Füge eine Handlung in deiner Sprache hinzuSteve Howard, a British sales executive living in Middlesex, England, begins an affair with a young hitchhiker, Ella Patterson, to emotionally get away from his marriage to his wife Frances.... Alles lesenSteve Howard, a British sales executive living in Middlesex, England, begins an affair with a young hitchhiker, Ella Patterson, to emotionally get away from his marriage to his wife Frances. But when Ella moves into a room in Steve and Frances's house, he must keep the true natur... Alles lesenSteve Howard, a British sales executive living in Middlesex, England, begins an affair with a young hitchhiker, Ella Patterson, to emotionally get away from his marriage to his wife Frances. But when Ella moves into a room in Steve and Frances's house, he must keep the true nature of his relationship with Ella under wraps at all costs.
- Nominiert für 1 BAFTA Award
- 2 Nominierungen insgesamt
- Beth
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- Man Reading Newspaper in Restaurant
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- Pub Customer
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- Care Home Resident
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- Pub Customer
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It exudes an ambiance and is one of the few films I want to watch several times. Every time I feel nostalgic I dip into the video shelf and slip into those powerful wonderful 60's days!
Claire Bloom plays the suffering wife and childless woman so well, we feel the hollow in her own life. She is also trying to juggle her mother's demands with her own disillusionment regarding her marriage. The new 60's style home seems to emphasize the emptiness of her relationship with her husband. The freedom of Judy's character and the carelessness of her regard for "the baby" is in direct contrast to the hopes of Claire, in this regard.
The dialogue must have been so clever to match how the camera moved slowly around the two actors, drawing the viewer from one characters thoughts to the other. Generally now, this technique is just a technique without any real purpose. It was moving imaginative, questioning...I became a psychiatric nurse! It should be seen by everyone interested in great writing, directing, acting and camera work. Brilliant.
It's never on TV, you can't buy it on DVD (legitimately). In 1988, when Channel 4 still had a prescription for innovation, they showed this amongst a small amalgam of 60s films, Privilege etc - and I remember an essentially theatrical experience, transposed well to film. The great thing about theatre is it's enclosed - how do you make it available and interesting on screen? PH just about pulls it off. Because this sort of film is never even on cable or Sky TV anywhere it's hard to get a debate going, but for anyone out there who has seen it or can remember, my memories are of a forthright, almost strident performance by Sally Geeson 'thats all taken care of' (which eschews the almost diffident general performances of her and her sibling in many early 70s offerings) she says ref conception. There are several of these - key lines you remember years, decades on. That's the power of a film like this.
PS I just saw it again and its just as good. One day, TV too will be enlightened.
Wusstest du schon
- WissenswertesIn common with two other European-made Universal films of the same period (Die Frau aus dem Nichts (1968) and Am Abend des folgenden Tages (1969)), this movie was subjected to a great deal of alteration when it came to be shown on American television a year or two after its cinema release. Not only were scenes trimmed or cut, but several new scenes were added to change the plot and make it less sensational. None of the original cast-members were in the new scenes, which were filmed in Hollywood by a new director and crew. Peter Hall savagely attacked Universal for this practice, which caused a storm of controversy, and this new version of the film was widely ridiculed; there were similar responses when the other two films were aired in their new versions, and thereafter Universal seemed to have stopped making such alterations.
- VerbindungenReferenced in Sr. (2022)
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Details
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Seitenverhältnis
- 1.85 : 1