IMDb-BEWERTUNG
5,5/10
4779
IHRE BEWERTUNG
In den Londoner Straßen geht der so genannte "Vampirmörder" um. Er saugt seinen Opfern das Blut aus dem Körper. Polizistin Sylvia ist als Undercover-Polizistin unterwegs und führt ihre Kolle... Alles lesenIn den Londoner Straßen geht der so genannte "Vampirmörder" um. Er saugt seinen Opfern das Blut aus dem Körper. Polizistin Sylvia ist als Undercover-Polizistin unterwegs und führt ihre Kollegen zu dem Mörder.In den Londoner Straßen geht der so genannte "Vampirmörder" um. Er saugt seinen Opfern das Blut aus dem Körper. Polizistin Sylvia ist als Undercover-Polizistin unterwegs und führt ihre Kollegen zu dem Mörder.
- Regie
- Drehbuch
- Hauptbesetzung
Judy Bloom
- Helen Bradford
- (as Judi Bloom)
Amen Corner
- Themselves
- (as The Amen Corner)
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A killer who has a literal thirst for blood is prowling the nightclubs for fresh young victims. The police decide to set a trap to catch this man. A young policewoman poses as his new victim while wearing a wire. The killer meets the young policewoman and takes her with him to a secluded spot where he proceeds to drink her blood...
Vincent Price in interviews a number of years after the film was made, said he never understood the script at all. Not surprising, as the novel featured aliens and the film changed them to Communists (or something like that). And that is probably the least of the problems...
I mean, the choking of women and the pointless blood sucking? A jogger who is getting his legs removed? Yellow acid for some sort of research? It does not really all add up. Really sweet cars, though.
Peter Cushing and Christopher Lee appear, though not much. Heck, even Vincent Price does not really show up until the second half. But if you like these guys, do not mind waiting, and are okay with not really understanding what you are watching, check this one out.
Vincent Price in interviews a number of years after the film was made, said he never understood the script at all. Not surprising, as the novel featured aliens and the film changed them to Communists (or something like that). And that is probably the least of the problems...
I mean, the choking of women and the pointless blood sucking? A jogger who is getting his legs removed? Yellow acid for some sort of research? It does not really all add up. Really sweet cars, though.
Peter Cushing and Christopher Lee appear, though not much. Heck, even Vincent Price does not really show up until the second half. But if you like these guys, do not mind waiting, and are okay with not really understanding what you are watching, check this one out.
Amicus made a mix of several genre on this picture, Sci-Fi, Terror and Spying, the deadly sin lays out in casting three legendary actor of Terror, Vincent Price, Christopher Lee and Peter Cushing as top billing, however they sadly appear as ordinary supporting casting, Peter Cushing just screened on few minutes and already died, Lee summed all takes around ten minutes or so, only just Vincent Price has more than fifteen minutes, anyway they weren't the main characters at all, they are calling as a bait to catch the audience, in any matter whatsoever the movie doesn't let down under any circumstances, aside the plot is split in two, the storyline is engrossing in all senses, except the oddball premise, there many praiseworthy sequences, as car chase that ends up with a backbreaking pursued of the Vampire killer until he throw yourself at acid pool, has another highlight regarding the overwhelming acting of weird Superintendent Bellaver (Alfred Marks) with a whimsical British humor, the movie also exploit the sex appeal of the gorgeous girls, aside the nonsensical sub-plot as an alleged and ill-fated Nazi-forces counterpart from some country of iron curtain on British ground that reach on the edge of the insanity or beyond, the remains is fully average!!
Thanks for reading.
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 6.5
Thanks for reading.
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 6.5
This has got to be the wildest Price film ever. I saw this film for the first time recently and I was just blown.
This film tells the intricate story of an organization that's trying to take over the world by way of a superhuman race of people that are literally created. Think "Frankenstein". If I could rename this film, I'd call it "Frankenstein Meets James Bond". As a matter fact, that's the best way to describe the plot.
When you see this film, don't turn away from it because you will find yourself missing a lot. There are several plots going on simultaneously (I kid you not!). You have the crazed serial killer will a thirst for blood, the runner who keeps losing limbs and the secret organization that's afoot.
For those of you that are looking for action & horror in a fast-pace setting, you got it!
This film tells the intricate story of an organization that's trying to take over the world by way of a superhuman race of people that are literally created. Think "Frankenstein". If I could rename this film, I'd call it "Frankenstein Meets James Bond". As a matter fact, that's the best way to describe the plot.
When you see this film, don't turn away from it because you will find yourself missing a lot. There are several plots going on simultaneously (I kid you not!). You have the crazed serial killer will a thirst for blood, the runner who keeps losing limbs and the secret organization that's afoot.
For those of you that are looking for action & horror in a fast-pace setting, you got it!
