Chastity

In Cher's first attempt in a dramatic role she is found drifting through her young teenage life searching for her identity.She hitch-hikes to Mexico picking up truck-drivers as well as a boyfriend along the way.Her dysfunctional family and abuse follows her ,haunting her as she lives out her escapades wearing the same top and jeans till it makes you a bit nauseous! Her foray into the comfort of lesbianism,is short-circuited by her traditional American values,and Chastity tries the "straight life" one more failed time.The script is trite,and the story jaded .Cher has said the rough stuff was excluded,as Sonny Bono couldn't stand to see his wife do "those things". All in all a cool 60's trip,with an amateurish and weird aura! Chasity later became the name of Cher's daughter conceived during this movie!

Having been curious a long time about this movie, I finally got to see Chastity on Netflix on Demand just now. Written and produced by Sonny Bono and starring his then-wife Cher as the title character, this film basically meanders from one point to another until an explanation of why Chastity does the things she does is provided at the end. Until then, I didn't have much sympathy for her what with her stealing money, impersonating people and professions, and her running to and from places. And at this point, Cher is not enough of an actress yet to really sell her character when she starts to breakdown emotionally as evidenced by her last scene with that madam. I was, however, amused by that scene in Mexico where she calls the police about a stolen open roof car that she took off in-with the ignition keys inside!-and temporarily leaving the phone when asked about the license plate number. Oh, and I can't believe the way that guy she meets one night that let's her stay at his house would tolerate some of her strange behaviors like her constant turning on and off light switches not to mention running water and turning on the stove! In summary, I give Chastity a mixed review. At least the music score and the songs are pretty good...

I have watched this movie several times and get more out of it each time I watch it. Whether artistically or what the movie conveys.Cher in her 1st solo movie.Screenplay by Sonny. He used many things about Cher's life and put them in to his screenplay.The pre-Cher,that is. The opening sequence shows an outline of Cher's head with many images running through it,reminds me of how many things I think about and how they get shuffled about.Do we get answers to them? We see Cher running.What is she running towards or away from. We don't know that until the end until we get the story. Chastity is an old enough to runaway.At that time,there were many runaways from whatever they may have experienced in their home life. She uses men.Her wits. Her sharp tongue.Her curiosity about life.She uses the streets to survive by any means. Yes,Chastity is looking for the love she craves for.When she gets it she is afraid and runs. She makes her way to Mexico.Ends up in the hands of a madam.With the madam,I believe she is looking for the love from her own mother. She gets it but this woman wants more.Chastity runs back to the lawyer wanna be.She seems settled but her she can't escape her past that happened at an early age and we find out why she runs. Its no female version of "MIDNIGHT COWBOY",but does ask a lot questions and how we would handle it if we were in her situation or whatever makes us run or stay.Some uses the street to survive.Others use the streets to get off. We all look for love. Some people don't get it. Some feel they don't deserve to be loved because of whatever they had encountered.

She was born in a wagon of a travelin' show, her mama used to dance for the money they'd throw. Yes, it's pre-nose-job Cher in her absolutely wretched dramatic debut, as a sullen and surly hitchhiking runaway with a heart of pressed tin. With her grating voice and punk-ass demeanor, she can often be misconstrued as acting, but do not be fooled - she is simply a marionette in the hands of producer Sonny `Svengali' Bono (whom one can also presume was also the never-heard-of-before and never-heard-from-again director de Paola). Chastity is a disturbed young woman who hits the road to escape her dreary, unhappy life, and finds more dreariness and unhappiness. In this turgid and lugubrious script, she takes her anger out on men by picking them up, leading them on and then `not letting them get anything.' She works as a prostitute without ever having to give up `the goods,' and winds up in a Mexican whorehouse for a lesbian madam who would like Chastity to be something more than an employee. With a creepy introspective/philosophical voiceover narrative by Cher, it is hippie-age BS and you can definitely see her *Gypsies, Tramps and Thieves* period looming on the horizon. Chastity is perplexing in a way that is peculiarly unintriguing, and despite all her woes, she is supremely unsympathetic. Her eventual confession of being abused as a child may have been shocking in 1969, but in retrospect, it is entirely predictable. There are some who will dig deeply to find some merit to this film, but it should strictly be taken as what it is: pure camp - meaning, of course, that's it's hysterically funny while it tries desperately to be serious. Would *you* name *your* child after this? `Chastity.pick her up if you dare.' Indeed.

Sonny Bono wrote, produced, financed and probably directed (using a pseudonym) this witless entertainment, made at a time when Hollywood did not know how to draw in a younger audience. This film did not help matters. Valuable only as having captured Cher's first performance in a dramatic role, CHASTITY follows an aimless, wandering young woman in search of something... we never quite know what. She does talk about wanting to be loved, but she runs from that, both at the start of the movie and in the final shot. A narration makes an attempt to hold the movie together, but Bono's dialog and situations are so forced and contrived the viewer is never allowed to engage with her apparent angst. CHASTITY is a cynical take on what ailed late-60s youth, but emerges as shallow and condescending toward the very audience Sonny Bono wanted to embrace.