Die den Hals riskieren

Burt Lancaster, Gene Hackman, and Scott Wilson portray a team of professional sport parachutists barnstorming their way through small-town America.

The movie features some fine performances, particularly Lancaster's. I enjoyed the way the small town was depicted; it felt curiously familiar and yet distant at the same time. The movie holds its own, even 30 years after its initial release.

The jumping sequences are fantastic...truly the finest jump sequences ever captured on film at that time (1969). Pay particular attention to the 'cape' jumps, particularly the last one (Scott Wilson's) which gets me bug-eyed every time I see it (yes, I'm a jumper too).

Longish and slow-moving at times but well worth it.

As a very young boy in El Dorado, Kansas, I marveled when the film crews came to town from Hollywood to shoot this film, what is considered John Frankenheimer's `lost classic.' The story is sub-par: three barnstormers stop at a small Kansas town to put on a show and get involved in a less-than-intriguing soap opera with the occupants of a house where they are staying. What makes the movie work for me is the reoccurrence of so many memorable images from the town where I grew up, but for outsiders, the essence of small-town Kansas life is captured so purely you'll be transported to the peacefulness of a world where the arrival of daredevil skydivers is a Big Event.

Most interesting to note in this film are the back-stories. Scott Wilson was called in to replace an injured John Philip Law, who was originally cast as the young daredevil. Gene Hackman was still a fledgling, relatively unknown, and yet he managed to steal most of the scenes from the established Burt Lancaster. For the locals, this film still lingers in the memory. The Victorian home where the barnstormers stay still stands, and the screened in porch on the house's north side--built exclusively for this film by the visiting film crew--is still referred to by locals as the `MGM porch.' The fight song that the marching band plays throughout this film is still the fight song of the Butler County Grizzlies, the athletic team of the local community college. And even today, old-timers wonder whether or not that was really Deborah Kerr in the buff … or if a body double was used. Either way, you'll get a real feel for this community, an interesting first look at up-and-comers Gene Hackman and Bonnie Bedalia, and a fascinating series of sky-diving sequences that set the tone for many such scenes to come.

a beautiful film.for the unique science of a great director to explore each possibility of story. for the art to discover the essence of a special sport. for acting- Deborah Kerr - Burt Lancaster is a splendid couple - , for the Scott Wilson performance, for Gene Hackman use of his character nuances. a film about passion made in admirable manner, with high precision.because it represents a gallery of portraits, decisions and opportunities, with the South melancholic spirit, with the force of a dangerous passion. one of films who preserves the flavor of lost age. and who propose a touching, profound story, a delicate view about life , duty and sacrifice.

Yes, the movie does miss greatness. But it is far from a failure. As a slice of American with fascinating characters (yes, I like and cared about them), this film is worth seeing. True, there are problems. The husband in particular comes off as emotionally dead, yet I have known of men like that. The wife (Deborah Kerr) comes off almost as hopeless; worse, it is never clear what she wants or what is driving her. Yet, here again I have known marriages like this. I suspect modern viewers will want to be shown the underly rage and desperation of these characters, which has to be present, but like Days of Heaven, they are muted. No doubt, It would have helped if the film had been longer. Nevertheless, it works with great photography and stunt work and is well worth a look. BTW for those who are interested (this is an R-Rated movie after all) even at 48 years, Deborah Kerr looks great nude. I know if I had been the husband in the movie, I sure would have kept trying.

John Frankenheimer's drama of itinerant skydivers intersecting with small town doldrums is heavy on atmosphere but frustratingly ambiguous in its storytelling.

Not having read James Drought's source novel, it's hard to say just what went wrong here. Perhaps in an attempt to avoid conventional melodramatics, adapter William Hanley's script was kept as low-key and naturalistic as possible, to the extent that all of the silences and unspoken words end up conveying practically nothing of the characters' motivations beyond a kind of inchoate yearning. Usually I'm all for scripts that don't shout and scream, that rather rely on subtlety and restraint, but this one is so elliptical that its own best intentions are undermined. The ending seems flat and pointless. Yes, a death has occurred, but has anyone in the story really changed?

It's particularly frustrating given the talent involved. Stars Burt Lancaster and Deborah Kerr, with support from younger players like Scott Wilson, Gene Hackman, and Bonnie Bedelia, give strong and convincing portrayals. Add to that some remarkable aerial photography of skydiving derring-do -- plus a love scene which features the beautiful Ms. Kerr's bare breasts -- and you probably won't feel you've wasted 2 hours. But if only there were more.

Not a 'lost treasure' of Frankenheimer's, Lancaster's and Kerr's careers, but an intriguing, minor footnote.