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2 durch 3 geht nicht

Originaltitel: Three Into Two Won't Go
  • 1969
  • 16
  • 1 Std. 32 Min.
IMDb-BEWERTUNG
6,0/10
284
IHRE BEWERTUNG
Rod Steiger, Claire Bloom, and Judy Geeson in 2 durch 3 geht nicht (1969)
Drama

Füge eine Handlung in deiner Sprache hinzuSteve Howard, a British sales executive living in Middlesex, England, begins an affair with a young hitchhiker, Ella Patterson, to emotionally get away from his marriage to his wife Frances.... Alles lesenSteve Howard, a British sales executive living in Middlesex, England, begins an affair with a young hitchhiker, Ella Patterson, to emotionally get away from his marriage to his wife Frances. But when Ella moves into a room in Steve and Frances's house, he must keep the true natur... Alles lesenSteve Howard, a British sales executive living in Middlesex, England, begins an affair with a young hitchhiker, Ella Patterson, to emotionally get away from his marriage to his wife Frances. But when Ella moves into a room in Steve and Frances's house, he must keep the true nature of his relationship with Ella under wraps at all costs.

  • Regie
    • Peter Hall
  • Drehbuch
    • Andrea Newman
    • Edna O'Brien
  • Hauptbesetzung
    • Rod Steiger
    • Claire Bloom
    • Judy Geeson
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    284
    IHRE BEWERTUNG
    • Regie
      • Peter Hall
    • Drehbuch
      • Andrea Newman
      • Edna O'Brien
    • Hauptbesetzung
      • Rod Steiger
      • Claire Bloom
      • Judy Geeson
    • 13Benutzerrezensionen
    • 9Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Nominiert für 1 BAFTA Award
      • 2 Nominierungen insgesamt

    Fotos88

    Poster ansehen
    Poster ansehen
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    + 85
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    Topbesetzung13

    Ändern
    Rod Steiger
    Rod Steiger
    • Steve Howard
    Claire Bloom
    Claire Bloom
    • Frances Howard
    Judy Geeson
    Judy Geeson
    • Ella Patterson
    Peggy Ashcroft
    Peggy Ashcroft
    • Belle
    Paul Rogers
    Paul Rogers
    • Jack Roberts
    Elizabeth Spriggs
    Elizabeth Spriggs
    • Marcia
    Lynn Farleigh
    Lynn Farleigh
    • Janet
    Sheila Allen
    • Beth
    • (Nicht genannt)
    Peter Bennett
    Peter Bennett
    • Man Reading Newspaper in Restaurant
    • (Nicht genannt)
    Harold Coyne
    • Pub Customer
    • (Nicht genannt)
    Norman Fisher
    • Care Home Resident
    • (Nicht genannt)
    Victor Harrington
    Victor Harrington
    • Pub Customer
    • (Nicht genannt)
    Diana Webster
    Diana Webster
      • Regie
        • Peter Hall
      • Drehbuch
        • Andrea Newman
        • Edna O'Brien
      • Komplette Besetzung und alle Crew-Mitglieder
      • Produktion, Einspielergebnisse & mehr bei IMDbPro

      Benutzerrezensionen13

      6,0284
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      Empfohlene Bewertungen

      barbara-123

      poignant and nostalgic

      As a single mother in the 60's, this film has me hurtling back into that era...it is beautifully portrayed and Judy G. plays the cool wanton girl wonderfully.

      It exudes an ambiance and is one of the few films I want to watch several times. Every time I feel nostalgic I dip into the video shelf and slip into those powerful wonderful 60's days!

      Claire Bloom plays the suffering wife and childless woman so well, we feel the hollow in her own life. She is also trying to juggle her mother's demands with her own disillusionment regarding her marriage. The new 60's style home seems to emphasize the emptiness of her relationship with her husband. The freedom of Judy's character and the carelessness of her regard for "the baby" is in direct contrast to the hopes of Claire, in this regard.
      8gpwaldegrave

      One great scene

      This was a film I saw when it first came out. I have to be honest that after so many.... many years a great deal of the film is lost from my memory. I am sure though, that this was the film in which the use of a camera circling about two subjects was the best I have ever seen. My friend and I looked at each other at the end and nodded that we had to see the scene again so we stayed and watched.

