IMDb-BEWERTUNG
5,5/10
4780
IHRE BEWERTUNG
In den Londoner Straßen geht der so genannte "Vampirmörder" um. Er saugt seinen Opfern das Blut aus dem Körper. Polizistin Sylvia ist als Undercover-Polizistin unterwegs und führt ihre Kolle... Alles lesenIn den Londoner Straßen geht der so genannte "Vampirmörder" um. Er saugt seinen Opfern das Blut aus dem Körper. Polizistin Sylvia ist als Undercover-Polizistin unterwegs und führt ihre Kollegen zu dem Mörder.In den Londoner Straßen geht der so genannte "Vampirmörder" um. Er saugt seinen Opfern das Blut aus dem Körper. Polizistin Sylvia ist als Undercover-Polizistin unterwegs und führt ihre Kollegen zu dem Mörder.
- Regie
- Drehbuch
- Hauptbesetzung
Judy Bloom
- Helen Bradford
- (as Judi Bloom)
Amen Corner
- Themselves
- (as The Amen Corner)
Empfohlene Bewertungen
This has got to be the wildest Price film ever. I saw this film for the first time recently and I was just blown.
This film tells the intricate story of an organization that's trying to take over the world by way of a superhuman race of people that are literally created. Think "Frankenstein". If I could rename this film, I'd call it "Frankenstein Meets James Bond". As a matter fact, that's the best way to describe the plot.
When you see this film, don't turn away from it because you will find yourself missing a lot. There are several plots going on simultaneously (I kid you not!). You have the crazed serial killer will a thirst for blood, the runner who keeps losing limbs and the secret organization that's afoot.
For those of you that are looking for action & horror in a fast-pace setting, you got it!
This film tells the intricate story of an organization that's trying to take over the world by way of a superhuman race of people that are literally created. Think "Frankenstein". If I could rename this film, I'd call it "Frankenstein Meets James Bond". As a matter fact, that's the best way to describe the plot.
When you see this film, don't turn away from it because you will find yourself missing a lot. There are several plots going on simultaneously (I kid you not!). You have the crazed serial killer will a thirst for blood, the runner who keeps losing limbs and the secret organization that's afoot.
For those of you that are looking for action & horror in a fast-pace setting, you got it!
Gordon Hessler was not all that great a director. He wasn't particularly good at setting up interesting shots or getting good performances out of his actors, but occasionally he managed by default to create a movie that was so completely off-the-wall and bizarre that those shortcomings could be forgotten.
SCREAM AND SCREAM AGAIN is a good example of that. It is by no means a good movie; in fact, it's really pretty bad. But you literally have no idea where it's headed, and by the time you get there, even though it's a tad underwhelming, it's still just oddball enough to keep you hooked.
Basically, it's the story of a serial killer who preys on bar-hopping women, and who, incidentally, seems to have superpowers of some sort. Or, maybe it's the story of a military conspiracy of some sort? Or is it the story of some kind of body parts black market? Believe it or not, all these seemingly unrelated plotlines eventually come together, and it's a wacky ride all the way.
The biggest disappointment for me, is the scarce screen time of headliners Vincent Price, Christopher Lee and Peter Cushing. They literally have less than twenty minutes of screen time combined, and only Lee and Price even appear together, in one very brief scene. The main characters seem to be a disgruntled Scotland Yard detective, and a younger, less cynical police officer.
I recommend this movie to any fan of AIP or any of the three horror stars, but most people will not have the patience to sit through it. Fans will enjoy it, if only for it's sheer weirdness.
SCREAM AND SCREAM AGAIN is a good example of that. It is by no means a good movie; in fact, it's really pretty bad. But you literally have no idea where it's headed, and by the time you get there, even though it's a tad underwhelming, it's still just oddball enough to keep you hooked.
