Allied Agents inszenieren einen gewagten Überfall auf ein Schloss, in dem die Nazis den amerikanischen Brigadegeneral George Carnaby (Robert Beatty) gefangen halten, aber das ist nicht alles... Alles lesenAllied Agents inszenieren einen gewagten Überfall auf ein Schloss, in dem die Nazis den amerikanischen Brigadegeneral George Carnaby (Robert Beatty) gefangen halten, aber das ist nicht alles, was wirklich passiert.Allied Agents inszenieren einen gewagten Überfall auf ein Schloss, in dem die Nazis den amerikanischen Brigadegeneral George Carnaby (Robert Beatty) gefangen halten, aber das ist nicht alles, was wirklich passiert.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
- German Soldier
- (Nicht genannt)
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We are literally dropped into the action, along with the British/American extraction team shortly after the opening credits. There is only one brief flashback to sketch out the mission details for us, so we gain more narrative information as the movie timeline progresses, just as Clint Eastwood's Lt Schaffer does. Speaking of Eastwood, this was one of 3 films released in 1968, he had major roles in, that really consolidated his accession to the Hollywood "A" list, after he'd made a name for himself in European films. Sharing the lead with Richard Burton was a successful marriage of convenience, as one can't quite imagine Clint pulling off the longish, but necessary expository scenes, such as that around the fire in the Nazi drawing room, quite as well as Burton's Major Smith. That sort of stuff was second nature to the Shakespearian - trained Burton, whilst Eastwood contentedly added to his taciturn, but quietly threatening onscreen persona.
The trademark MacLean twists come thick and fast in the second half of the film, as does the action which ramps up quite a deal, culminating in the extended escape episode from the Schloß Adler, a mountaintop fortress accessible only by cable car or helicopter. And the onscreen action and tensity is only enhanced by Ron Goodwin's well-known soundtrack.
Where Eagles Dare and his follow-up film Kelly's Heroes are the two war films for undoubtedly which director Hutton is most famous. Besides both involving a collaboration with Clint Eastwood, they are generally recognised as being popular modern classics of the genre. Though not necessarily artistically great, they have great entertainment value, which 50 years of time passing, hasn't affected in the least. Definitely worth a look!
"Navarone" has many virtues, but too much talk and high-mindedness slow down the story. Anthonys Quayle and Quinn are wonderful, but Gregory Peck comes off as more of an Oxford don than a world-renowned mountaineer and David Niven, playing surely the oldest corporal in the British forces,.proves an insufferable bore. "Eagles", on the other hand, dispenses with the moralizing claptrap and serves up non-stop action. Although it's running time is approximately the same as "Navarone's", it never seems as long and you never feel the characters are trying to make a point, except with their machine pistols.
Of course "Eagles" greatest strong points are Richard Burton and Clint Eastwood. By 1968 Burton had eschewed the serious parts for the big money and the critics crucified him for selling out. Well, in this case I'm glad he did since he's superb as team leader Major Smith. Burton projects an aura of invincible self-confidence. He's rather reserved much of the time, but you never doubt his engagement. This is a man who simply won't be defeated. Peck's stuffy, diffident performance in "Navarone" pales by comparison. And Eastwood, though hardly Burton's equal as an actor, is Dirty Harry in boot camp - his Schaffer will kill you sooner than look at you, and it doesn't hurt that he looks great too.
"Eagles" also has a better villain than anyone in "Navarone", superior scenery, and a far superior score. Ron Goodwin's theme has been etched in my mind for over 30 years, but I can't remember a note from "Navarone's."
Perhaps the greatest World War Two adventure film of all time. Less realistic than a James Bond movie, but outstanding escapist entertainment.
How can it fail? It has spectacular scenery, great actors, lots of schoolboy WWII style action and even busty wenches in maid uniforms. This film is ingrained in the psyche, you cannot see a mountaintop castle without thinking of Schloss Adler and the cable-car scenes. If I'm trudging through the snow in the woods then I hear myself humming the theme from 'Where Eagles Dare'. If I or anyone from my generation picks up a radio, it's only a matter of time before someone starts sending "Broadsword calling Danny Boy" in an imitation of Richard Burton's plummy tones. It's a given.