      The dialogue must have been so clever to match how the camera moved slowly around the two actors, drawing the viewer from one characters thoughts to the other. Generally now, this technique is just a technique without any real purpose. It was moving imaginative, questioning...I became a psychiatric nurse! It should be seen by everyone interested in great writing, directing, acting and camera work. Brilliant.
      10Adrian_Paul_Botta

      It's real, so it's sad ...

      It's so seventies. I can even smell it like before the rain. A silent cold war that brought back all my life before my eyes again. And in the end everything goes up in flames like a volcano. It's real, because I watched it before and it was no movie. Brilliant, exceptional performance. And Claire Bloom. There I must stop. I am too small for such a great show. She does not need to talk even. Her eyes are saying a thousand words. Absolutely wonderful. This is the fifteenth film where I had the privilege of watching her performance. This is the fifteenth time where she is a completely different person. Even her voice is changed. Terry, Lady Anne, Barsine, Theodora ... and down on earth again with such pain, kindness and anger. Claire Bloom ...
      8captainhowdy1967

      Mortgaged up to the eye balls

      Many accuse Rod Steiger of overacting, and anyone who has seen the Amityville Horror and the 'fly' section would struggle to say otherwise. That said, he's brilliant in this.

      It's never on TV, you can't buy it on DVD (legitimately). In 1988, when Channel 4 still had a prescription for innovation, they showed this amongst a small amalgam of 60s films, Privilege etc - and I remember an essentially theatrical experience, transposed well to film. The great thing about theatre is it's enclosed - how do you make it available and interesting on screen? PH just about pulls it off. Because this sort of film is never even on cable or Sky TV anywhere it's hard to get a debate going, but for anyone out there who has seen it or can remember, my memories are of a forthright, almost strident performance by Sally Geeson 'thats all taken care of' (which eschews the almost diffident general performances of her and her sibling in many early 70s offerings) she says ref conception. There are several of these - key lines you remember years, decades on. That's the power of a film like this.

      PS I just saw it again and its just as good. One day, TV too will be enlightened.
      terraplane

      A three way love affair.

      The original cut of this very fine movie may well be lost but if you ever get the chance to see it, you should. It is not dreary or miserable, as other people have said, it is a slice of reality. Rod Steiger and Claire Bloom prove their acting credentials here, both put in great performances. Judy Geeson plays her part to perfection. You have to remember that this movie was made in in 1969 and released in 1970. With that in mind, it is easy to understand where this movie is coming from. So far as I know there is no video or DVD release plannned fo this classic. Write to Universal and demand a DVD release.

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      Handlung

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      • Wissenswertes
        In common with two other European-made Universal films of the same period (Die Frau aus dem Nichts (1968) and Am Abend des folgenden Tages (1969)), this movie was subjected to a great deal of alteration when it came to be shown on American television a year or two after its cinema release. Not only were scenes trimmed or cut, but several new scenes were added to change the plot and make it less sensational. None of the original cast-members were in the new scenes, which were filmed in Hollywood by a new director and crew. Peter Hall savagely attacked Universal for this practice, which caused a storm of controversy, and this new version of the film was widely ridiculed; there were similar responses when the other two films were aired in their new versions, and thereafter Universal seemed to have stopped making such alterations.
      • Verbindungen
        Referenced in Sr. (2022)
      • Soundtracks
        Untamed Honey
        (uncredited)

        Written by Tony Cole

      Top-Auswahl

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      Details

      Ändern
      • Erscheinungsdatum
        • 19. September 1969 (Westdeutschland)
      • Herkunftsland
        • Vereinigtes Königreich
      • Sprache
        • Englisch
      • Auch bekannt als
        • Three Into Two Won't Go
      • Drehorte
        • Hampshire, England, Vereinigtes Königreich
      • Produktionsfirma
        • Julian Blaustein Productions Ltd.
      • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

      Technische Daten

      Ändern
      • Laufzeit
        • 1 Std. 32 Min.(92 min)
      • Seitenverhältnis
        • 1.85 : 1

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