Lerchen am Faden

Before Larks on a String, Jiri Menzel had made his most famous film Closely Watched Trains (1966) which even won an Oscar for Best Foreign Film. Larks on a String wasn't such a big success because it was immediately banned in 1969 when it was made. The new fresh waves that came to Czechoslovakia in the 1960's made the making of the film possible and it was made in the spirit of the revolution -- The Prague Spring in 1968. Even that Menzel has always been a humanist as an artist his views were this time too much for the communist politicians and therefore he got a five-year prohibition for making movies; and Larks on a String wasn't released until the fall of communism in 1990.

I have had the privilege to see this wonderfully absurd film twice on the television. It is a warm-hearted story about an industrial scrap yard where "volunteers" produce cheap steel. In this yard a group of volunteers are being re-educated from their filthy bourgeois lives to loyal workers in the name of socialism. The group includes a musician, a philosopher, a dairyman, a barber, a prosecutor and a young chef. On the other side of the yard there is a group of female prisoners who are working for trying to defect. Without the strict rules, boundaries and supervision, romantic relationships start to build between these characters.

In Larks on a String Menzel achieves to relay his view on the poetry of life. But the lyricism of the film is characterized by bitter irony because reality, hypocrisy and cruelty of the society exhale from the director's comedy. The entire scrap yard is, of course, a sarcastic metaphor for the experimentations of the East-European countries. The former enemies are being re-educated into common workers and from the trash of the old world a new society is built. But nothing is real: people are arrested for obscure reasons, the secret police controls everything and even the qualification of the steel is poor. However, even in these conditions people are people and they try to make the most of it.

The Czechoslovakian New Wave found its inspiration from France but also from their own greatest writer Franz Kafka. In turn, they gave inspiration for many modern filmmakers. During the Hungarian Revolution in 1956, a Marxist philosopher called Georg Lukács said that "Kafka was a realist" after all. It is an important observation while reading Kafka but also works as the main thesis for the entire Czechoslovakian New Wave: because wasn't fierce, ruthless humor really the only way to deal with the absurdity of being in the Communist countries of Eastern Europe?

Therefore, we shouldn't just watch Larks on a String as an absurd tragicomedy because this was real -- and that's why we can call it realism for its goals and bases which were both social. Even though the film portrays human fates, crushed by the repressive governance, the film is also full of joy, love and mundane beauty.

Set in a scrap metal yard at the great Kladno steelworks, at the time of its making (just as the Prague Spring was being terminated by the Russians) this was seen as a satirical attack on the Communist regime, which got both film and director Jiří Menzel banned for several years (the film was not released until 1990). How such a gentle film could be seen as so subversive now seems incredible nearly 4 decades later.

Sorry, Liehtzu, but it couldn't possibly be better than the sublime "Closely Observed Trains"! Maybe this is because that film is so timeless, whereas "Larks on a String" seems to have dated less well; it is now more of a series of formless sketches of erotically charged comedy, in which the Czech spirit always manages to triumph over oppression and even the "villains" elicit a certain sympathy.

Even so it is a gem of a film, witty, quirky and subtle, in which a bunch of renegade intellectuals, sent literally to the scrapheap, put the world to rights and try to engage with the pretty girls working over the metal mountain.

The DVD available in the Czech Republic (R2) has rather unreliable English subtitles, so much of the biting dialogue is lost in translation; still a wonderful film though.

Set in the late 1940s, the film concerns the treatment of suspect "bourgeois elements", a professor, a saxophonist, and a milkman, who are put to work in a junkyard for rehabilitation.

Director Jiri Menzel, a member of the Czech New Wave, became internationally famous in 1967, when his first feature film, "Closely Watched Trains", won the Academy Award for Best Foreign Language Film. Then came "Larks", which was filmed in 1969, but not released until 1990! That is quite a feat.

Although interesting and a tad surreal, I have to wonder if the reception would have been different in 1969. Appropriately celebrated upon release in 1990, would it have had a bigger impact if it was out when the regime was still in charge?

menzel's "larks on a string" is even better than his "closely watched trains." supressed for decades in its home country this sharp, bitter and exuberant little comedy showcases its director's unique ability to mix humour and tragedy to great effect. a lyrical love story set in a scrapyard full of political dissidents who are occasionally carted off by secret police (never to return) if they talk out of turn. in the end it's an ode to the czech people, depicting them as refusing to be broken, full of a lust for life that cannot be contained even in the darkest times. some truly funny, great moments make for a deceptively simple, beautiful little movie.

The Czech film Skrivánci na niti was shown in the United States with the title, Larks on a String (1990). The release date should really be 1969/1990. Writer-director Jirí Menzel completed the film in 1969. The Prague Spring was crushed by Soviet tanks in 1968. Possibly Menzel thought that some trace of the cultural liberation remained, but that clearly wasn't the case. The film wasn't officially released until after the Velvet Revolution freed Czechoslovakia from Soviet domination.

The plot of the movie revolves around two groups of political outcasts. The Larks on a String are women prisoners who have received one-year prison sentences for attempting to escape from Czechoslovakia. They are working in a junk yard, where they can see a group of men working who are being "rehabilitated."

I think the men were not actually considered prisoners. They had been guilty of "bourgeois activities," and were sent to the junk yard as a type of punishment. While they weren't larks on a string, they lived and worked under definite restrictions.

One restriction that members of both groups suffered was the inability to interact closely with members of the other group. They could see each other, signal each other, and shout to each other. However, that was all they could do.

The women didn't appear to have any process for complaining about their conditions. As I understood it, the men were still considered workers, and so they had channels through which to complain. The problem was that anyone who complained too much ended up in jail. This was definitely not a worker's paradise.

In this movie people are endlessly trying to relate, being caught, being punished, and then trying again. In a way it's a frustrating, discouraging movie. But, in another way, it's a credit to the characters in the film--and to the people of Czechoslovakia--that they continued to struggle and never lost hope.

We saw this movie at the Lincoln Film Forum, as part of the excellent Romanian Film Festival. (The Romanian Festival screens some movies from other Eastern European countries.) The movie should work well on the small screen. It's a great film-- find it and see it.