IMDb-BEWERTUNG
6,6/10
2544
IHRE BEWERTUNG
In dieser romantischen Komödie zwingt ein exzentrisches Mädchen einen widerstrebenden College-Studenten zu einer Affäre. Nominiert für 2 Oscars, darunter für den besten Song "Come Saturday M... Alles lesenIn dieser romantischen Komödie zwingt ein exzentrisches Mädchen einen widerstrebenden College-Studenten zu einer Affäre. Nominiert für 2 Oscars, darunter für den besten Song "Come Saturday Morning".In dieser romantischen Komödie zwingt ein exzentrisches Mädchen einen widerstrebenden College-Studenten zu einer Affäre. Nominiert für 2 Oscars, darunter für den besten Song "Come Saturday Morning".
- Regie
- Drehbuch
- Hauptbesetzung
- Für 2 Oscars nominiert
- 3 Gewinne & 7 Nominierungen insgesamt
Chris Bugbee
- Eddie Roe
- (Nicht genannt)
Sandy Faison
- Nancy Putnam
- (Nicht genannt)
Austin Green
- Pookie's Father
- (Nicht genannt)
Elizabeth Harrower
- Landlady
- (Nicht genannt)
Empfohlene Bewertungen
I saw it in 1992 (well past puppy love age) and wrote in my diary:
A heavenly movie! What a visual and aural delight! The plot didn't matter much (love of shy college boy and girl). But then, no good movie puts plot above everything else. Good movies have great atmospheres. They are pleasing to the eye, as well as the ear. This one was blissfully free from cliches, melodrama, formulas, phony excitement. It was pure warmth, charm, prettiness, spontaneity. There were almost no close-ups. The scenery was breathtaking, the pacing calm and gentle. There were whispers! Whispering is so charming, so intimate. Liza Minelli was never better. This film gave me a great boost, making me feel connected with fellow humans.
A heavenly movie! What a visual and aural delight! The plot didn't matter much (love of shy college boy and girl). But then, no good movie puts plot above everything else. Good movies have great atmospheres. They are pleasing to the eye, as well as the ear. This one was blissfully free from cliches, melodrama, formulas, phony excitement. It was pure warmth, charm, prettiness, spontaneity. There were almost no close-ups. The scenery was breathtaking, the pacing calm and gentle. There were whispers! Whispering is so charming, so intimate. Liza Minelli was never better. This film gave me a great boost, making me feel connected with fellow humans.
For years, I put off watching this film, and when I finally did turn it on, the title and everything I'd read about it led me to think that I was going to be seeing a classic late sixties type comedy on the general level of THE TIGER MAKES OUT, THE HEARTBREAK KID and GOODBYE COLUMBUS. Instead, I was treated to a moving, somber, slow paced but intriguing story of two very ordinary and very real people. There are few genuine laughs, but even fewer false notes in this obscure little gem that probably would have been totally forgotten, if not for Liza Minelli.
In recent years, Liza's talents seem to have gotten all but lost in all the hype and scandal around her. People remember that she's her mother's daughter, they remember that she was in rehab, they remember her reputation for marrying gay men and beating them up, and they remember cartoon like portrayals of her in places like the recent Broadway show, THE BOY FROM OZ. What they don't remember is that, besides being a great singer, Liza is truly a sensational actress.
Film work is far more eternal than any other kind, in entertainment, especially these days when everything is on video, and there are hundreds of premium movie stations available. But while Judy Garland might have done more movies before she was twenty than her daughter did, in her entire life up to this point, I'm not sure if Judy ever gave a performance that was as real, as sensitive and as genuine as Liza's performance here.
If you ever think that Liza's success was due to her mother, remember that Judy had two other children who tried, but didn't quite succeed in the forever fickle entertainment industry. Then watch this film, that a relatively inexperienced Liza did when she was in her early twenties, and ask yourself if she deserves her success.
In recent years, Liza's talents seem to have gotten all but lost in all the hype and scandal around her. People remember that she's her mother's daughter, they remember that she was in rehab, they remember her reputation for marrying gay men and beating them up, and they remember cartoon like portrayals of her in places like the recent Broadway show, THE BOY FROM OZ. What they don't remember is that, besides being a great singer, Liza is truly a sensational actress.
