Der Gauner

This turned out to be a very nice story, almost an old-fashioned type of film, based on an old William Faulkner novel.

The only difference between this an an earlier classic movie of this nature was a bit of profanity, but it was 1969 and that stuff was now allowed in films. However, there wasn't a lot of it and the characters are decent people, anything but profane. However, the main character, played by Steve McQueen, wasn't exactly the best role model, teaching his young son how to lie and then taking him to a "house of ill repute." Other than that, he's a good guy and the film does end on a high note as the young boy (played well by Mitch Vogel) learns a hard lesson about lying.

I haven't seen this film in awhile but I remember the wonderful yellow automobile in here. Wow, what a beautiful car. There is an interesting horse race in here, too, with a different twist to it.

In all, a nice movie with good messages in the last half hour after what looked like a film that was a shaky morally. There's some nice photography in here, too. This film is decent enough for one viewing but probably not to purchase for multiple screenings.

For a movie that starred one of the greatest box office stars of his time, based on a Pulitzer Prize-winning novel by one America's greatest writers, "The Reivers" has continued to be something of an answer to a trivia question ("In what movie did Steve McQueen portray a semi-comic character involving a stolen automobile and a horse race?") I'm not sure of the reasons myself, but this movie has remained at the top of my "Favorite Movies" list since I first saw it in 1969. Maybe it was the out-of-character role of McQueen. Maybe it was the excellence of his supporting cast that includes Mitch Vogel, Rupert Crosse and Will Geer. Maybe it was the direction by Mark Rydell. Or maybe it was the outstanding score by John Williams (which has remained my favorite movie score of all time). Most likely, it is a combination of all the above. All I can say is that this movie has never lost its appeal for me. Watching the movie is like visiting an old friend with whom the passage of time will only strengthen the bonds of affection. This movie may not be for everybody, but I recommend it on the chance that you may be smitten by its special charm.

This movie holds a special significance to me as it was one of my late father's favorites. It's a William Faulkner coming-of-age story about a boy named Lucius (Mitch Vogel) in early 1900s Mississippi. Lucius looks up to Boon (Steve McQueen), the immature handyman on his grandfather's plantation. Boon convinces Lucius to help him "borrow" the grandfather's brand new car and drive to Memphis to see Boon's prostitute girlfriend (Sharon Farrell). Tagging along for the ride is Lucius' older cousin Ned (Rupert Crosse), who's almost as irresponsible as Boon. Once in Memphis, a lot of things happen and they wind up needing to win a horse race to get the grandfather's car back.

McQueen is good in a role a little outside of his wheelhouse. Vogel, Farrell, and Crosse are all good as well. Will Geer plays the grandpa. Light-hearted but with some serious moments. In many ways it plays like a Disney film of the period, except with whores and people using the N-word. William Faulkner is probably my favorite Southern author but his work hasn't been considered easy to translate to screen. This is one of the better efforts.

This is an enjoyable old fashion type of adventure they just wont make anymore outside of a Disney adaptation. It's based on a William Faulkner story, his last I believe, and may be slightly autobiographical. I always saw this movie on television in the 70s & 80s and didn't realize so much of the film was cut and watered down for TV. The video VHS/ or DVD is much more complete and has more uncensored dialogue as well as including excised TV scenes such as when the trio arrives at the 'bordello' and Lucius is introduced. While the movie takes on a Disney or Hallmark heritage type of look it is not that. It is much more mature with spicy dialogue as mentioned and mature scenes that round out a longer running time. One thing I noticed is that this movie hails from 1969 when certain sexual situations were now being allowed in American productions. This movie reflects this change, while being basically family fare it 'just' escaped an R rating presumably as the MPAA system was still new and unfamiliar with how to rate certain subject matter. If this movie had been made just four or five years before it no doubt would have captured the rural early 20th century innocence familiar to Faulkner but the sexual situations, which make the story more believable, wouldn't have been included. Alas this is a great movie to have in your collection to take out and view when you're lonely and want something to look at or if it's raining outside. ***1/2 stars and it deserves to be much more well known than it is.

A diverse group goes off on an adventure, each for his own reasons, and each comes back changed and much wiser. Romance, excitement, tough choices, new experiences, and a really great car -- what more can you ask for? In a just world, this would be considered a classic of the coming-of-age genre. It is one of McQueen's most complex and charming performances. Crosse, another actor who died much too young, is brilliant. It has some mature material, but it is a wonderful family movie to talk to kids 13 and up about what growing up really means.