Starring three of horror cinema's greatest icons - Vincent Price, Peter Cushing, and Christopher Lee - this rather atypical American International Pictures release consists of several seemingly disparate plot threads that director Gordon Hessler attempts to pull together in the final act, with little success, the ending almost as confusing as everything that precedes it.
The film opens with a jogger collapsing and waking up in a hospital bed where he finds that he is missing a leg! The action then cuts to an unspecified Eastern European country where Konratz (Marshall Jones) is killing his dictatorial superiors in a bid to seize power. Meanwhile, a murder investigation leads London police detective Supt. Bellaver (Alfred Marks) to the home of Dr. Browning (Vincent Price). Christopher Lee appears as Fremont, a government official who is trying to secure the release of a spy, and Cushing, in what amounts to little more than a brief cameo, plays one of those who stands in the way of Konratz's climb to the top.
While there are some decent scenes along the way, including a perilous car chase, and a killer ripping off his own hand to escape from the police, the choppy nature of the narrative and the disappointing ending make Scream and Scream Again a far from essential 70s horror, despite its trio of genre greats.
If you want to see Price, Cushing and Lee together in a good film, I recommend The House Of The Long Shadows: it's much more fun, and you get John Carradine thrown in for good measure.
The film opens with a jogger collapsing and waking up in a hospital bed where he finds that he is missing a leg! The action then cuts to an unspecified Eastern European country where Konratz (Marshall Jones) is killing his dictatorial superiors in a bid to seize power. Meanwhile, a murder investigation leads London police detective Supt. Bellaver (Alfred Marks) to the home of Dr. Browning (Vincent Price). Christopher Lee appears as Fremont, a government official who is trying to secure the release of a spy, and Cushing, in what amounts to little more than a brief cameo, plays one of those who stands in the way of Konratz's climb to the top.
While there are some decent scenes along the way, including a perilous car chase, and a killer ripping off his own hand to escape from the police, the choppy nature of the narrative and the disappointing ending make Scream and Scream Again a far from essential 70s horror, despite its trio of genre greats.
If you want to see Price, Cushing and Lee together in a good film, I recommend The House Of The Long Shadows: it's much more fun, and you get John Carradine thrown in for good measure.
I had missed a viewing of SCREAM AND SCREAM AGAIN (the title itself is fairly ludicrous, I must say) when I was a kid, shown on Italian TV as part of a one-night Vincent Price marathon. Having now watched the four AIP films made by director Gordon Hessler, I think that this is probably his best work.
It has a rather audacious non-linear narrative for a 'mainstream' horror film, though it all comes together neatly in the end. It is also the only one of the four films to take place in 'our' times - despite the old-fashioned trappings of the plot (taking in espionage in the form of dictatorial regimes with their Nazi-like villains, as well as the obligatory mad scientist and his vampiric 'creations'), the modern-day setting is indeed very appropriate and John Coquillon's typically elegant cinematography captures its essence quite well.
SCREAM AND SCREAM AGAIN is virtually a black comedy which, mercifully, does not descend into camp: it is quite convoluted, relatively protracted (maybe this was because I watched it back to back with THE OBLONG BOX {1969}!), but wholly likable for all that. David Whitaker's 'unusual' pop score is another major asset.
Like the earlier film, SCREAM does not take advantage of having three great horror stars together for the first time. Peter Cushing, graceful as always, does not share any scenes with Vincent Price or Christopher Lee, and indeed appears all too briefly. Price is effective as the mad scientist, even if the material itself didn't seem to inspire him all that much (he later admitted to not 'getting' it!). Lee, perhaps the most progressive-thinking horror star (let's not forget he appeared in Jess Franco's EUGENIETHE STORY OF HER JOURNEY INTO PERVERSION that same year!), is perfectly authoritative as the true villain of the piece.
We also get an exciting if over-extended chase sequence in which Michael Gothard finds new (and highly impractical!) means of eluding the Police - in the shape of sarcastic Superintendent Bellaver who, as played with a rather heavy British accent by Alfred Marks, manages any number of amusing scenes (designed, perhaps, to relieve the audience's frustration at the many - and apparently disjointed - strands of plot going on all at once)!
The end result is patchy overall - certainly not everything in this pot-pourri of ideas works to our general satisfaction (particularly Marshall Jones' overbearing characterization of Konratz) - but the film is often ingenious and weird enough to keep one's interest at all times. In retrospect, the great Fritz Lang's (reported) appreciation of SCREAM AND SCREAM AGAIN is actually not very hard to understand, as the material is indeed well up his street!
Reading about the film on the Net, I came across a rather disconcerting post over at Mobius where it was stated that the print utilized for the DVD was cut. Here is the relevant quote in full:
'On SCREAM I am convinced there was extra footage in the UK theatrical release (which I saw) that has now vanished and was not restored in the MGM DVD. This consists of (a) Alfred Marks bringing down Michael Gothard in the quarry by throwing a stone that hits him on the head, which is the reason he falls down (b) at the climax, there was originally more footage and some more dialogue between Lee and Price - there is a fairly obvious music track change on the DVD where this should be.'