Film work is far more eternal than any other kind, in entertainment, especially these days when everything is on video, and there are hundreds of premium movie stations available. But while Judy Garland might have done more movies before she was twenty than her daughter did, in her entire life up to this point, I'm not sure if Judy ever gave a performance that was as real, as sensitive and as genuine as Liza's performance here.
If you ever think that Liza's success was due to her mother, remember that Judy had two other children who tried, but didn't quite succeed in the forever fickle entertainment industry. Then watch this film, that a relatively inexperienced Liza did when she was in her early twenties, and ask yourself if she deserves her success.
This film, along with the performances of the two principals, Minnelli and Burton, as well as the soundtrack, evoke a time in everyone's past, at some time or other.
As two drifting college students, they have a chance meeting, become interested in each other, then gradually grow apart. The sets are evocative of New England and upstate New York, beautiful in autumn, beautiful and sad. Reminding us perhaps of past relationships, longing, and wishes that were never fulfilled.
The soundtrack is sentimental, but not overly so, I am not a major fan of Minnelli, but in this film her performance was understated and believable. The film leaves us with a sense of loss and longing, recalling times we were younger, relationships of the past. 8/10.
As two drifting college students, they have a chance meeting, become interested in each other, then gradually grow apart. The sets are evocative of New England and upstate New York, beautiful in autumn, beautiful and sad. Reminding us perhaps of past relationships, longing, and wishes that were never fulfilled.
The soundtrack is sentimental, but not overly so, I am not a major fan of Minnelli, but in this film her performance was understated and believable. The film leaves us with a sense of loss and longing, recalling times we were younger, relationships of the past. 8/10.
This movie touches something in all of us that i think Lizzie minnelli brought to the service so well she deserved an Oscar nom in her first performance.Most of us at some point in our lives,often when young have clung to love,or been clung to-to tightly.The result often being the other person at some point feels as though they cant breath they feel suffocated.This creates awkward moments and much introspection as we question what does love truly mean does it mean I have to be with you and know where you are 24 hours a day.Does it mean i let go my friends because you don't seem to like them. I'm a male who gets sad every time I see this movie.All of us have felt loneliness and come across some people who are plagued by it.Lizzie Minnelli ,and Wendell Burton showed the dynamics of young love and all its bittersweet ironies.This movie reminds us of being young and breaking up with someone you at one point cared deeply for.
College can be lonely, or it can be fun. Fitting in is always a must even though you don't want to. In "The Sterile Cuckoo", it all points out to that. Taking place in Upstate New York, it makes a very great Fall setting there. Here you have Jerry(Wendell Burton), a shy college man who happens to meet Mary Ann "Pookie" Adams(Liza Minelli) who happens to be socially inept. She doesn't fit in with anyone around her, she calls them "Wierdos". She too is smart, but she only wants to be around Jerry, instead. They happen to have a good time where ever they go, even going to a graveyard where she really acts up. The hotel scene is really classic. The request she gave out was very unusual. "Peel the Tomato" seems to be a new one on me. The strip scene was short but nice to watch. No insecurity about that! But in life, we need to leave our comfort zone behind sometimes, because not meeting new people can create problems. But that's anybody's guess. This movie is a real gem, and I enjoyed it very much. 5 stars!
Wusstest du schon
- WissenswertesAfter winning the part of Pookie Adams, Liza Minnelli had a copy of the script sent over to her mother, Judy Garland, who read it and thought the part of this troubled, friendless girl would be an unattractive role for her daughter. Minnelli says she became defensive and argued that Pookie was a great role for any actress, but that Garland was personally concerned Minnelli identified too closely with Pookie.
- PatzerWhen they are walking by the cows he's telling her about all the stuff he read in her letters and she's wearing a short skirt with a pink blouse. Then they show them from the back in a far away shot as they walking away from the cows and their clothing has changed to the ones they were wearing when they were flying the kite.
- Zitate
'Pookie' Adams: Some people guzzle God like He was a keg of beer.
- SoundtracksCome Saturday Morning
Lyric Dory Previn Music Fred Karlin
Performed by The Sandpipers
A & M Records Recording Artists
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- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Sterile Cuckoo
- Drehorte
- Produktionsfirma
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Box Office
- Bruttoertrag in den USA und Kanada
- 13.982.357 $
- Laufzeit
- 1 Std. 47 Min.(107 min)
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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