Füge eine Handlung in deiner Sprache hinzuThe film version of Bis daß der Tod euch scheidet (1965) tells the story of Alf Garnett and his family living through the London Blitz.The film version of Bis daß der Tod euch scheidet (1965) tells the story of Alf Garnett and his family living through the London Blitz.The film version of Bis daß der Tod euch scheidet (1965) tells the story of Alf Garnett and his family living through the London Blitz.
Pat Coombs
- Neighbour
- (as Pat Coombes)
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Awful rating of 6.1 of 2020, it's classic and v funny.
Showing glimpses of world war 2 and follows the series in a feature length film.
If you like old classic British comedy ..this is it!
Enjoy all the cast on top form especially Warren Mitchell as the unforgettable Alf Garnet and his charming but downtrodden wife
One of the first television situation comedies to get the cinema treatment, 'Till Death
' avoids the trap of being just an extended television episode which befalls many other adoptions, by opening out the story. It is more a prequel than merely being the 'film of the show', showing us the history of the Garnett family, from just before the start of the Second World War to the 'present day' of 1969, taking in the 1966 World Cup on it's way.
It is the wartime sequence of the movie (it roughly takes up the first 45 minutes of the film) which for me is the highlight of the picture. You really do get a proper sense of time and place. The credit mainly goes to the director, Norman Cohen, who gives what could have been a static television-style play, a real cinematic treatment.
The script by Johnny Speight is generally excellent and (as far as I know) isn't just a re-packaging of old television material. Ironically the movie falters when it moves 'twenty or so years later' and moves into the more familiar setting of the series That said, Rita's wedding is a memorable set-piece, moving between drama and comedy (and very uncomfortable viewing at times, due to Garnett's racism).
It's Mitchell's movie, of course. It's a credit to the actor's talents that that you can't help liking Alf, despite the fact that Speight's script constantly under-cuts and mocks the character.
It's an oddly bitter-sweet movie, as a community which had survived the Blitz is eventually disbanded, with the Garnett family exiled to a bleak modern concrete tower block. There is a real sense of loss here and it is this which places it a few notches up from the normal television spin-off. It's a pity that this movie will always be over-shadowed by its more controversial small screen incarnation, as it deserves a wider audience. It also showcases a rather brilliant title song, by Ray Davies, which any fan of The Kinks should check out.
It is the wartime sequence of the movie (it roughly takes up the first 45 minutes of the film) which for me is the highlight of the picture. You really do get a proper sense of time and place. The credit mainly goes to the director, Norman Cohen, who gives what could have been a static television-style play, a real cinematic treatment.
The script by Johnny Speight is generally excellent and (as far as I know) isn't just a re-packaging of old television material. Ironically the movie falters when it moves 'twenty or so years later' and moves into the more familiar setting of the series That said, Rita's wedding is a memorable set-piece, moving between drama and comedy (and very uncomfortable viewing at times, due to Garnett's racism).
It's Mitchell's movie, of course. It's a credit to the actor's talents that that you can't help liking Alf, despite the fact that Speight's script constantly under-cuts and mocks the character.
It's an oddly bitter-sweet movie, as a community which had survived the Blitz is eventually disbanded, with the Garnett family exiled to a bleak modern concrete tower block. There is a real sense of loss here and it is this which places it a few notches up from the normal television spin-off. It's a pity that this movie will always be over-shadowed by its more controversial small screen incarnation, as it deserves a wider audience. It also showcases a rather brilliant title song, by Ray Davies, which any fan of The Kinks should check out.
I gave this a 6, cinemawise. For those of you who saw the series, it was a 3 or 4. I got 12 episodes of later years from Canada. The earlier years were a scream on the BBC, but then I was younger. This movie had little of its zip.
One-off movies based on TV sit-com series seldom work, which is probably the reason there aren't more of them. Generally they fall into the trap of expanding material that sits well in a half-hour slot but when stretched to feature length comes out as interminable even for the fans. "The Inbetweeners Movie" is a classic example of how not to do it. I must admit I approached the 1969 film of "Till Death do us Part" with some trepidation on this score only to finish up with more than a degree of pleasant surprise. Norman Cohen's Alf Garnett saga works well for the very reason it is just that - a saga spanning the second world war before hopping on twenty years. It crams in a tremendous amount, sometimes almost too much. A lengthy sequence in which Alf and his "Scouse git" son-in-law drunkenly attend Britain's World Cup victory seems just an excuse for including some archive newsreel footage. And then there are those monologues such as Alf's church prayer for salvation against being re-housed and his acceptance in a dream of an honour bestowed by "Her Gracious Majesty" that have a silliness bordering on the embarrassing. Not so two deliriously funny sequences, one where the old "moo" joins in a sing-song in a London underground shelter during the blitz, another a riotously drunken wedding celebration that has the energy one finds in the best of Fellini and Ford. Quite some achievement! But possibly the most memorable feature of "Till Death do us Part" is its re-creation of those dusty East End streets during the dark days of the war. In such scenes the film touches on the special.
The Film of the Successful TV series "Till Death us do part" undoubtedly is one of the better TV to Film adaptations. Norman Cohen as mentioned has directed this superbly. (In comparison to Carry On Engalnd you can believe the war situation!) The Whole cast is present from the TV Series which is a bonus in itself. (Of which let down films such as Rising Damp - easier to not do it at all) Warren Mitchell & Dandy Nichols really do play up to expectations.
Usual errors within TV-Film adaptations is Recycled Material and/or weak plot lines/jokes. Till death us do part exceeds all these pitfalls and comes out trumps.
As Alf would say "bloody marvellous innit!" - and i would attribute that to this film!
Usual errors within TV-Film adaptations is Recycled Material and/or weak plot lines/jokes. Till death us do part exceeds all these pitfalls and comes out trumps.
As Alf would say "bloody marvellous innit!" - and i would attribute that to this film!
Wusstest du schon
- WissenswertesThe film contained rarely seen colour footage of the 1966 World Cup final between England and West Germany.
- PatzerWhen Alf and Mike go into the pub before the 1966 World Cup, the car outside has the registration PGX392E, which means it was registered between 1st January 1967 and 31st July 1967.
- VerbindungenFeatured in Hitler: The Comedy Years (2007)
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