Number One

Some have argued that Heston is not convincing as an NFL quarterback. I disagree. He was six feet three and 200-odd pounds, which is more than large enough, especially during the 1960s. Moreover, Heston worked out with the NFL players on set and even suffered a cracked rib, courtesy of Doug Atkins. AND CH was in his mid-40s.

No, I believe the problem with "Number One" is the screenplay. Catlan (have also seen it spelled as "Catlin") isn't an especially sympathetic character; in fact, he's rather a jerk. He leaves a lot to be desired regarding education and culture. His LIFE has been the NFL.

Now, Heston gets all those qualities, but doesn't suggest anything more admirable. Although in one of the late scenes, after Cat has committed adultery with Diana Muldaur (many men WOULD have done so with DM at her sexiest, as here; but I digress:)), he talks about his life and career with his long-suffering spouse (the excellent Jessica Walter). Here he is vulnerable, and sympathetic. Would that there were more such moments in the film.

But "Number One" remains worth watching. If you need a reason, well, it is the first film to depict at least adequately what professional American football is truly like. "Brian's Song," "North Dallas Forty," "Semi-Tough," etc. came later--

In the final scene when Catlan is crushed by the Dallas defense (actually portrayed by Saints players Mike Tilleman, Dave Rowe and Fred Whittingham), neither Heston nor the producer felt the hit on him was realistic enough, so Heston asked them to cut loose to make it look authentic. On the second take, the trio slammed the actor to the ground, breaking three of his ribs!!

As for a better actor to play this part or the "realism" as criticized below, Hogwash. I can't think of many actors back then or NOW that would take a hit like Heston did for any movie.

I enjoyed the show, LOVED the football scenes, liked the 60's look and feel of the show, and still love watching Charlton Heston movies. May he R.I.P.

Charlton Heston's second of three films with director Tom Gries was this film set in the world of pro football. Heston plays a quarterback who's seen his best days, but just wants to hear the roar of the crowd. I can't think of another reason he could possibly have to stay.

Later on his career Heston played in a really great film about pro football, Any Given Sunday where he played the Commissioner of the game. Number One is seen from a different angle, that of the player who sees nothing out there for him when he's through hence he keeps going. Heston has not even heard too many cheers lately, in fact in a bad performance as the film opens he gets quite a few boos. Sports fans can be mighty fickle.

Football has a caste system more than any other team sports. The glamor guys are the backfield and the line are the grunts whose job it is to protect the glamorous ones who score the points. Two other portrayals of aging football players that of Roy Jenson and Bruce Dern. Jenson has one scene with Heston where he hits him up for a touch after a game and briefly and movingly describes his rather bitter life after the career was over.

Dern is different. As he puts it so eloquently he'd play a game on Sunday and he'd hurt through Tuesday. When he started hurting through Saturday it was time to quit. Smart man, as a running back and a glamor guy buy definition he's used his celebrity to build a nice profitable automobile leasing business and is looking to diversify. Next to Heston I liked him best in the film.

Dern typifies something that Stan Musial said about baseball. He knew when to quit when just getting into the uniform and playing a kid's game for lots of money ceased to be fun. Heston should have heeded his and Dern's advice.

A couple of women in Heston's life are wife Jessica Walter and football groupie Diana Muldaur. Walter has a very successful fashion designing business and hangs around with a crowd that Heston hates. It's the whole macho thing with Heston, but he also envies the fact they and the wife are making a success of something they love and are talented in.

Number One ranks up there with other great football films like the aforementioned Any Given Sunday. Heston paid great tribute to Tom Gries as a great director in his memoirs. His three films with Heston, Will Penny, Number One, and The Hawaiians give testimony to that.

Mr. Heston and director Tom Gries teamed up in the late 60s and early 70s to make three woefully under-appreciated movies. One of those is Number One.

This one happens to be the lowest rated of the three here on IMDb. I'm shocked that its rating is a lowly 5.6. I believe this gem deserves greater recognition.

The movie is about a once great quarterback who's a few years past his prime. The movie itself isn't really about football. As in Will Penny with the Western setting, football is the backdrop for a character study which goes much deeper.

I believe this movie is especially potent today in the aftermath of the recession which saw a lot of older people in this country lose their jobs through no fault of their own. They have to ask themselves, what was it all for? And... what do I do now? Mr. Heston plays Ron "Cat" Catlan, the aforementioned quarterback. His status with the New Orleans Saints seems to be in question. His wife is too busy for him. An exotic new woman isn't the answer but at least she listens to him.

This movie explores the questions we'll all ask ourselves one day if we haven't already, and does so admirably.

Charlton Heston is the star quarterback for the New Orleans Saints..... and he's forty and thinking about retiring. The people around him are all younger than he, admiring and envious, management, who don't really care, and wife Jessica Harper, who has been listening to him talking about retiring for half a decade.

It's a well done rather melancholy portrait of a man who doesn't want to give up what makes him special. Bruce Dern, unlikable as always, gave up the game a decade earlier and now is the biggest car dealer in the state. He doesn't know why Heston won't quit and come make money with him. Only one, old, non-star player, now working in the oil fields, seems to have any idea of what Heston is going through.

Heston gives one of his mostly-stoic-then-cursing roles, and he's very good.

This movie didn't do well at the box office; they never distributed it overseas, figuring that no one cares about American football except Americans. I think A.E. Housman would have liked this movie.