Das total verrückte Irrenhaus

Carry On Again Doctor returns to the well-tilled field of bedpans, undressed patients, and discussions about symptoms, from wind to bowels being regular dialogue fodder. The third of the medical-themed adventures tackled by the team, this time the focus is on the hospital staff rather than the patients who are mostly just cameos; it features a rare, slightly nasty and cynical streak for the series, essentially a film about people being selfish, lying, manipulating and cheating to get ahead in the profession. I was at first concerned this was where the series stopped being fun but the fast-moving plot and changing locations keep the show moving and, like so many others in the series has great performances, a wonderful script, and some genuinely funny lines. Offset by Jim Dale's accident-prone pratfalls, Carry On Again Doctor is an assured and confident piece of filmmaking even if the focus has waned, it doesn't hang about and provides a lot of visual dynamism to any otherwise crazy film.

Being the third outing in the series to be set against a medical backdrop, I was fully expecting this to be a tired rehash of old gags and ideas; however, I found it quite an agreeable latter-day entry – if still essentially second-tier material.

The cast sees Kenneth Williams, Hattie Jacques and Jim Dale in more or less similar roles as its predecessor CARRY ON DOCTOR (1967); on the other hand, Sid James, Joan Sims, Charles Hawtrey and Barbara Windsor play different characters. Also, the mid-section of the film reverts to a tropical island setting (to which Dale has been assigned as a punishment, and where wily orderly James is stationed – though, even in such remote surroundings, he manages to keep up-to-date with English soccer results via coded drum-playing from the natives!).

Some of the best gags involve Dale's accident-prone antics at the hospital early on (including his examination of scantily-clad starlet Windsor) and the latter stages set in Dale's private clinic (James has devised a concoction which turns out to be an effective slimming treatment – subsequently exploited by Dale under the patronage of wealthy Sims), which also sees Hawtrey once again in drag (he's a doctor who's jealous of Dale and has infiltrated the clinic on a mission for Dale's ex-superior/now-rival Williams). Series regular Peter Butterworth only has one wacky scene; other bits highlight Wilfrid Brambell (uncredited as an eccentric patient), lovely Valerie Leon (as Dale's sultry secretary) and future Mrs. Michael Caine Shakira Baksh (as a native-girl who successfully undertakes James' miraculous cure).

Loaded with funny jokes, and featuring Kenneth Williams at his very finest, this is one of the strongest entries in the Carry On series. Sure, it is rather silly in a number of different ways, and the music and sound effects choices are quite poor, plus there is some fast motion used very ineffectively - but otherwise there is little not to like in it. The characters are simply great, the plot is rather interesting, and there are some good, though briefly shown, tropical locations. It is all rather well shot and definitely well written. Overall, it is surprising that this entry does not have a better reputation.

I never really took to Jim Dale in these films, and here he isn't really any better. He is the disgraced "Dr. Nookey" who after an assignation that went a bit wrong, is despatched to a distant hospital where he encounters "Screwer" (Sid James) - the procurer of a miraculous slimming formula. Determined to capitalise on this, he returns to Britain and with Hattie Jacques again donning her matron's uniform is soon making a mint. His good fortune attracts the attention of his erstwhile boss "Dr. Carver" (Kenneth Williams) and soon he has to fend of those not just envious of his success, but also those who want to see him six feet under (theatrically speaking!). I think the clue here is in the title: "Again". This is really just a rehash of old jokes and old scenarios just topped and tailed with a different front page. The jokes have been versioned several times before and to be honest, I felt the cast looked a little battle-weary. Barbara Windsor is growing in confidence and owning the screen more now, Joan Sims still has some of the best one-liners (along with James) and the film certainly doesn't hang about - but there are only just so many times Williams can flare his nostrils before you actually want some smoke to come out.

The 18th of the Carry On series and the third of the medical themed adventures, plot finds Jim Dale as Doctor Nookie, who is stitched up by his superiors and sent to a tropical Beautific island to tender medical treatment to the natives. What he actually finds when he gets there is a rainy windswept isle that has no need for his services at all. The compound is run by Gladstone Screwer (Sid James), a crafty old sort who deals in whisky and cigarettes and has a wife for every day of the week. Screwer also has something else of interest that perks up the flagging interest of Nookie, a potion that considerably aids weight loss. Nookie senses an opportunity to make a financial killing back in Blighty whilst simultaneously getting one over the superiors who had him sent to his island misery.

This was the last of 10 Carry On films for Jim Dale before he returned for the ill conceived "modern" reinvention that was Carry On Columbus in 1992. I don't know if the makers knew that Dale would be leaving the series and thus made him the lead character in this jovial farce? But it proves to be a smart move. One of the unsung heroes of the series, Dale's energy and comic reactions to plot situations were always a joy to watch, and here, with James in customary wise cracking support, he lifts the film above the ordinary with a show of endearing buffoonery. He also did his own stunts and broke his arm on this production. Director Gerald Thomas keeps things brisk, with the double location axis of the plot stopping things from stagnating visually, Charles Hawtrey goes undercover in drag to provide the last third of the film with some quality laughs and the likes of Barbara Windsor and Valerie Leron raise the pulses considerably.

Thin of plot but big on charm and laughs, one of the better Carry On movies. 7.5/10