In dieser Gaunerkomödie soll mithilfe eines Verkehrsstaus in den Straßen von Turin ein Goldraub gelingen.In dieser Gaunerkomödie soll mithilfe eines Verkehrsstaus in den Straßen von Turin ein Goldraub gelingen.In dieser Gaunerkomödie soll mithilfe eines Verkehrsstaus in den Straßen von Turin ein Goldraub gelingen.
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Margaret Blye
- Lorna
- (as Maggie Blye)
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"The Italian Job" is a comedic heist film that is mostly renowned for the extended car chase getaway. In it, a thief recently released from prison (Michael Caine) organizes a scheme to steal a shipment of gold bars by creating a massive traffic jam and using a trio of Mini Coopers to escape with the loot.
The cast is pretty decent with the always dependable Caine perfectly cast as charismatic thief Charlie Croker, Noel Coward as the incarcerated backer of the titular job and Benny Hill in a small role as a computer expert obsessed with plump women. Besides that there's no-one worth remarking on and not much acting that isn't up to snuff.
The script is bold and inventive with much of the humour being understated and unpredictable. The heist itself is clever but the staging of the getaway is a real work of art. Again, there is an inventiveness that is quite refreshing. Nevertheless, I was starting to get a little tired of waiting for the heist to be set in motion. Finally, the ending caps the proceedings in memorable fashion.
The direction by Peter Collinson is solid and above average for an action-comedy. The music, handled by Quincy Jones, is memorable but also characteristic of the era, meaning that it is unlikely to appeal to all tastes.
If you're looking for a lighthearted crime caper this is just the ticket. I particularly recommend the film since it includes what is, in my opinion, the best car chase ever filmed.
The cast is pretty decent with the always dependable Caine perfectly cast as charismatic thief Charlie Croker, Noel Coward as the incarcerated backer of the titular job and Benny Hill in a small role as a computer expert obsessed with plump women. Besides that there's no-one worth remarking on and not much acting that isn't up to snuff.
The script is bold and inventive with much of the humour being understated and unpredictable. The heist itself is clever but the staging of the getaway is a real work of art. Again, there is an inventiveness that is quite refreshing. Nevertheless, I was starting to get a little tired of waiting for the heist to be set in motion. Finally, the ending caps the proceedings in memorable fashion.
The direction by Peter Collinson is solid and above average for an action-comedy. The music, handled by Quincy Jones, is memorable but also characteristic of the era, meaning that it is unlikely to appeal to all tastes.
If you're looking for a lighthearted crime caper this is just the ticket. I particularly recommend the film since it includes what is, in my opinion, the best car chase ever filmed.
So who can NOT like The Italian Job? Well, I can't speak for those who are not Anglophiles, but I suspect everybody who has ever called themselves British will love it. Sure, it has holes the size of Matron's stockings in it's plot and there are any number of errors apparant in the script and screenplay (Well, we all know that Mini's don't have a rear differential) and the true fanatics (such as myself) are all too aware of the continuity on-screen (that was a heavily disguised Lancia Flaminia that went off the cliff- Well, did you really think it was a REAL Aston DB4? See "Hammer House" for where that turned up). I could go on, as I usually do, about inconsitencies and so forth, but, by God, I have seen the Italian Job in just about every format it was ever shown and I love it all the same. There are no slow parts, every bit is important to the plot, the soundtrack is legendary (only available now after many, many years on CD. Got it before it was on CD and cost a lot; typical!) and is so quotable ("You're only supposed to blow the bloody doors off!") as to haunt Michael Caine forever more. You'll love it, wherever you come from!