Is anybody here able to confirm this, or at least shed some more light on the matter?
It has a rather audacious non-linear narrative for a 'mainstream' horror film, though it all comes together neatly in the end. It is also the only one of the four films to take place in 'our' times - despite the old-fashioned trappings of the plot (taking in espionage in the form of dictatorial regimes with their Nazi-like villains, as well as the obligatory mad scientist and his vampiric 'creations'), the modern-day setting is indeed very appropriate and John Coquillon's typically elegant cinematography captures its essence quite well.
SCREAM AND SCREAM AGAIN is virtually a black comedy which, mercifully, does not descend into camp: it is quite convoluted, relatively protracted (maybe this was because I watched it back to back with THE OBLONG BOX {1969}!), but wholly likable for all that. David Whitaker's 'unusual' pop score is another major asset.
Like the earlier film, SCREAM does not take advantage of having three great horror stars together for the first time. Peter Cushing, graceful as always, does not share any scenes with Vincent Price or Christopher Lee, and indeed appears all too briefly. Price is effective as the mad scientist, even if the material itself didn't seem to inspire him all that much (he later admitted to not 'getting' it!). Lee, perhaps the most progressive-thinking horror star (let's not forget he appeared in Jess Franco's EUGENIETHE STORY OF HER JOURNEY INTO PERVERSION that same year!), is perfectly authoritative as the true villain of the piece.
We also get an exciting if over-extended chase sequence in which Michael Gothard finds new (and highly impractical!) means of eluding the Police - in the shape of sarcastic Superintendent Bellaver who, as played with a rather heavy British accent by Alfred Marks, manages any number of amusing scenes (designed, perhaps, to relieve the audience's frustration at the many - and apparently disjointed - strands of plot going on all at once)!
The end result is patchy overall - certainly not everything in this pot-pourri of ideas works to our general satisfaction (particularly Marshall Jones' overbearing characterization of Konratz) - but the film is often ingenious and weird enough to keep one's interest at all times. In retrospect, the great Fritz Lang's (reported) appreciation of SCREAM AND SCREAM AGAIN is actually not very hard to understand, as the material is indeed well up his street!
Reading about the film on the Net, I came across a rather disconcerting post over at Mobius where it was stated that the print utilized for the DVD was cut. Here is the relevant quote in full:
'On SCREAM I am convinced there was extra footage in the UK theatrical release (which I saw) that has now vanished and was not restored in the MGM DVD. This consists of (a) Alfred Marks bringing down Michael Gothard in the quarry by throwing a stone that hits him on the head, which is the reason he falls down (b) at the climax, there was originally more footage and some more dialogue between Lee and Price - there is a fairly obvious music track change on the DVD where this should be.'
Is anybody here able to confirm this, or at least shed some more light on the matter?
Wusstest du schon
- WissenswertesAlthough the publicity for this movie made much of the fact that the three greatest horror stars of the day, Vincent Price, Sir Christopher Lee, and Peter Cushing were all in it, the three actors have in fact only small roles in this movie, despite star billing. Cushing's role is confined to one scene, without the other two, and the Price and Lee characters have a very brief scene together only at the end of the movie. The combined footage for all three actors only comes to about one-fifth of the total running time.
- PatzerWhen Keith escapes from the police, after he has severed off his own hand, he jumps over a short fence/style and rolls on the grass on his landing. Using pause you can see his real hand come out of his cuff just as where his stump should be
- Zitate
Superintendent Bellaver: That bloody chicken wasn't killed, it died of old age.
- Alternative VersionenBritish prints of SCREAM AND SCREAM AGAIN have small differences from AIP's American Theatrical cut, with the American version removing Bellaver clumsily throwing a stone at the speedy cliff-climbing super-human Keith, and a bottle-swigging old drunk peeping at Keith and Sylvia fooling around in the convertible. The final shot of the British print is also different, with the credits scrolling over a long shot of Dr. Browning's lab heard over soundtrack music, rather than on the American print which has the credits being presented over a black screen with The Amen Corner's "Scream and Scream Again" playing. Another thing omitted from the American version is a brief but significant dialogue exchange between Vincent Price and Christopher Lee: "But what of the dream?" asks Price. "There is only nightmare" replies Lee.
- VerbindungenFeatured in Aweful Movies with Deadly Earnest: Scream and Scream Again (1975)
- SoundtracksScream and Scream Again
Written by Dominic Bugatti (as Dominic King) & Tim Hayes
Performed by Amen Corner (uncredited)
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Details
Box Office
- Budget
- 350.000 $ (geschätzt)
- Laufzeit1 Stunde 35 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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