Number One

Number One (1969)

** 1/2 (out of 4)

Charlton Heston plays Ron Catlan, an aging quarterback in the NFL who is entering his fourteenth season. Catlan goes through a disastrous pre-season and injures his knee so in the week leading up to the regular season he must decide if he wants to hang it up or try for one more shot of glory. This film has gotten several very negative reviews including one in Leonard Maltin's guide but I think they were a little too hard on the thing. Yes, it's nothing ground breaking and it's certainly not too deep but I thought it made for an entertaining little movie. There's nothing overly special to be found here but there's an interesting story here of the elderly quarterback trying to weigh his options. These include the retirement but also a friend (Bruce Dern) is trying to get him into a car business that would probably lead to more money and he wouldn't have to take a beating. He's also dealing with his wife (Jessica Walker) as well as a woman (Diana Muldaur) he starts an affair with. I think the film does a decent job at showing the struggle that a NFL player might go through and its this aspect that works the best here. All the personal drama with the wife and girlfriend is pretty melodramatic but none of it is soapy enough to where it kills the film. Another benefit for viewers of today is seeing the old fashioned football gear (New Orleans Saints is the team), stadiums and fans. The performances are all pretty good with Heston doing a very good job in the lead. There were a few times that I had a hard time buying him as a football player but he fit into the drama very well. Heston really appeared to know what it was like struggling getting old but he handles everything fine. Walter, a few years from PLAY MISTY FOR ME, is also good as the wife. Her and Heston really come across like a real couple, which was a plus. I thought Muldaur stole the film as the girlfriend as she really brought across some "60s swing" to the role. Dern doesn't have too much to do but he's certainly a shot of energy at least. I think the film does rely on flashbacks a bit too much and I'd argue that the thing moves at a predictable pace. With that said, the film is certainly innocent enough and I'm sure fans of Heston will enjoy seeing him here.

In the final scene when Catlan is crushed by the Dallas defense (actually portrayed by Saints players Mike Tilleman, Dave Rowe and Fred Whittingham), neither Heston nor the producer felt the hit on him was realistic enough, so Heston asked them to cut loose to make it look authentic. On the second take, the trio slammed the actor to the ground, breaking three of his ribs!!

As for a better actor to play this part or the "realism" as criticized below, Hogwash. I can't think of many actors back then or NOW that would take a hit like Heston did for any movie.

I enjoyed the show, LOVED the football scenes, liked the 60's look and feel of the show, and still love watching Charlton Heston movies. May he R.I.P.

Charlton Heston's second of three films with director Tom Gries was this film set in the world of pro football. Heston plays a quarterback who's seen his best days, but just wants to hear the roar of the crowd. I can't think of another reason he could possibly have to stay.

Later on his career Heston played in a really great film about pro football, Any Given Sunday where he played the Commissioner of the game. Number One is seen from a different angle, that of the player who sees nothing out there for him when he's through hence he keeps going. Heston has not even heard too many cheers lately, in fact in a bad performance as the film opens he gets quite a few boos. Sports fans can be mighty fickle.

Football has a caste system more than any other team sports. The glamor guys are the backfield and the line are the grunts whose job it is to protect the glamorous ones who score the points. Two other portrayals of aging football players that of Roy Jenson and Bruce Dern. Jenson has one scene with Heston where he hits him up for a touch after a game and briefly and movingly describes his rather bitter life after the career was over.

Dern is different. As he puts it so eloquently he'd play a game on Sunday and he'd hurt through Tuesday. When he started hurting through Saturday it was time to quit. Smart man, as a running back and a glamor guy buy definition he's used his celebrity to build a nice profitable automobile leasing business and is looking to diversify. Next to Heston I liked him best in the film.

Dern typifies something that Stan Musial said about baseball. He knew when to quit when just getting into the uniform and playing a kid's game for lots of money ceased to be fun. Heston should have heeded his and Dern's advice.

A couple of women in Heston's life are wife Jessica Walter and football groupie Diana Muldaur. Walter has a very successful fashion designing business and hangs around with a crowd that Heston hates. It's the whole macho thing with Heston, but he also envies the fact they and the wife are making a success of something they love and are talented in.

Number One ranks up there with other great football films like the aforementioned Any Given Sunday. Heston paid great tribute to Tom Gries as a great director in his memoirs. His three films with Heston, Will Penny, Number One, and The Hawaiians give testimony to that.

If you can get past not seeing Charlton Heston in his usual stereotypical, larger than life epic roles you may enjoy seeing him take a turn at a modern drama as a normal human.

This movie is "very late 60's style" which is fun to watch now with it's flashback scenes and sixties lingo.

Great supporting cast and good chemistry all around. It's also neat seeing Heston in his sexier than usual love scenes.

Heston's performance is solid. You can feel his pain and bitterness. I highly recommend this film for Heston fans, sports fans and sixties film buffs.

Chuck Heston is not a football star, but an actor playing one. I laugh at the comments made by the other comments here; expecting Chuck to play like a pro. That's why they call it acting.

Truthfully, football is only a backdrop for a story about a faded legend trying to hold on to his career by the skin of his teeth. It's an interesting tale of all of us; facing the reality of old age.

Being that this was filmed in the late 1960s, it has a real 60s flair to it, which to me makes it kind of neat. I liked the "surprise" ending.

Number One is not the greatest movie ever made, but it is a decent entertaining flick.