Der Mann mit dem Katzenkäfig

DADDY'S GONE A-HUNTING might be of interest to film academics looking to analyze attitudes about abortion and motherhood in the wake of the 60s sexual revolution. For those wanting a good thriller, they'll have to look elsewhere. Leadenly paced and poorly acted (with one exception), this movie feels like it was made for television. It boggles the mind to think the director was responsible for some of the best Val Lewton chillers back in the 1940s.

The single bright spot is Scott Hylands as the stalker villain. His stare is chilling and his vengeful plot is truly disturbing. Such a shame the woman he's menacing isn't up to snuff-- Carol White's performance is wooden and her character is often unlikable, treating the people around her like garbage when it isn't warranted. This makes it very hard to root for her, a deadly problem for a suspense thriller.

Also, that title song is truly putrid, dated in the worst possible way and almost comical in how it blatantly describes on-screen action. Hard to believe the legendary John Williams was responsible for that travesty-- though to be fair to him, most of the score is alright, if nothing exceptional.

It would've been better if the character,'catherine' had been more sympathetic.

I apologize,but I was rooting for 'ken' to get away with it all. The story is different,though.A boyfriend terrorizing his ex-girlfriend because she aborted his child...it really could've been done better.

This film is like a fun bad TV movie. It has a thrilling story but the film is marred by the stale performances by the lead actors. If you've never heard of Carol White it's no wonder. She is sweet but gives her part no energy. Her line readings are flat and don't add any life at all to this thriller.

She looks like a bargain basement copy of Julie Christie but with out the charm. This seemed to be her big break in Hollywood after having had some success in England. Here she displays why there was no reason she would ever become a star. Why was she cast in this? There must have been countless other actresses who could have brought some fury to character. This part required a bit of madness and Carol was just too ordinary to deliver. But I suppose a film featuring abortion was a sensitive subject then and perhaps bigger stars did not dare take the part.

The early scenes of the film seem contrived and trite when the characters meet. The changes that show time progressing are quite corny and dated but the late sixties fashions are cool. Carol White, though, looks short with that heavy hair-do which gives the impression that she has no neck.

The film picks up after the dreary first half. There are some neat twists and turns that keep this film from being totally forgotten. The ending is exciting even though the lead actors don't show any tension in their performances. You can't tell if Carol White is terrified or ready to do anything to help her baby. Her character goes to great lengths plot wise but you could never tell by looking at her face.

So, over all it's fun and chilling thriller thanks to the plot but not the actors.

After the man she's been seeing turns out to be mentally (and financially) unstable, Cathy aborts his baby and moves on with her life. She eventually marries a political hopeful and once again finds herself pregnant. While shopping for a crib, she sees her former flame, Kenneth, working as a department store Santa. He spots her too, but the real bad news for Cathy is that he notices she's carrying another child. Bad news for her and her baby, but would Kenneth resort to killing a child as vengeance for the death of his own?

Mark Robson (The Seventh Victim, Valley of the Dolls) directs this morbid little gem, a film with some rather potent subject matter, particularly for the time it was made. Melding the incredibly touchy subject of abortion with a psycho-suspense storyline, Robson crafts an effective film full of bizarre mood and situations. As Cathy becomes more and more guilty over what she did, we see how it works into her psyche, and images as simple as toys yapping on a table take on a rather perverse feeling that gets under the viewer's skin. Robson knows how to utilize such elements to their maximum effect, though never in an overly graphic manner. The use of subtlety and implied horror goes a long way here.

As Kenneth, Scott Hylands is one of the creepiest nutcases you'll see. He has the most unnerving eyes, and a rather blank glare that truly makes one feel uncomfortable. The scene where he learns of the abortion is downright chilling. He puts Cathy through some real psychological torment, one of the standout moments being a nasty surprise he leaves under her car. Carol White plays Cathy, and she's fine in the role, but I find her character to be quite unlikable due to her incessant bitchiness.

This is a great film, well acted, well directed... The climax is quite thrilling as well. This is not your typical psycho story, and it is really quite unique in it's storytelling. Disturbing and effective, I highly recommend this one.

Worthwhile B movie that fails to make the most of a good idea. And both Play Misty for Me(71) and Fatal Attraction(87) reworked its premise and plot. Mark Robson's direction is economical to a fault, and the film needs more detail and development;it feels perfunctory and thin like a made-for-TV film. And the supporting characters are cardboard.

The film has some effective scenes, generates interest and suspense, though the build-up is ultimately better than the payoff. Scott Hylands is very good and convincing but, Carol White is perhaps too stoic,and she doesn't garner much sympathy for her character. The rest of the cast goes through their paces without making an impression, except for an annoying housekeeper, and "Prissy",the cat. Ultimately, the subject matter and Scott Hylands' performance are what make it worthwhile. Hard to find film deserves a DVD release, hopefully with the trailer.