!), and plies him with girls (including the horny-for-money Edy Williams). Interestingly enough, the son doesn't seem to mind being thought of as gay--- unusual for the time and a cute Brenda Vaccarro is nearby to swoon platonically over him. What nudity there is is awfully lame--- just what was needed to pull the audience in for an 'R' rating in the early days of the MPAA rating system (which then was G-M-R[16]- and X). The editing is HORRIBLE and there's stupid-silly overdubs by The Committee (a late 60's neo-avante-garde comedy troupe that mercifully faded off the map within a couple of years). Don Rickles is on board as a blackjack dealer... seemingly preparing him for a role as a floor manager in the much better CASINO two decades later. Not to give anything away, but they would've dealt with Mr. Rickles' character with power tools and a hole in the desert back then. A curiosity at best, far from Joshua Logan's usual caliber of work. Dos/Dias. Now go watch CASINO again...

The extraordinary Rosemary Forsyth is the main reason to see this flick. Why she never became a bigger store may never be known. But she is exceptional and steals every scene she's in. Garson Kanin directed this piece of fluff and the cast is first rate, with Robert Drivas and Brenda Vaccaro especially memorable. A "9" out of "10."

A hard-nosed casino owner wants to bring in his estranged son to learn the family business. He gets him - albeit reluctantly - to try it out, but soon gets more than he bargained for.

Strange late sixties film. It's listed as a comedy but it's not really funny. Maybe on some satiric level but even that is stretching it. It comes across more as a family drama with some unconventional elements thrown in. The main crux of the story involves the strained father-son relationship but the script throws in all kinds of subtexts pertinent to that time (e.g. love generation sensibilities versus the Dean Martin set) which only serve to convolute the whole thing.

David Janssen and Robert Drivas as the two male leads don't offer much depth to their roles and their characters are so different from each other its hard to believe they are father and son. Rosemary Forsyth and Brenda Vaccaro come off much better in support with the latter a standout as a flaky secretary. Don Rickles also has a nice cameo as a cheating card dealer.

Overall, "Where It's At" is more interesting as a historical curio which gives the viewer a rare glimpse of Vegas during that era. Especially well presented is Caesars Palace where most of the action takes place.

One other note about the film is that it frequently employs impressionistic style editing which may not be everyone's cup of tea. Viewed today it seems a little heavy handed and dated.

Garson Kanin wrote and directed this look at "modern day" Las Vegas and the gap between generations, his first directorial effort since the 1940s! David Janssen is somewhat miscast as a big-shot casino owner who reunites with his son (Robert Drivas, who looks disconcertingly like an older Jason Bateman). Janssen approaches every scene the same way: defensively, with a chip on his shoulder. Playing this role cool and laid-back is asking too much from Janssen, who barks at everyone like a grouchy put-upon husband (he even chews out Don Rickles and makes him cry!). His son, a ne'er-do-well in search of his own identity, makes hip comments about how young people look down on Vegas (give them another ten years), and his disapproval of Dad's lifestyle causes friction. Brenda Vaccaro is cute as a self-conscious secretary and Edy Willaims has a fun bit as a showgirl at an audition. Unfortunately, "Where It's At" doesn't have much else going for it other than the now-dated ruminations on ethics between adults and their kids, some quick T&A shots and amusingly jaded satirical bits on the high-stakes world of gambling--most of which has been covered by now, ad nauseum. ** from ****