Im Todesgriff der roten Maske

This was going to be the fourth film directed by Michael Reeves ("Witchfinder General," "The Sorcerers," "She Beast"), who's a filmmaker I'm fascinated by, mostly because of the three intriguing horror films he directed before his untimely death. None of these films were horror classics, but they were unique stories and were more of an edge than most horror films of this era. I was particularly taken with "Witchfinder General" where Vincent Price gave a rare non-hammy performance and was terrific. "The Oblong Box" would have again paired Price and Reeves, but sadly Reeves died due to an accidental overdose during pre-production. Veteran horror director Gordon Hessler took over and made the film more in line with the previous AIP Poe film adaptations, which isn't a bad thing, but it's disappointing to not see what Reeves would have brought to this cycle of films. In this Poe tale, Vincent Price's brother, Alister Williamson, is buried alive, and then reappears wearing a red mask, exacting his bloody revenge. Overall, this film is not as classy or smart as the Roger Corman Poe films, but it's entertaining none-the-less.

Sir Julian Markham (Vincent Price) is an aristocrat of the late 19th century that keeps his disturbed brother Edward locked up in a tower of his manor; the man has been disfigured by natives in Africa when blamed for the accidental killing of a child. But Edward manages to escape and seeks revenge against Julian.

Director Gordon Hessler -not a top one at all if you see his filmography- gets a sort of morbid and languid atmosphere and settings that help the picture; but too many turns and items in the plot (voo-doo, madness, revenge, killings, treason, body snatching, romance and else- sort of disperse the focus in the main events -to put it somehow- and the final product comes out just standard.

Vincent Price and Cristopher Lee as a doctor that steals corpses for experiments are at their usual level and in some way save the picture (without them "The Oblong Box" would have been a complete failure).

Perhaps the main flaw is the character of Edward that appears too light for a villain or monster and even lacks impact when his ruined face is shown at the end; in fact you feel sorry for the guy since he's not scary at all.

Fans of Price, Lee and Gothic horror won't probably be disappointed but even then just one watch is enough. You always have the feeling that keeping the basic story and making it much more simpler would have made a good product in the genre; but it didn't come out that way.

Disfigured in an African ritual, Edward is kept, "protected", by his brother Julian by being kept chained up in attic. He fakes his death to escape from Julian and another man is killed to take Edward's place in the "oblong box". Film looks like a low-key, photographed stageplay, a well-dressed period piece having little to do with Poe's short story, besides the title box. This is one of those films to watch primarily to enjoy the cast, lush settings and photography, hooded killers, throat-slicings, and a couple of good scares along the way, even if it has little if anything to do with Poe, just don't get one's hopes too high up. It does have a good unmasking scene, and genuinely creepy twist-ending, which still stood out in my mind years after I had last seen this film.

Favourite line: "I'll only do my prowling at night."

We tend to diminish some movies which doesn't fits in ours pre-established concepts, The Oblong Box is one of this case, an exotic picture mixing gothic horror and sorcery from Africa, however has many qualities to overcame a possible low points, the story is about two brothers from British aristocracy Julian Markham (Vincent Price) who maintain imprisoned at your room Edward (Alister Williamson), such fact took place at Africa where they had profitable business, actually Edward fortuitously killed a native child, by this his face was disfigured by voodoo's ritual, at England under order of Julian his lawyer brings from Africa a native sorcerer to try heal his brother, but he was misleading by the greed lawyer, Edward is hit by poison dart, he states as dead and buried alive, but the body snatchers unearth him to sell to Dr. Newhart (Lee) just for scientific purposes, somehow Edward wake up and made an agreement with the Doctor to stay there, in exchange of money to keep his research ongoing, to make his revenge Edward uses a scarlet hood, the producers put a mundane atmosphere on movie as at brothel's house, offering plenty of slight nudity scenes, spicy sequence, further has a twist on final that worthy waiting for, valuable and underrated!!

Resume:

First watch: 2020 / How many: 1 / Source: DVD / Rating: 7.5

"The Oblong Box" is about what you'd expect. Like "Witchfinder General" (aka "The Conqueror Worm") the previous year, a lot of it seems to be going for shock value. Vincent Price plays a 19th-century nobleman keeping his disfigured brother locked in a room...only then the brother manages to escape. There's some violence (although I wouldn't call it gore) and no shortage of women with bug-eyed, frightened looks on their faces.

As with the other 1960s horror flicks based on Edgar Allan Poe stories -- although this one is not part of Roger Corman's series -- the movie only uses the title and is otherwise unrelated to the original story. There's certainly nothing special about the movie, except that it was the first pairing of Vincent Price and Christopher Lee. Otherwise, Corman's movies are the ones that I recommend.

Also starring Rupert Davies, Peter Arne, Sally Geeson and Hilary Dwyer.