IMDb-BEWERTUNG
7,9/10
5243
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA film about the greatest pre-Woodstock rock music festival.A film about the greatest pre-Woodstock rock music festival.A film about the greatest pre-Woodstock rock music festival.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Country Joe McDonald
- Performers
- (as Country Joe and The Fish)
Denny Doherty
- Performers
- (as Mamas and the Papas)
Cass Elliot
- Performers
- (as Mamas and the Papas)
The Mamas and the Papas
- Themselves
- (as Mamas and Papas)
John Phillips
- Performers
- (as Mamas and the Papas)
Michelle Phillips
- Performers
- (as Mamas and the Papas)
Frank Cook
- Performers
- (as Canned Heat)
Bob Hite
- Performers
- (as Canned Heat)
Henry Vestine
- Performers
- (as Canned Heat)
Alan Wilson
- Performers
- (as Canned Heat)
Art Garfunkel
- Performers
- (as Simon and Garfunkel)
Paul Simon
- Performers
- (as Simon and Garfunkel)
Empfohlene Bewertungen
It's the legendary California music festival in June 1967. D. A. Pennebaker films the incredible iconic concert. There is great music. It is an important time capsule for popular music in general. Two of the most notorious performances are Jimi Hendrix burning his guitar and Joplin singing with Mama Cass watching in shock from the audience. One does learn a few things. I didn't think they had chairs but the metal chairs are all neatly lined up in their rows. This is more than a movie, a documentary, or a concert film. It is music history.
It was a great experience. I was 18 and hitch hiked to Monterey with a girl and her Doberman. One ride all the way. As soon as we got dropped at the fairgrounds, some people asked if we had a place to stay, took us to their pad, let us shower, and made breakfast. That was a good sign. I had no desire to go to Livestock; nothing could ever compare to those three days in Monterey. You see all the people with coats and blankets because it was cold at night and early morning. For weeks before we had been hearing the ads on the radio (KRLA)about all the performers and they kept saying the Jimi Hendrix Experience. We had no idea who this guy was; we were going to see and hear everyone we could. But that night, after The Who had tried to demolish the stage and Lou Adler and John Philips were scrambling to regain order, the stage went dark and a lone figure walked to the mike at center stage. When the spotlight came on we could see it was Brian Jones. He introduced Jimi Hendrix and when I saw, and heard, the most amazing things ever done or played on a Stratocaster (on any guitar for that matter)life wasn't the same. Hendrix took music to an alien world and came back with sounds and style that were beyond my imagination. This film is not the greatest quality and certainly--in a technical sense--pales in comparison to contemporary concert movies and videos; however, it was the first true rock festival, and if you were there you know what I mean. But if you let go of the need for cinematic purity and enormous production values, what you'll enjoy is an island of (not corny) peace, love, and incredible music.
10Sargebri
This has to be one of the greatest concert documentaries ever made. You get to see some of the greatest early performances by some of rock's greatest legends (Jimi Hendrix, The Who and Janis Joplin) as well as the performance of one band on their last legs, the Mamas and the Papas. The festival also could be seen as a turning point in popular music due to the fact that after the festiveal the more singles oriented acts were being pushed aside in favor of the more progressive album oriented artists.
Also, if you need more convincing of how much of a pivotal event this was, check out the outtakes video. It contains many of the performances that didn't make it to the film, including Buffalo Springfield without Neil Young who had quit the band a month before their scheduled appearance. Replacing him for this performance was David Crosby, who performed earlier with the Byrds but joined his friend Stephen Stills and the rest of the Springfield for the show (less than a year later Crosby and Stills would team up with Graham Nash and the rest is history). Also check out Laura Nyro. Legend has it that she was booed off the stage. However, she gets a nice applause for her renditions of her classics "Wedding Bell Blues" and "Poverty Train".
