I Start Counting

I truly love those typical 'rural' British thrillers from the late 60's and early 70's! They practically always revolve on hugely controversial topics and feature heavy macabre undertones, and yet they remain very stylish, sophisticated and classy. A couple of notorious examples include "Unman, Wittering and Zigo", "Deadly Strangers", "Crescendo", "Girly", "Twisted Nerve" and some of Hammer's lesser promoted thrillers like "Never Take Candy from Strangers" and "Paranoia". David Greene's "I Start Counting" is also an excellent addition to this list. The principal coming-of-age story is basically already an anathema, but then this plot is simultaneously interwoven with a grim tale of a serial killer on the loose in a small picturesque British village. I was already a great fan of the lovely Jenny Agutter thanks to "An American Werewolf in London" and "Logan's Run", but after seeing this film she's truly immortal to me. Agutter gives away a stellar tour-de-force performance as the cherubic and curious 14 year old Wynne. The romantically inexperienced pubescent girl has a tremendous crush on her 32 year old foster brother and openly talks about her feelings with her school friend Corinne, who claims to have had sex with several boys already. During all her secretly observing and spying, Wynne begins to suspect, however, that her beloved brother George might be the maniac responsible for several gruesome yet unsolved murders. Where do the nail scratches on his back come from? Why are there bloodstains on the white sweater that Wynne made for him? Strangely enough, the more convinced Wynne gets regarding her brother's guilt, the more her feelings grow intense and obsessive. The young girl even convinces herself that she must rescue George, as the rest of the world won't understand him. "I Start Counting" is a slowly unfolding, captivating and often uncomfortable film that is made even more excellent thanks to the wondrous use of music like the title song (although some fans of the genre might not like this), beautiful images of the South-East British countryside and great work from the ensemble cast. The thriller elements surprisingly go well with the coming-of-age theme. The serial killer plot is occasionally very creepy, whereas Wynne's extreme devotion for her brother is also quite disturbing but in a completely different way. "I Start Counting" absolutely is a unique film; what they call a real gem of a great but sadly forgotten cinematic era. It pleases me to see that the film nevertheless has a few devoted fans here on this site.

Though I can't remember it in detail, I do remember liking this film a lot and as a teenager going to bed scared, as well as having impure thoughts about Jenny Agutter, (again.) Very atmospheric, very English and very 60s, full of the kinds of faces you seemed to only get during that decade.

I don't know why it's hardly ever shown, but if someone were to air it occasionally, I'm sure it would gradually start to pick up a reputation as a bit of lost cult classic (a la the Wickerman.) I did find a fairly negative review in Time Out, but that probably says more about them than this film.

Jenny Agutter (Wynne) is 14 going on 15 and has a crush on her elder brother Bryan Marshall (George). He's 20 years older than her and isn't her real brother so it's not as twisted as it sounds. They live in the same family house along with another brother Gregory Phillips (Len), mother Madge Ryan and granddad Billy Russell. Agutter has a flirtatious friend Clare Sutcliffe (Corinne) and together they hang out and talk about boys and love. Agutter shares her fantasy about her brother with her friend and we see how she really cares for him. Alongside her troubled teenage time, there is a serial killer on the prowl and girls and young women are not safe in the area.

I liked it. Another British hit for creepiness. Who is the killer? You'll probably change your mind a few times on this one as you try to figure it out. It's filmed on location with a sinister undertone and keeps you watching with various plot twists. We also get Jenny Agutter on a journey to discover what her role in life isn't destined to be and the heartaches she encounters. Who knows, maybe she gets her way once the film finishes?

It is a good few years since I last saw this movie but the memory lingers on. I first saw it as a teenager a couple of times but haven't been able to catch it since. Boy it sure was creepy. The whole cast are excellent throughout. Has British television forgotten about this fantastically creepy movie. With the proliferation of movie channels now available surely one of them can secure the rights to show it. It would be even better if it was released on DVD.

This is another very well made British Thriller from the late 60s / early 70s. Like other reviews I had seen 'I Start Counting' once before, on late night television, one (I think) Sunday evening in the early 1980s.

It is a film that stayed with me but could never remember its title or even who was in it (I didn't even remember Jenny Agutter as the lead!) until I accidently came across it on a IMDB list. I did recall that it was don't miss a minute suspenseful.

I have now just watched it again and it still stands the test of time. It's a horror / thriller that doesn't rely on blood, gruesome murders or cheap shocks. It keeps the viewer thinking but that is because it is a film with many levels of which the underlining narrative about a serial killer stalking young girls in a village is one of the least compelling - at least to me watching again 50 years after the film was made and around 40 since I last sat entranced.

Agutter and Bryan Marshall are superb in this. She of course has since given many more excellent performances in a lot of very good films but I have never seen Marshall in anything as good or give a portrayal as naturally convincing as this. To be honest I have not seen him in another role so integral to the story.

I would definitely be interested to know why this film is so rarely seen. It is certainly one for fans of the period and also for people who like their suspense to come without gratuitous violence.

A film well worth discovering.

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