A year after I saw the remake, I finally got to see the original for the first time. This movie was released during my freshman year in college, but I certainly don't remember it ever being in any local theaters. From a 35-year hindsight perspective, it has an "Austin Powers" feel to it, primarily because of the sound track and the period-attire worn by the players. The 2003 re-make has a more imaginative yet believable plot, while this original has a sly, tongue-in-cheek undertone of humor to it. Benny Hill as the computer-geek obsessed with "large-boned women" is a real hoot! I think that sub-plot could have been played out further in the form of it creating more complications for master planner Michael Caine. Although I like "Marky" Mark Wahlberg and most of his movies, Michael Caine imbued the Charlie Croker role with more personality. The mini-Coopers are still the centerpiece of both movies, though: good chase scenes! This movie has merits that the re-make does not, and vice versa. It's hard not to compare the two, but try watching both again, as individual movies.
The picture narrates how a con Charlie (Michael Caine) has just left prison, and now wants to carry out a 'big job' , as he has plans to rob 4 million dollars worth of gold and being financed by Mr Bridger (Noel Coward) ,a Mafia-type boss, who is in jail . The job is to steal a lot of gold arriving in Italy from China but he needs to get a band together first. The motley thieves gang (formed by Benny Hill, Robert Powell, Tony Beckley, among others) whose mastermind is gathering specialists to pull off and execute a caper in Turin attempting to rob gold's bullion . In Italy, a clever plan is used to distract the authorities, while the raiders make their getaway in their Minis. They escape in their Mini Coopers, which are small enough to drive on sidewalks so they can make a clean get away before the traffic jam clears . This leads an excellent and unforgettable car chase sequence . Contains the legendary Mini Cooper pursuit images through Italian streets, and other dangerous ways as buildings, rivers, and sewers. After Charlie and his crew pull off a perfect heist of millions of dollars , worth of gold , occur several surprises.
This is a very amusing film dealing with a group of robbers, led by career criminal Charlie Croker stunningly performed by Michael Caine , as they create the largest traffic jam in Turin history, giving them time to pull off a theft of gold bullion. The film blends tension ,action packed ,comedy, emotion, suspense , plot twists and being pretty entertaining and bemusing . There are wild chases galore with impressive velocity car pursuits , making varied and spectacular caper s , with bounds by the streets , undergrounds , canals, highways and rooftops which lasts for several minutes . Furthermore , there's a clever ending twist as happen generally in those flicks . Actors' interpretation is nice and enjoyable . Michael Caine is cool, Margaret Blye 's delightful performance , plus enticing and attractive . Special mention the veterans Raf Vallone as Italian gangster and Noel Coward as typical British mobster .
Very good and colorful cinematography by excellent cameraman Douglas Slocombe . Catching and jolly musical score by Quincy Jones, including emotive song at the beginning by the usual Matt Monro . This moving film was well directed by Peter Collinson. Collinson's royal directorial treatment provides it with action, humor and majestic sweep . He was an expert on thriller (Sell out, Target on assassin), suspense (Spiral staircase, Ten little Indians, Open season), terror (Straight on till morning) , Warlike-adventure(You can't win ém all) , his biggest hit was this ¨The Italian job¨ , until his early death by cancer at 41 . The film will appeal to Michael Caine fans and hold-up genre enthusiasts. Rating: Highly recommended. It's remade by Italian Job (2003) directed by F. Gary Gray , while the original movie was in most part developed in Italy (Turin) in this remake the setting is in Venice and US (L.A.) , here the masterminds (Donald Sutherland and Mark Wahlberg) are gathering specialists (Seth Green ,Mos Def, Jason Statham ,Edward Norton) to pull off and execute a caper in Venice and again with the famous and legendary -for vehicle buffs at least- cars copied from previous movie . Worthwhile seeing . Better than average .
This is a very amusing film dealing with a group of robbers, led by career criminal Charlie Croker stunningly performed by Michael Caine , as they create the largest traffic jam in Turin history, giving them time to pull off a theft of gold bullion. The film blends tension ,action packed ,comedy, emotion, suspense , plot twists and being pretty entertaining and bemusing . There are wild chases galore with impressive velocity car pursuits , making varied and spectacular caper s , with bounds by the streets , undergrounds , canals, highways and rooftops which lasts for several minutes . Furthermore , there's a clever ending twist as happen generally in those flicks . Actors' interpretation is nice and enjoyable . Michael Caine is cool, Margaret Blye 's delightful performance , plus enticing and attractive . Special mention the veterans Raf Vallone as Italian gangster and Noel Coward as typical British mobster .