Also, if you need more convincing of how much of a pivotal event this was, check out the outtakes video. It contains many of the performances that didn't make it to the film, including Buffalo Springfield without Neil Young who had quit the band a month before their scheduled appearance. Replacing him for this performance was David Crosby, who performed earlier with the Byrds but joined his friend Stephen Stills and the rest of the Springfield for the show (less than a year later Crosby and Stills would team up with Graham Nash and the rest is history). Also check out Laura Nyro. Legend has it that she was booed off the stage. However, she gets a nice applause for her renditions of her classics "Wedding Bell Blues" and "Poverty Train".
10HSauer
This is a classic documentary of 60s rock, captured live before all the hype and hoopla of hippiedom sank most of these acts (and many others). The Monterey Pop Festival kicked off the Summer of Love and remains the prime event of that epoch. The film should be seen by anyone who claims a passing interest in "Woodstock" or "the 60s." I give it 10 stars.
I found this documentary on DVD at my local library.
I know all about the 1960s, I graduated from high school, I graduated from college, I completed my graduate studies, I got married, I started my career, I had my first child. She will be 49 later this year, 2018.
But I never went to any music festivals. So finding this film on DVD was a joy. It has a good mix of on-stage performances and views of the mostly young crowd away from the stage. While I didn't know any of them I recognize all of them. That is how we looked and behaved in the late 1960s.
Funny, when I was younger I avoided Janis Joplin, I just hated her singing style. But I saw a documentary on her, I became a fan of sorts. And here at roughly 25 minutes into the documentary she performs "Ball and Chain" which was a real show-stopper., showing her extremely wide range of talent. There is a memorable shot of Mama Cass Elliot in the crowd mouthing "WOW" when Janis' performance was over.
Anyway, good film that brings back good memories.
I know all about the 1960s, I graduated from high school, I graduated from college, I completed my graduate studies, I got married, I started my career, I had my first child. She will be 49 later this year, 2018.
But I never went to any music festivals. So finding this film on DVD was a joy. It has a good mix of on-stage performances and views of the mostly young crowd away from the stage. While I didn't know any of them I recognize all of them. That is how we looked and behaved in the late 1960s.
Funny, when I was younger I avoided Janis Joplin, I just hated her singing style. But I saw a documentary on her, I became a fan of sorts. And here at roughly 25 minutes into the documentary she performs "Ball and Chain" which was a real show-stopper., showing her extremely wide range of talent. There is a memorable shot of Mama Cass Elliot in the crowd mouthing "WOW" when Janis' performance was over.
Anyway, good film that brings back good memories.
Wusstest du schon
- WissenswertesAlthough they declined the invitation to perform because they had sworn off touring permanently, all four of The Beatles were on the festival's board of directors. George Harrison had helped recommend Ravi Shankar, and Paul McCartney had pushed for the organizers to sign Jimi Hendrix, who was unknown in the United States at the time.
- PatzerIn the opening credits, a hand-drawn title says "IN ORDER OF PEFORMANCE", misspelling the word "PERFORMANCE".
- Zitate
Female Fan: I think its gonna be like Easter and Christmas and New Year's and your Birthday all together, you know! Hearing all the different bands, you know. It's just, like, I've heard a lot of them; but, all at the same time - it's going to be too much. I mean, the vibrations are just going to be floating everywhere!
- Alternative VersionenThe 1997 video version includes as an appendix The Who's performance of "A Quick One While He's Away."
- VerbindungenEdited into The Who: The Kids Are Alright (1979)
- SoundtracksSan Francisco (Be Sure to Wear Flowers in Your Hair)
Written by John Phillips
Performed by Scott McKenzie
Studio version, played over film footage of pre-concert activity.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Monterrey Pop
- Drehorte
- Monterey County Fairgrounds - 2004 Fairground Road, Monterey, Kalifornien, USA(location of the festival)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 1.524 $
- Eröffnungswochenende in den USA und in Kanada
- 1.524 $
- 26. Aug. 2001
- Laufzeit1 Stunde 18 Minuten
- Farbe
- Sound-Mix
- 4-Track Stereo(original release)
- Mono(original release)
- Seitenverhältnis
- 1.37 : 1
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