Ein Stall voll süßer Bubis

No, it's not the most right-on of movies, but it could have been so much worse. Michael Greer fought very hard with the producers and directors to soften the worst edges of stereotyping in Malcolm, and I think he injected a teensy-weensy bit of realism. Greer, who also played Queenie in 'Fortune and Men's Eyes', was, rare for the time, an out gay actor and his honesty and his activism should be acknowledged. Given his talent, he sacrificed a much more lucrative Hollywood career because he wouldn't 'tone it down' (ie. pretend).

Incidentally, Keith Howes 'Broadcasting It' says that this was the first film ever to be turned down by the BBC on the grounds that it was offensive to homosexuals, but no more details than that. Has anyone heard of this, and do they have any idea of when the BBC became so solicitous of our feelings?

I thought this was a terrific movie.I'm very sorry to say that Michael Greer of Fortune And Men's Eyes fame died last year of lung cancer.I was devistated.I was such a big fan of his.He was a great actor,and I read alot about him.He was a comedien as well as an actor.This was Greer's first movie,and he did a great job.This movie was made in 1969,about two men who escape the army by pretending to be gay.I thought it was very funny.I have not seen many 60's movies,very few actually,but this one was a great.Watch it,you'll love it!

The impact of this film recently became clear to me when I realized that having seen it only once, nearly 25 years ago, I was still thinking of it. It has become part of my internal landscape, and I tend to compare every comedic treatment of gays on film to my memory of The Gay Deceivers. It is rather sad to think that the best and probably most honest comedy about gay life in America was made so long ago, and in a time when homosexuality was still rarely hinted at in main-stream cinema. See this rare and wonderful film if you can -- urge your local film festival, art house or PBS station to acquire the rights to screen it. It deserves to be rediscovered by a new generation.

When "I Now Pronounce You Chuck and Larry" came out in the summer of 2007, it jogged my memory about a movie called "The Gay Deceivers" that was out when I was in junior high and which I was too young to see. Netflix didn't own a copy, but evidently they keep track of who inquires on movies they don't have and send it out when they get it. So boom, "The Gay Deceivers" arrives by surprise in my mailbox six months later. Regarding the review headlined, "Offensive and Unfunny", I'm going to say just one thing, in my campiest voice, "Oh Mary, lighten up". (How dare they make a movie in 1969 that offends my 21st century sensitivities!) Yes, some of it is hard to watch, maybe for me especially. It was made about the time of my sexual awakening, and some of the stereotypes depicted underscored for me why I had grown up with so much internalized homophobia. But they were making a farce and all they had to work with was how gays were perceived at the time. It's a little too much to expect them to have transcended the thinking of the time in which it was filmed. But on the other hand, some of it is still laugh out loud funny. Especially the scene where Michael Greer makes breakfast. I laughed, then I turned to my partner of fifteen years and said, "I suppose as a gay man I ought to be offended, but it's just so silly!"

Having watched this amateurish comedy recently, I was shocked at some of the other comments here. While "The Gay Deceivers" is as good an indication of how gays were portrayed in the late 60's (i.e. swishy, nellie queens and leather butches), it's no better than a curio - certainly not required viewing for anyone other than gay cinema completists.

There's very little here that's truly funny, since the direction and editing is so poor that basic comic timing goes out the window. Michael Greer has his first appearance as the queeny neighbor of the two hetero boys pretending to be gay to avoid the Draft. It became a typical role for him.

What's amazing is how long it took for Hollywood to graduate (even in part) from films like this, "Partners," and "A Different Story" to something approximating reality among gay people. And directors/writers still get it wrong more often than right.