Very good and colorful cinematography by excellent cameraman Douglas Slocombe . Catching and jolly musical score by Quincy Jones, including emotive song at the beginning by the usual Matt Monro . This moving film was well directed by Peter Collinson. Collinson's royal directorial treatment provides it with action, humor and majestic sweep . He was an expert on thriller (Sell out, Target on assassin), suspense (Spiral staircase, Ten little Indians, Open season), terror (Straight on till morning) , Warlike-adventure(You can't win ém all) , his biggest hit was this ¨The Italian job¨ , until his early death by cancer at 41 . The film will appeal to Michael Caine fans and hold-up genre enthusiasts. Rating: Highly recommended. It's remade by Italian Job (2003) directed by F. Gary Gray , while the original movie was in most part developed in Italy (Turin) in this remake the setting is in Venice and US (L.A.) , here the masterminds (Donald Sutherland and Mark Wahlberg) are gathering specialists (Seth Green ,Mos Def, Jason Statham ,Edward Norton) to pull off and execute a caper in Venice and again with the famous and legendary -for vehicle buffs at least- cars copied from previous movie . Worthwhile seeing . Better than average .
It is unfortunate that the 2003 film was released with the same name as the 1969 film because it clouds the (unsophisticated) mind with subjective judgment. For everyone who compares the two films - stop! The original was filmed in a different time period and the viewer must make a conscious effort to put him/herself in that state of mind to understand it. The film is pure entertainment, and it accomplishes that with humor and some clever stunts. As viewers, we need to be objective and aware of the differences that have arisen on so many levels as the years have passed.
For those who complain that the premise of the heist is not realistic, it was never supposed to be. Consider that if it had been intended as a realistic portrayal, the crooks would have killed those in their way and taken the loot without concern for collateral damage. The existing plot kept the mood decidedly "all in good fun."
Michael Caine made as good a performance as ever in this film. It is fun for fans of him to see the many different roles he has undertaken in his prolific career.
For those who complain that the premise of the heist is not realistic, it was never supposed to be. Consider that if it had been intended as a realistic portrayal, the crooks would have killed those in their way and taken the loot without concern for collateral damage. The existing plot kept the mood decidedly "all in good fun."
Michael Caine made as good a performance as ever in this film. It is fun for fans of him to see the many different roles he has undertaken in his prolific career.
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- WissenswertesBMC (British Motor Corp.), owners of the Mini, refused to donate any cars for this movie. The chief of Fiat Motors offered to donate all of the cars needed, including Fiat 500s in place of the Minis. Director Peter Collinson decided that, as it was a very British movie, the cars should be British Minis. Fiat still donated scores of cars for filming, as well as the factory grounds. The authorities refused to close the roads, but the Italian Mafia stepped in and shut whole sections of Turin down for filming. The traffic jams in this movie are real, as are people's actions during them.
- PatzerThe bonnet of Charlie's Aston Martin is hinged at the nose of the car. When the car gets thrown off the cliff, the hinges are near the cockpit. This is because the car which was thrown off the cliff was in fact a Lancia Flavia convertible.
- Zitate
[Arthur blows up a truck]
Charlie Croker: You're only supposed to blow the bloody doors off!
- Alternative VersionenWhen the first E-Type is crushed on the mountain road, Charlie says, "You just cost him his no claims bonus." For the American release this was dubbed to, "...his insurance bonus."
- VerbindungenEdited into Macgyver: Thief of Budapest (1985)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Faena a la italiana
- Drehorte
- Kilmainham Jail, Dublin, County Dublin, Irland(Prison interior)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 122.163 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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