Füge eine Handlung in deiner Sprache hinzuThree skydivers and their travelling thrill show barnstorm through a small midwestern town one Fourth of July weekend.Three skydivers and their travelling thrill show barnstorm through a small midwestern town one Fourth of July weekend.Three skydivers and their travelling thrill show barnstorm through a small midwestern town one Fourth of July weekend.
- Regie
- Drehbuch
- Hauptbesetzung
- Man in Strip Club Ordering a Drink
- (Nicht genannt)
- Band Leader
- (Nicht genannt)
- Topless Dancer
- (Nicht genannt)
- Women's Club Member
- (Nicht genannt)
- Magistrate
- (Nicht genannt)
Empfohlene Bewertungen
The technology used to film this movie was very sophisticated for its time and gave results that would challenge the technology of today. Film cameras instead of video cameras were used by the skydivers; nevertheless they obtained tremendous aerial shots that are thrilling even today. It is hard to believe that these scenes were filmed thirty six years ago.
The documentary film on the DVD about the making of this movie is absolutely essential to fully enjoy and understand the skydiving associated with this movie; including the "Bat Wing" stunt skydiving that forms a sort of particular drama with this movie. A better film documentary film about this movie, which I doubt exists or will be shown, would be about the making of the love scene between Burt Lancaster and Deborah Kerr. The had a love scene, of sorts, in the 1953 movie, "From Here to Eternity". That scene, on the beach, is quite well known. However, due to the Code restrictions then not really that much could be shown.
I believe that one unspoken reason this movie was made was to allow a reunion between Lancanster and Kerr. Also, she was willing to be naked in a movie, very rare for the late 1960s. Those would be the primary reasons why she was in the movie as she was actually somewhat miscast due to her accent; a definite British accent in Kansas is somewhat incongruous (nowhere in the movie are we told that she is, say, a war bride or a British girl who somehow otherwise married a Kansas man).
Having said that I am actually very glad they cast her! Nowadays I look a lot like her and worry about whether or not I can find another husband (divorced and looking). Debby showed that a girl could still get a gorgeous hunk like Burt even when she was 48! You guys just can't imagine what us middle aged gals feel when we see Debby and Burt finally doing the wild thing in that living room! It gives us hope that we can still get a man! Deborah Kerr still had a great body at 48, and that is why I think she did not mind doing the nude scene. I think she was not near as nervous showing off as Burt was and certainly not near as nervous as the director. Her performance was certainly a highlight of this movie.
Puzzling was the performance of William Windom; who portrayed her husband. His role is somewhat out of place; and I don't understand why his fine acting skills weren't use more than they were. His role is disjointed at best and it is hard to understand how the character is supposed to fit within this movie. There are absolutely no husband-wife dynamics shown between him and Kerr. Even in the most disjointed of marriages (such as the second of my two marriages) there is generally some sort of attachment between the two even though they may both be in the divorce court! Interestingly enough, when Lancaster was on this film he had just gone through a divorce. His wife was upset due to all the flings he had been through while married to her. Well, it is easy for this gal to see why he was not totally loyal to his wife; he had all those sexy women throwing themselves at him! And, if I had been around that area when this film was being made I would have been one of them! He was a good looking fellow then! Debby, you were a lucky gal!
The movie features some fine performances, particularly Lancaster's. I enjoyed the way the small town was depicted; it felt curiously familiar and yet distant at the same time. The movie holds its own, even 30 years after its initial release.
The jumping sequences are fantastic...truly the finest jump sequences ever captured on film at that time (1969). Pay particular attention to the 'cape' jumps, particularly the last one (Scott Wilson's) which gets me bug-eyed every time I see it (yes, I'm a jumper too).
Longish and slow-moving at times but well worth it.
Wusstest du schon
- WissenswertesDuring filming at the airfield in Benton, Kansas, Director John Frankenheimer wanted to get a real, horrified reaction from the extras playing the audience, so he had a mannequin dressed like a skydiver and tied it under a helicopter, which ascended several hundred feet, then released the dummy. Most of the people hadn't noticed what had been rigged up, so when it fell, they thought it was a real person hitting the ground and he got the reaction he was looking for. One minor problem was that the pilot didn't gauge the wind accurately and the "skydiver" fell into some parked cars, narrowly missing some people and caving in the roof of an extra's car. The studio bought the car for several times what it was worth and the damaged vehicle spent the rest of the shooting behind one of the hangars.
- PatzerAs the plane flies over the first airfield in the film, the town's name of Bridgeville is clearly painted on the airport's hangar. The skydivers pack up, leave town, drive for what seems half a day or so to the next town, and arrive, again, in Bridgeville.
- Zitate
Mike Rettig: [softly] Tomorrow, when we leave here, I want you to come with me.
Elizabeth Brandon: [clearly surprised at the request] Come with you?
Mike Rettig: Yes.
Elizabeth Brandon: [she makes some low sounds, and he moves toward her] Do you always offer so much more than you're asked for?
Mike Rettig: Only to those who ask so much less than they want.
- Alternative VersionenFor the film's premier at the Radio City Music Hall in New York City, MGM removed a scene of striptease in order for the film to receive an "M" rating (suggested for mature audiences, parental description advised). This was since the Radio City Music Hall at the time would only play movies that carried a "G" or "M" rating. The scene was restored when the film played everywhere else in the United States with the rating changed to "R".
- VerbindungenFeatured in The Sky Divers (1969)
- SoundtracksPiano Sonata No. 16 in C-major, K. 545
(uncredited)
Composed by Wolfgang Amadeus Mozart
Performed by Bonnie Bedelia
[The piano piece Annie plays in the living room]
Top-Auswahl
- How long is The Gypsy Moths?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Los temerarios del aire
- Drehorte
- Benton, Kansas, USA(Benton Airport)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 47 Min.(107 min)
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1