Basically, it's the story of a serial killer who preys on bar-hopping women, and who, incidentally, seems to have superpowers of some sort. Or, maybe it's the story of a military conspiracy of some sort? Or is it the story of some kind of body parts black market? Believe it or not, all these seemingly unrelated plotlines eventually come together, and it's a wacky ride all the way.
The biggest disappointment for me, is the scarce screen time of headliners Vincent Price, Christopher Lee and Peter Cushing. They literally have less than twenty minutes of screen time combined, and only Lee and Price even appear together, in one very brief scene. The main characters seem to be a disgruntled Scotland Yard detective, and a younger, less cynical police officer.
I recommend this movie to any fan of AIP or any of the three horror stars, but most people will not have the patience to sit through it. Fans will enjoy it, if only for it's sheer weirdness.
This film was released before I was born, so I don't know anything about its ad campaign, but I imagine it went something like, "Lee, Cushing, and Price: Together at Last!!" This is true: they all are in this movie, but what we have here is a movie about a bunch of pseudo-Nazis (complete with knockoff uniforms) trying to create the master race by assembling people from assorted "perfect" body parts. Price has a substantial supporting role, but Cushing and Lee have basically cameos, and none of them share any meaningful screen time. So, basically, they are together in the credits only.
Now for the movie. Yes, it has a solid plot, but the movie doesn't follow it. It mostly has to do with the police tracking one of "composite" superhumans as he goes on a rape and murder spree. This does make for two of the best moments of the movie: when the killer, handcuffed to a car bumper, tears off not only his hand to escape, but a third of his forearm. The other is when a killer falls off a mountain and barely gets a scratch.
The real highlight is the final 20 minutes, when Price explains, in classic Bad Guy fashion, the entire master race thing to the hero. Price is a great actor, but he's a terrible doctor, because 1) he puts on his own surgical gloves, and 2) contaminates them 10 seconds later. A fight ensues between Price and the head of the fake Gestapo, and that's it. I don't know if I can recommend this movie to anyone, because fans of the three horror institutions in this film will be disappointed, as will genre fans. Watch it if you're bored, or for the goofy dialogue.
Now for the movie. Yes, it has a solid plot, but the movie doesn't follow it. It mostly has to do with the police tracking one of "composite" superhumans as he goes on a rape and murder spree. This does make for two of the best moments of the movie: when the killer, handcuffed to a car bumper, tears off not only his hand to escape, but a third of his forearm. The other is when a killer falls off a mountain and barely gets a scratch.
The real highlight is the final 20 minutes, when Price explains, in classic Bad Guy fashion, the entire master race thing to the hero. Price is a great actor, but he's a terrible doctor, because 1) he puts on his own surgical gloves, and 2) contaminates them 10 seconds later. A fight ensues between Price and the head of the fake Gestapo, and that's it. I don't know if I can recommend this movie to anyone, because fans of the three horror institutions in this film will be disappointed, as will genre fans. Watch it if you're bored, or for the goofy dialogue.
Amicus made a mix of several genre on this picture, Sci-Fi, Terror and Spying, the deadly sin lays out in casting three legendary actor of Terror, Vincent Price, Christopher Lee and Peter Cushing as top billing, however they sadly appear as ordinary supporting casting, Peter Cushing just screened on few minutes and already died, Lee summed all takes around ten minutes or so, only just Vincent Price has more than fifteen minutes, anyway they weren't the main characters at all, they are calling as a bait to catch the audience, in any matter whatsoever the movie doesn't let down under any circumstances, aside the plot is split in two, the storyline is engrossing in all senses, except the oddball premise, there many praiseworthy sequences, as car chase that ends up with a backbreaking pursued of the Vampire killer until he throw yourself at acid pool, has another highlight regarding the overwhelming acting of weird Superintendent Bellaver (Alfred Marks) with a whimsical British humor, the movie also exploit the sex appeal of the gorgeous girls, aside the nonsensical sub-plot as an alleged and ill-fated Nazi-forces counterpart from some country of iron curtain on British ground that reach on the edge of the insanity or beyond, the remains is fully average!!