I know it's not the most realistic movie ever made, but Richard Burton, Michael Horden, Clint Eastwood and the gang carry it off with great aplomb and we believe every line. The pacing is excellent, leaving similar offerings such as 'Guns of Navarone' feeling like funeral marches. And talk about atmosphere! This movie reeks atmosphere, from the settings in the beautiful mountains to the scenes inside the old caste hallways to the exterior shots of people rapelling down the sides of the viciously cold walls. It's a must see, 8 out of 10 compared to all films, and 10 out of 10 for 'men on a mission' movies.
Even though it is still a war movie, this movie isn't as heavy and or serious as many other WW II movies made in the same period. It is kind of in the same style as "The Guns of Navarone" (Also written by Alistair MacLean.). It's more is adventurous and fun to watch than heavy or realistic. Director Brian G. Hutton later also made the other 'fun'/adventurous/WW II movie "Kelly's Heroes".
Another element that distinct this movie from other movies from the same genre is the story. The story by famous writer Alistair MacLean is just brilliant! It begins as an average WW II rescue-mission movie but as the movie progresses the story takes several twists, until at a certain point you don't even know who to thrust anymore. The ending is really action-movie-like spectacular and features a tense fight an a moving cable-car followed by the perhaps even better car chase, which really reminded of the chase were Indy and his father are escaping the Nazi's on the motorcycle, in "Indiana Jones and the Last Crusade" Even the music sounded kind of similar! I wouldn't be surprised if Spielberg and Williams were inspired by this movie. The same goes for many other movie directors and other persons in the movie business by the way. I see similarities between this movie with 'modern' work quite often, both in story and characters as well as the action, editing and many other elements from this movie. This really is an inspirational movie, that as an action movie, just like as for instance "North by Northwest", was far ahead of its time.
It was a bit strange to see Clint Eastwood in the sidekick role. The main character of the movie is played by the legendary Richard Burton. Both actors really push this movie to an higher level with their profession and expertise and both are very believable in their roles.
An entertaining, action packed adventurous war movie with a splendid story and two wonderful performances from the two main actors.
10/10
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Richard Burton charts out of his usual epic and sensitive roles and dons on the mantle of a tough Major. He is ably supported by Clint Eastwood who is impeccable in his little speaking role of of Lt. Schhaffer.
The cinematography and background score catapults the film to new heights. The title music is haunting and remains with you hours after you finishing watching the film.
I feel that maybe a little more deft editing would have enabled the film to be labled as a classic.
Wusstest du schon
- WissenswertesRichard Burton's last successful movie at the U.S. box office.
- PatzerAlthough several stylish call signs are used in the radio transmissions ("Broadsword", "Danny Boy", "Father McCree"), most of the other operatives and Colonel Turner, as well as the team's location, are referred to by name in open transmission.
- Zitate
[Smith and Schaffer are observing the Castle of Eagles fortress, and a nearby military base]
Lt. Morris Schaffer: If I'm not mistaken, that's an army barracks over there.
Major John Smith: No mistake, Lieutenant. This the headquarters of the Wehrmacht Alpenkorps.
Lt. Morris Schaffer: Oh, swell. Do you have any other surprises I should know about?
Major John Smith: I thought you knew, Lieutenant. Why do you think we were chosen for his mission as if not to make social contact?
Lt. Morris Schaffer: You mean we're gonna go down there? Mingle with the German Army?
Major John Smith: Of course. Why do you think we're not dressed as German sailors?
Lt. Morris Schaffer: We'll be recognized as strangers.
Major John Smith: Training troops come and go all the time. What are six new faces among 600 new faces?
Lt. Morris Schaffer: Look, Major, this is primarily a British operation. I'm an American. I don't even know why the hell I'm here.
Major John Smith: Lieutenant, you're here because you're an American.
- Alternative VersionenThe original release running 158 minutes had an Intermission and Entre'acte that have been skipped from many video releases (including the DVD release from Warner), resulting in a 155 minute version. This has induced a fade-out and fade-in of the music in the scenes preceding and following. The intermission was originally placed after Lt. Schaeffer sets the explosives in the interrogation room.
- VerbindungenEdited into The Loch Ness Horror (1982)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Donde las águilas se atreven
- Drehorte
- Burg Hohenwerfen, Burgstraße 2, 5450 Werfen, Österreich(Schloss Adler, the mountaintop fortress)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.700.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 7.100.000 $
- Weltweiter Bruttoertrag
- 7.100.435 $
- Laufzeit
- 2 Std. 38 Min.(158 min)
- Seitenverhältnis
- 2.35 : 1