Godzilla - Attack All Monsters

Okay, alot of people said this film was the worst ever made, but I disagree. I say the English version released by UPA did the film NO justice what-so-ever.

Here, let me give you all the run-down:

Sound Effects: US version- They sound very weird and almost muted out. And the sounds that Ichiro's voice actress keeps making does not go with what the child star is saying.

Sound Effects: Japanese version- Ah, now that I can hear better. I don't need to tune up the volume now!

Picture: US version- Pan and Scan.

Picture: Japanese version- Widescreen format. You get to see alot more on what's going on.

Music: US version- Probably one of the few descent things. The theme song is quite upbeat and quite unusual. However, the music may be good, but does it really sound like a Kaiju Eiga soundtrack though?

Music: Japanese Version- Some have thought of it being cutesy poo, but I liked it. Ichiro's actor's voice is soooooo cute! Fits the movie more.

And most importantly......

Minilla's voice: US version- GAAAAAAH! No, no, no, no, no! Is this what gave the Barney creator's their sinister idea? The voice actor gave Minilla-kun no justice!

Minilla's voice: Japanese version- Ahhhh, now that is BETTER! Sounds cuter and more child like. More fitting for Minilla. NOTE: The late Michiko Hirai, who voiced Sally Yumeno in an old school anime series called "Mahô tsukai Sally (aka. Witch girl Sally) did Minilla's voice in Japan.

Overall: Get the Japanese version. It is more pleasant.

I'm was never a Godzilla fan until my son got involved. These movies have never meant anything to me until they began taking up so much of his life. He is just about to turn four, and nothing is going to make me happier than to give this to him for his 4th birthday! It will get him off my back!!!!

Godzilla's Revenge is often regarded as one of the worst Godzilla films,and it's reputation was not helped by coming after the terrifically entertaining Destroy All Monsters. The film was obviously made on a tiny budget,with the majority of the monster stuff footage from Godzilla Vs The Sea Monster,Son Of Godzilla and even King Kong Escapes! However,look closer and the film is actually quite interesting,especially if you remember it was aimed at very young children.

Having all of the monster footage exist in the mind of a small boy almost justifies the stock footage in a way,as if he was remembering previous stuff he'd seen. The 'real'footage takes place in a much more realistic environment than usual,and addresses concerns that might mean a lot to young children-parents spending not enough time with them,loneliness,bullying,etc. Of course things like the son of Godzilla shrinking down to human size and talking irritate some older Godzilla fans,and none of the 'new'monster footage is particularly good,but some films one just has to judge by thinking of the target audience,and as a kid's film it's really quite good,perhaps a perfect film for parents to introduce Godzilla to their children!

People who claim Godzilla movies are all the same should see this and maybe the surreal Godzilla Vs Hedorah,both are very unusual and original variations on the kaiju formula.

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Ishiro Honda; Produced by Tomoyuki Tanaka, for Toho; released in America as "Godzilla's Revenge" by Maron Films. Screenplay by Shinichi Sekizawa; Photography by Sokei Tomioka; Edited by Masahisa Himi; Music by Kunio Miyauchi. Starring: Kenji Sahara, Machiko Naka, Shigeki Ishida, Tomonori Yazaki and Hideyo Amamoto.

Latterday entry in Honda's series of childish monster films, quickly shuttled to television. The film is kiddie/boy scout-oriented, with "Ultraman"-styled monster fights on Monster Island, where biggies from "Destroy All Monsters" congregate, including Godzilla, Manda, a new-styled Gamera and Minya, Godzilla's son who is boy-sized this time out. The story is dream-style and weak on plot, with flashy, pointless, modernistic techniu.

This is really two films.

One film is a kid's visit to Monster Island, where he witnesses a compilation of fight scenes from "Son of Godzilla" and "G. Vs. the Sea Monster". Some of this footage looks like out-take or alternate take material; the whole Gabara episode may well have been intended for "Son of" and excised, in the way that "Frankenstein Conquers the World" was to include a fight with a giant squid, some footage of which finding its way into "King Kong Vs. Godzilla".

The second film is a story of a young boy of the working class in an overly-industrialized modern Japan, neglected by his parents, bullied in school, who finds himself kidnapped by a gang of bank robbers and has to learn courage and wit in order to deal with his situation.

The first film is notorious as a "stock-footage" fiasco with a talking monster. The edits only make evident weaknesses in the original material.

The second film is staggeringly depressing. When I first saw this, I wasn't sure how to respond, because certainly I wasn't looking for a grim expose of industrialized Japan. But the first episodes of this storyline, with its backdrop of empty lots and factory smokestacks billowing in the background, add up to a truly unpleasant experience.

Finally, at the center of all this is one of the more annoying child actors of the period. Hard to identify with, and easy to wish away, I feel no sympathy with him at all as an individual, only as representative of the thousands of neglected children like him.

It should be noted that the stock-footage here was filmed by the 'other Godzilla director', Jun Fukuda - so why does Ishiro Honda use it, why not use his own Godzilla material? A real enigma of a film, part overly serious tragicomedy, part self-lacerating rip-off.

Obviously not recommended except for Godzilla completists.