The Littlest Angel

I recall seeing most of this "Hallmark Hall of Fame" musical special on NBC, probably when it first aired in December 1969. Seeing it again almost 30 years later, I found this shot-on-tape production every bit as dreary and depressing as I'd remembered it. "The Littlest Angel" is the heartwarming story of a shepherd boy named Michael who dies on his eighth birthday, and ends up in Heaven. (To make matters worse, the white dove that lures Michael to his death turns out to have been sent by God Himself.) Michael, less than enthusiastic about being in Heaven, just wants to go home - and who can blame him? If you have any small kids who weren't sufficiently traumatized by the demise of Bambi's mother, they're bound to get a kick out of the scene in which Michael is allowed to return to Earth briefly to retrieve his treasure box; he can see his parents, but his parents, who don't even know yet that their son is dead, can't see him.

In this special, Heaven is a place where people wearing white gowns and metallic halos are badly chroma-keyed against vaguely psychedelic backgrounds. There's very little plot, and a bunch of pretty forgettable songs which run the gamut from pious to perky. The video effects are hopelessly crude (even, I think, by 1969 standards). Johnny Whitaker, who was still co-starring in "Family Affair" on CBS at the time, is one of the few genuinely delightful things about this production. Fred Gwynne, a few years after shaking off Herman Munster, does what he can as guardian angel Patience. You may be surprised at how well he sings (as he did in the much later "Ironweed"). Connie Stevens appears for one number as a "flying mistress"; Cab Calloway leads a heavenly choir; E.G. Marshall plays God.

This production still stays with me after all these decades.Around that time television never openly addressed death.The censors would tell the characters of a show that the person who died simply WENT AWAY to visit a sister.Great cast and they all sang on key but the songs slowed down the continuity or flow to the performance.Sad ending seeing bewildered grief stricken parents, and of course that hug from the littlest Angel makes your eyes misty; no water.Nice to see Fred Gwuinn, Tony Randall and James Coco. Connie Stevens was a perfect angel herself trying to teach the new arrival how to fly.Special effects at that time could easily use improvement.A period piece for sure.

This film brings back a lot of great Christmas memories. Yes, the special effects are dated and the costumes a bit cheesy (it's from the 60's, for Pete's sake, give it a rest!). However, the music is actually good and is still worth listening to (anyone who thinks the music is sappy, perky, etc. probably didn't particularly like any of it in the first place).

I also think it would be great if this particular film could be redone with better special effects/costumes/etc. However, I wouldn't change the music (arrangements) as it really fits the overall mood and message.

I have to admit that looking at it again in later years (I've had a copy of the VHS tape for a long time) there are a few elements about the film that were rather morbid (like the child visiting his parents after his death to get his box and they had no idea that he had actually died).

I suppose everyone has their own take on the film. For me, the overall message and appeal is still there and has made it a Christmas staple for me; it's one of the elements that gets me "in the Christmas spirit". Time seems to go backward and, for a little while, I can remember what it was like to be a child.

For me, "The Littlest Angel" will always be a classic.

This is a beautiful story of a little boy who has a fatal fall and goes to Heaven. His guardian angel is Patience (played by Fred Gwynne). Michael (Johnny Whitaker) refuses to acknowledge that he is now an angel, and wants to go home. Even after flying lessons, he wants to go home to get his treasure box, and Patience allows him to do so. He arrives back in Heaven just in time for the birth of Christ, and decides to give the Holy Child his treasure box.

By today's standards, the special effects are somewhat "hokey" and very stage-like. I was surprised at the singing talents of some who were in it. Johnny sings like the young boy that he was at the time. Fred Gwynne sings pleasantly and on key, and Tony Randall later went on to make a career on the musical stage (playing Applegate in "Damn Yankees" in several productions, for instance). Cab Calloway delighted me, as did several other lesser known singers. The songs are less than memorable, but at least they were sung well.

This show is now out on DVD. I was able to purchase mine at the Hollywood Collectors and Celebrities Show, but I'm told its available other places. There are no special features with the DVD.

We may be able to petition Hallmark Channel, which still owns the rights to their Hallmark Hall of Fame Special, to run this show at Christmastime.

Donna

I saw it for the first time as a kid in the 1990's at Catholic school, with little knowledge of 1960's television or that it was from that far back, and found it kind of enjoyable, although I felt bad for the kid dying and missing his home. (And I blinked and missed that he fell off a cliff, and thought he had died of exhaustion from climbing the mountain trying to catch the bird). I rewatch it as an adult recently (knowing more about 60's television), and am like, this movie was that old? The angel boy was the kid from 'Family Affair'? The guardian angel was Herman Munster? Also, I'm re-seeing the trippy 60's effects, which went over my head as a kid, and while I didn't see their names anywhere in the credits, if someone told me Sid and Marty Krofft had a hand in production, I would believe them. Overall not a bad movie, with 60's stars.