Ein Fressen für die Geier

Well crafted Western with interesting and engaging screenplay written by Albert Maltz from a story by Bud Boetticher . It deals with a nun called Sara (Shirley MacLaine) and two mules (second mule was actually a burro) , as she is attacked by three outlaws , being rescued by a drifter named Hogan (Clint Eastwood) , who is on his way across Mexican desert and becoming wary of her religious nature . Gringo Hogan arrives in Mexico do some reconnaissance, for a next mission to capture a French fort , so he decides to help her in return for information about the defences . Inevitably both of them become good friends but Sara has a twisted secret . At the end takes place a needlessly violent slaughter against Maximiliano army . Hogan is the deadliest man alive , he takes on a whole army with two guns and a fistful of dynamite! .

This classic as well as diverting Western results to be a good fun that contains thrills , humor , slow and deliberating filming , elaborate shoot-outs , and portentous battles with bloodbaths included . It's a special following to original ¨Dollars trilogy¨ with Eastwood as ¨Man with no name¨ ; as this new role as Hogan bears remarkable resemblance . Clint returns his classic character of ¨The man with no name¨ and MacLaine is an unlikely nun in this amusing comedy Western . Shirley MacLaine did not get along during the shoot with director Don Siegel , with whom she openly fought . While in Austria filming ¨When eagles dare¨, Clint Eastwood was approached with the script by Elizabeth Taylor, Richard Burton's wife at the time, with the notion of starring together in the film ; however, Universal Pictures was unwilling to pay Taylor's high salary . Being a Mexico/USA co-production in the picture appears numerous Mexican secondary actors such as Manuel Fabregas , Enrique Lucero , Armando Silvestre , among others . Maestro Ennio Morricone composes a groundbreaking and streaking soundtrack , including some comic touches . Colorful and evocative cinematography in Panavision by excellent Mexican cameraman Gabriel Figueroa and uncredited Robert Surtees , being filmed in Cuaútla, Morelos, Jantetelco, Tlayacapan, Mexico .

The motion picture was rightly produced by Martin Rackin and well directed by Donald Siegel . His first feature as a director was 1946's The Verdict (1946). He made his reputation in the early and mid-'50s with a series of tightly made, expertly crafted, tough but intelligent "B" pictures , among them : The Lineup (1958), Riot in Cell Block 11 (1954), Invasion of the body snatchers (1956)), then graduated to major "A" films in the 1960s and early 1970s. He made several "side trips" to television, mostly as a producer . Siegel directed what is generally considered to be Elvis Presley's best picture, Flamingo Star (1960). All of Eastwood's later Western and his ¨Dirty Harry¨ movies owe a considerable debt to Sergio Leone and Donald Siegel . As Donald directed Eastwood in various films , such as : Coogan's bluff , The beguiled , Dirty Harry , Escape from Alcatraz and , of course , this ¨ Two mules and sister Sara¨. He had a long professional relationship and personal friendship with Clint Eastwood, who has often said that everything he knows about filmmaking he learned from Don Siegel . ¨Two mules and sister Sara¨ is an enjoyable film for Clint Eastwood and Donald Siegel enthusiasts , including their usual trademarks , it's full of which made their films so memorable, others might find it a bit long but no one can deny its sense of style what achieved a great burst of world-wide popularity .

Curious, unexpectedly talky western set in the Mexican desert. Drifter on horseback saves a nun from rape at the hands of bandits, she saves him by removing an arrow from his shoulder. The rapport between these two couldn't have looked very colorful on the printed page, but by God if stars Clint Eastwood and feisty Shirley MacLaine don't give it color and charisma. The writing isn't very expressive, and there's an odd drop-off in action after the opening sequence, but once you get attuned to the film's rhythm, it surprises you with its resonance. For action buffs, only the final shoot-out will please; for everyone else, a leisurely, though absorbing and entertaining, character-driven change-of-pace. *** from ****

The most used formula for Westerns would have to be this: approximately two to five people thrown together by dire circumstances where they're forced to brave the wilds with only their wits, each other and maybe a couple rifles. They focus mainly on character development, character interaction and the bond that develops during these manliest of adventures. Now, given this, what better combination of people is there than a nun and a cowboy? You're right! There isn't any!

Now just because the leading lady is a nun, don't think there isn't any sexual tension. It's sexual tensions abound! Not only that but it's a fun, well-made movie. Shirley MacLaine was great and, lets face it, Clint Eastwood was born to make westerns. Well, maybe not "make" them ... but he's a great cowboy. Well directed, well paced, good story, good acting and it stars a nun and a cowboy. The opening music didn't "do it" for me but even that would probably grow on me. I fully endorse this movie. Look for "Two Mules for Sister Sara" T-shirts with myself in the background giving the thumbs-up.

It was a different kind of western with a surprising ending. Clint Eastwood and Shirley McClaine had great chemistry and gave great performances; especially Clint Eastwood. It was fun to watch with a good story line. Very entertaining!

When the French army took control of the country we call Mexico, they counted on one factor to help them subdue the population, . . . fear! The use of Fear, through, intimation, torture, and outright execution worked, but not in the way they thought it would. The French brutality had an effect alright, it had the disastrous consequence of cementing the people, their friends and hundreds of mercenaries into an avenging force. Although there are many stories of the revolution, several stand out as movie classics. The Professionals, is one favorite, another is, "Two Mules for Sister Sara." In this story we have an American mercenary (Clint Eastwood) named Hogan who has bitter memories of the Civil War and decides to try for a quick Gold fortune in Mexico. He agrees to help Mexican Col. Beltran (Manuel Fabregas) take the French Garrison in exchange for half the treasury. Along the way, Hogan is joined by a traveling Catholic Nun, named Sister Sara (Shirley MacLaine) who has more secrets than just fear of being captured by the French. Innicially captured by three whiskey drinking rouges who strip, humiliate and threaten the beautiful Nun, she becomes a surprising and necessary ally. In their wondering, they save each other's life until the end, when Hogan is completely shocked with Sister Sara as she reveals her most guarded secret. I loved the movie, especially it's memorable and haunting theme at the beginning of the film. Superb! ****