Thanks for reading.
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 6.5
Thanks for reading.
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 6.5
'Scream and Scream Again' is one of my favorites, even though it is ratherly poorly put together. The director tried to make the movie mysterious -- and succeeded too well, making it nearly incomprehensible. However, if you have patience, the final explanation at the end will tie enough of the film together to make rewarding sense.
The main attraction for this movie is its subtle atmosphere of horror. The movie mainly consists of fragmented images that come to gether to paint a darker picture than just what the movie shows. A good example of the texture and flavor of the film is the scene which, to my disappointment, was removed from the version I rented (I originally saw the film in a college Halloween movie festival). A coroner while alone investigating the death of a lovely women begins to move forward as if to kiss the corpse but is interrupted by the inspector entering the room. The surprised coroner quickly straightens up and tries to look very official and busy, but obviously is upset at having almost been caught being amorous to the corpse. No further reference was made to the scene.
This is an example of the extremely dark and upsetting images that lie just beneath the surface of the film. It is unfortunate that the director's attempt to involve the audience by making them work hard to piece together fragments of action into something comprehensible was mostly unsuccessful. Still, I think the film is worth the patience. My rating: 8 of 10.
The main attraction for this movie is its subtle atmosphere of horror. The movie mainly consists of fragmented images that come to gether to paint a darker picture than just what the movie shows. A good example of the texture and flavor of the film is the scene which, to my disappointment, was removed from the version I rented (I originally saw the film in a college Halloween movie festival). A coroner while alone investigating the death of a lovely women begins to move forward as if to kiss the corpse but is interrupted by the inspector entering the room. The surprised coroner quickly straightens up and tries to look very official and busy, but obviously is upset at having almost been caught being amorous to the corpse. No further reference was made to the scene.
This is an example of the extremely dark and upsetting images that lie just beneath the surface of the film. It is unfortunate that the director's attempt to involve the audience by making them work hard to piece together fragments of action into something comprehensible was mostly unsuccessful. Still, I think the film is worth the patience. My rating: 8 of 10.
Wusstest du schon
- WissenswertesAlthough the publicity for this movie made much of the fact that the three greatest horror stars of the day, Vincent Price, Sir Christopher Lee, and Peter Cushing were all in it, the three actors have in fact only small roles in this movie, despite star billing. Cushing's role is confined to one scene, without the other two, and the Price and Lee characters have a very brief scene together only at the end of the movie. The combined footage for all three actors only comes to about one-fifth of the total running time.
- PatzerWhen Keith escapes from the police, after he has severed off his own hand, he jumps over a short fence/style and rolls on the grass on his landing. Using pause you can see his real hand come out of his cuff just as where his stump should be
- Zitate
Superintendent Bellaver: That bloody chicken wasn't killed, it died of old age.
- Alternative VersionenBritish prints of SCREAM AND SCREAM AGAIN have small differences from AIP's American Theatrical cut, with the American version removing Bellaver clumsily throwing a stone at the speedy cliff-climbing super-human Keith, and a bottle-swigging old drunk peeping at Keith and Sylvia fooling around in the convertible. The final shot of the British print is also different, with the credits scrolling over a long shot of Dr. Browning's lab heard over soundtrack music, rather than on the American print which has the credits being presented over a black screen with The Amen Corner's "Scream and Scream Again" playing. Another thing omitted from the American version is a brief but significant dialogue exchange between Vincent Price and Christopher Lee: "But what of the dream?" asks Price. "There is only nightmare" replies Lee.
- VerbindungenFeatured in Aweful Movies with Deadly Earnest: Scream and Scream Again (1975)
- SoundtracksScream and Scream Again
Written by Dominic Bugatti (as Dominic King) & Tim Hayes
Performed by Amen Corner (uncredited)
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Details
Box Office
- Budget
- 350.000 $ (geschätzt)
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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