IMDb-BEWERTUNG
6,1/10
1170
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuReleased from prison after 18 years, notorious gunslinger 'Killer' Cain is a peaceful reformed man but the Old West has died and he cannot adapt to the modern West where some unpaid moral de... Alles lesenReleased from prison after 18 years, notorious gunslinger 'Killer' Cain is a peaceful reformed man but the Old West has died and he cannot adapt to the modern West where some unpaid moral debts and old troubles resurface.Released from prison after 18 years, notorious gunslinger 'Killer' Cain is a peaceful reformed man but the Old West has died and he cannot adapt to the modern West where some unpaid moral debts and old troubles resurface.
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More Dead Than Alive might not do much for a lot of western fans, and the reason for that is that it's so different from the rest of the genre. The western hero is meant to be big, strong, uncaring and a real sharp shooter; and in this film, that is everything that our central character used to be, and now he's going straight. For that reason, it might be more advisable to go into this film expecting more of a drama than a western as that's essentially what it is; a drama set in the once-wild west. Our central character is a man named Cain, who earned the nickname 'Killer Cain' thanks to the twelve notches on his revolver. After eighteen years behind bars, the killer is released but while he's no longer on the run from the law; he faces a different challenge as the West that put him behind bars is not the West that he's being released back into, and he quickly discovers that getting a job with his reputation is not the easiest thing to do. The only man who wants to employ him is circus ringmaster Ruffalo; but Cain lacks practise and the young assistant Billy is a better shot.
Aside from provide a different sort of western, the film also tries to do a few other things and unfortunately there just isn't time for it all. There's a romance angle which stems off the main plot and that doesn't get nearly enough time spent on it, while the action sequences we do get feel more like an afterthought. My main reason for seeing this film is undoubtedly the presence of the great Vincent Price, who gives a memorable performance in a supporting role. Clint Walker takes the lead role and while it's not a standout performance and he looks a little young and clean to have been behind bars for eighteen years; he does make for a likable lead. Paul Hampton is a real standout, however, as the cocky young villain of the piece. The film provides good entertainment for the duration and it's not exactly taxing stuff, which ensures that the film is always enjoyable enough. The ending was a bit of a disappointment to me as certain characters were killed by the wrong people; but all in all, this is a memorable film and is recommended if you want a decent hour and a half of entertainment.
Aside from provide a different sort of western, the film also tries to do a few other things and unfortunately there just isn't time for it all. There's a romance angle which stems off the main plot and that doesn't get nearly enough time spent on it, while the action sequences we do get feel more like an afterthought. My main reason for seeing this film is undoubtedly the presence of the great Vincent Price, who gives a memorable performance in a supporting role. Clint Walker takes the lead role and while it's not a standout performance and he looks a little young and clean to have been behind bars for eighteen years; he does make for a likable lead. Paul Hampton is a real standout, however, as the cocky young villain of the piece. The film provides good entertainment for the duration and it's not exactly taxing stuff, which ensures that the film is always enjoyable enough. The ending was a bit of a disappointment to me as certain characters were killed by the wrong people; but all in all, this is a memorable film and is recommended if you want a decent hour and a half of entertainment.
Despite its eccentric cast, MORE DEAD THAN ALIVE seems to be forgotten - for one thing, it's not even listed in the Leonard Maltin movie guide, and has never been released on video or DVD. Forgotten or not, it's one strange western! It starts off with a grisly (and lengthy) action sequence where the blood flies, then becomes sedate until near the end, where it suddenly turns grisly and bloody again! Inbetween it's a somewhat meandering but occasionally interesting western, with some bizarre directorial touches (like how many times a cut to another scene is done by someone or something walking straight up to the camera), but all the same has you wondering how this sympathetic ex-gunfighter will end up. You probably won't guess it, considering how the final scene had my jaw slack right open! Probably still worth seeing just for the chance of viewing Vincent Price in a western.
I saw this film many years ago on TV and have never found it in any video store but would be well worth the rental fee for an evenings entertainment, if I could ever find it. Such is the impression it left me with. Around this time period, the Hollywood western had reached its nadir, what with Butch Cassidy and the Sundance Kid et al, and was on its way out. I can think of a couple other offbeat westerns that appeared around this time, but nothing quite like this. For one thing, you have Vincent Price in it! Vincent Price in a western?! This is not a horror film, but it does have an interesting story line with good pacing, tight direction and an unexpected ending. Clint Walker, a much under-appreciated actor, plays a former gunfighter trying to live in peace apart from his past. Price heads a traveling quick draw show that comes into town and this is where the fun begins. Anne Francis is the love interest, Paul Hampton (whatever became of him?) is very effective as the young gunfighter wannabe. Do not miss this if you get the chance.
There are many films which the great actor Clint Walker made and a few became the foundation for the rest. In this film, which is one of his best, called " More Dead than Alive " is directed by Robert Spar and written by George Schench. It relates the unusual story of a multiple murderer, called Cain, (Clint Walker) who has paid the standard price for murdering several men, by serving nearly twenty years in prison. Now that he's out, he finds a job with Dan Ruffalo's (Vincent Price) wild west show. Earning honest money, Clain decides to capitalize on his infamous legacy while at the same time trying to go straight. Unfortunately, Cain's past is slowly creeping in on his peaceful life-style and it only a matter of time before it catches up to him. At the same time, Clain tries to teach Billy Valence an envious and arrogant reputation-seeking gun-slinger (Paul Hampton) not to make the same mistakes he made. The story is a moral one which has influence many a writer and director in the following movie years. For Walker, the least we can add is that this film has become a Classic. ****
The title is misleading (as though it's some kind of zombie horror film), but this is definitely my kind of western. It's dark, sadistic, and action-filled. Clint Walker fans won't be disappointed, and I love the ending. Vincent Price seems to be having a great time in his role, and although Mike Henry is underused, he does a great job with his small, but important role, playing one of the villains. Hampton looks the part, but tends to overact a little (though not to the extent some have said) and ultimately he does well. I would rather have seen a tougher-looking guy in his role, such as Dean Smith, but it's not that big an issue.
In short, this is a dark, action-packed unique western, and I'm delighted that it's now on DVD in widescreen.
In short, this is a dark, action-packed unique western, and I'm delighted that it's now on DVD in widescreen.
Wusstest du schon
- WissenswertesVincent Price helped design the opening credits.
- PatzerJust after the scene where Cain and Billy shoot the branches of the tree, a white VW Beetle can be seen driving behind the trees in the background.
- Zitate
Billy Valence: You're not gonna shoot me, are you?
- VerbindungenReferenced in Ein Sheriff in New York: Top of the World, Ma! (1971)
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