Füge eine Handlung in deiner Sprache hinzuA suburban man is told by his doctor and best friend that he has a terminal illness. At his wife's insistence, he goes on a spending spree, racking up insurmountable debts. After the damage ... Alles lesenA suburban man is told by his doctor and best friend that he has a terminal illness. At his wife's insistence, he goes on a spending spree, racking up insurmountable debts. After the damage is done, he learns that he's not dying after all.A suburban man is told by his doctor and best friend that he has a terminal illness. At his wife's insistence, he goes on a spending spree, racking up insurmountable debts. After the damage is done, he learns that he's not dying after all.
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I don't mind that he's unhappy with his suburban life. I'm not rooting that hard for him to go have a single man adventure. He's lusting for the beautiful babes and that seems rather lonely and unfunny. I actually would like him to go into the wilds or get into the local life. He needs to get in touch with himself and get some character growth. Was he pitching for Pepsi back in the day? Sometimes, dated comedic references can go over my head. As for the rest of the premise, I stop caring about it. Jerry is doing some Weekend at Bernie slapstick that would be funny if I actually cared. I see what he's trying to do. It's a comedy that I don't find funny.
"Hook, Line and Sucker" was, in this viewers' humble opinion, one of Jerry's lesser vehicles from this era. The fact that the scenario is routine stuff is just one problem, but the screenwriter, Rod Amateau, and director, George Marshall, don't develop things in any truly interesting or funny ways, and the whole story is mostly uninspired. There are some solid laughs at the outset, as well as a pretty amusing punchline at the end, but overall this is far from Jerry's best.
Jerry gives it a reasonably good performance, falling back on some classic Jerry zaniness. His "heart attack" is hilariously stupid, and when he's required to play the role of an "Australian" character, it's real eye-rolling stuff. He gets decent support from Lawford, and the gorgeous Anne Francis, as Peters' homemaker wife. Jennifer Edwards (daughter of filmmaker Blake Edwards) and Jimmy Miller play Peters' kids, and there is a brief role for Jerry's longtime repertory player Kathleen Freeman as an inattentive babysitter.
This delivers some laughs, and has a fairly bright wrap-up, but there are no genuine comedy fireworks to speak of.
Five out of 10.
The plot of this movie doesn't have any discernible logic. Lewis, Lawford, and Francis carry on what the filmmakers thought was a funny situation? You can follow along with the happenings, but it doesn't make any sense; and, it certainly isn't funny. The one "joke" that may jolt you comes at the end of the film. However, it doesn't have much to do with the story (other than the obvious fact that Jerry Lewis enjoys fishing). A better idea might have been for Lewis to stop making movies like this, get some good writers, and do a real TV comedy.
** Hook, Line and Sinker (5/7/69) George Marshall ~ Jerry Lewis, Peter Lawford, Anne Francis
Wusstest du schon
- WissenswertesThe Ingersolls, who live in Southern California, are seen drinking Coors beer. At this point in time, 1969, Coors was not a national product and was found mostly in the Western United States, as well as parts of the South and Midwest, all west of the Mississippi. Due to it being unpasteurized, it wasn't allowed to be sold in most of the Eastern and Southeastern States, and wasn't sold east of the Mississippi at all until 1981, and not nationally until 1986. This is the premise of the 1977 film Ein ausgekochtes Schlitzohr (1977).
- PatzerDuring the deep sea fishing scenes the footage is always of a large blue marlin being caught, but the fish Peter's crew finally hauls on board is a small, gray sailfish.
- Zitate
Scott Carter: There's only one decent thing left for you to do: turn yourself in.
Peter Ingersoll: Decent thing? That's insane!
Scott Carter: I'll be behind you all the way.
Peter Ingersoll: Oh, sure you will. A mile behind me.
- VerbindungenFeatured in Der Sheriff (1970)
- SoundtracksWilliam Tell Overture
(uncredited)
Composed by Gioachino Rossini
[Played immediately after Mrs. Hardtack leaves the Ingersoll house the first time]
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.236.060 $
- Laufzeit1 Stunde 31 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1