Die Brücke von Remagen

This has to be one of the best war movies made in the 1960s, an era when all too often filmmakers went overboard in glorifying war while glossing over its horrors and populating their movies with larger-than-life hero characters who could have come straight out of a boys' comic. This movie doesn't fall into that trap. The characters - both German and American - are believable, and the movie sets and the equipment used (with the glaring exception of Korean War era American tanks) are authentic for the period. With so many WWII Sherman tanks and other vehicles still in museums, private collections and (at least back in the 60s) still in use in large numbers in the armies of several smaller countries, it has always been a puzzle to me as to why so many moviemakers took the simple option and used anachronistic military hardware in WWII movies, presumably assuming that the average moviegoer wouldn't even notice or wouldn't care. The most horrible example of this is the 1965 movie "Battle Of The Bulge". But I digress. Ignoring the tank factor, "The Bridge At Remagen" is a great movie. The best performance among many strong ones in this film has to be that of Ben Gazzara as Sergeant "Angel" Angelo, and the scene in which he kills the German sniper is extremely strong, moving stuff. Highly recommended.

'The Bridge at Remagen' has, for what ever reason, largely been lost or forgotten by today's movie-going public. I think this is a real shame because the sensibilities and attitudes that the film has toward it's own themes fit very much into the modern movie-goer's. Films like 'The Big Red One,' 'Saving Private Ryan,' 'The Thin Red Line,' and a host of other modern war films owe their dark edge to earlier films like 'The Bridge at Remagen.' 'The Bridge at Remagen' is about worn out soldiers. It is a film that doesn't like war, and stews in bitterness. George Segal's world weary eyes are matched only by Robert Vaughn's. Two men, one an American and the other a German who are trying less to kill the others forces than they are trying to just keep the men that they command. Segal has been ordered to capture the town around the bridge. He's told not to worry about the bridge because it is assumed that the Germans will have blown it up themselves by the time he gets there with his troops, or that the Allied air force will bomb it in order to trap and destroy the German 15th Army ... an army on the wrong side of the bridge. Vaughn, excellently playing the conflicted Major Kruger, is ordered to blow up the bridge. The 70,000 troops of the 15th Army and countless civilians are to be sacrificed at the greater expense of protecting Berlin. The General who gives Major Kruger the order to blow up the bridge suggests that holding the bridge for as long as possible so that fleeing troops and civilians can escape might not be a bad idea. This ultimately leads to tragedy for both sides.

The film is highlighted by worn out lower level officers who must command on the front lines, and the incompetent or uncaring officers who outrank them. These lower ranking officers and their men are merely pawns to be pushed beyond the breaking point and destroyed. The lower level officers see letters of condolence that they need to write for the families of the fallen men serving under them. The higher ranking officers see flags on maps. 'The Bridge at Remagen' is deeply cynical and highly embittered. Although it is in my mind superior in every way to similarly themed films like 'Anzio,' It was overshadowed and consumed by films with bigger budgets and star power. Need one look much further than 'A Bridge Too Far'? The two leads, Segal and Vaughn are both tremendous and are playing their parts in top form. Vaughn especially turns in some of the best work of his career.

The only real flaws in 'The Bridge at Remagen' aren't too serious, but they are strong enough to detract overall. The direction does lean toward heavy-handed pedantics and this can become aggravating. Only having a soldier standing in front of the camera and yelling "WAR IS BAD! WAR IS BAD!" over and over again would it have been more 'in your face.' The movie also suffers from some pacing issues, especially early on, although I think it is redeemed by the hard and gritty ending.

'The Bridge at Remagen' -- very much worth taking a look at if you can find it, and almost certainly belongs (with pride) on the DVD shelf of any serious WW2 film fan.

Truth is often stranger than fiction we know. What's more perplexing is having seen 'The Bridge At Remagen,' you may think it more or less happened that way which was intriguing to say the least.

*** SPOILERS ***

In reality, the events surrounding the capture of this bridge were even more bizarre and surely never was there such great coincidence. These elements of the movie happened in reality:

-the bridge at Remagen was accidentally captured intact by US forces;

-the Germans unsuccessfully tried to blow it up, repeatedly;

-the Americans lost a lot of men in the fighting around the bridges;

-the German commander of the defense at the bridge was court martialed and executed by the Germans;

Following are the more bizarre real events of the bridge at Remagen. The commander of the US re con force that spotted the bridge first, was an man named Karl Timmerman! This US Lieutenant was of German descent. His father had stayed in Europe following his tour of duty during the First World War. There his father met his future mother in Germany. Karl Timmerman was born and grew up in Germany, NEAR the bridge at Remagen. He and his parents then moved to the States.

Timmerman and his men took the bridge and the Germans guarding it completely by surprise. No men were lost and the relative small squad quickly disabled the defending machineguns and captured all defenders without firing a single shot! US high command didn't think the bridge at Remagen of strategic importance as there were no major roads leading from it. However, remembering his youth nearby, Timmerman explained and persuaded his commanders because he knew from memory that a dozen kilometers nearby, was the major highway to Frankfurt!

Although it had cost them not a single man to capture the bridge, the Americans lost a LOT of men in the days and weeks following the capture, because the Germans were desperate to recapture it. They made many attacks and bombed the bridge from the air, even with the first jet-bombers.

The movie was really okay, much much better than 'Battle Of The Bulge' or even 'The Battle Of Britain.'

Famous for its Apocalypse Now-style production problems. Filmed in then-Czechoslovakia where the then Communist government offered up a whole town (due to be cleared to make way for a strip mine) for cinematic destruction. But halfway through shooting the Russian army invaded to remove reformist president Alexander Dubcek. George Segal and Robert Vaughn give career best performances, but it also marks the moment when US war films moved beyond action-adventure and into a darker realm. The capture of the Remagen Bridge in 1945 was a magnificent feat of arms by the US Army. But in the film account the troops are slovenly, often fearful thugs, slanging and striking their officers, robbing corpses and killing children. It's not really about World War II at all, but about how many Americans saw the Vietnam War. The Bridge at Remagen is out of time, set in 1945 but made in 1968, the year of the Tet Offensive, when the US realised that Vietnam was a lost war. It shows.

I especially like the performance of Robert Vaughn in this film, as the German officer in charge of the blowing up of the Remagen bridge. His last line, in front of the firing squad, is one of the most memorable I know in the history of war films and it is all the more poignant for its juxtaposition immediately after the scene showing the emotional reunion of the characters played by George Segal and Ben Gazzara. Elmer Bernstein's memorable theme music also adds to ones enjoyment of this film although, much to my surprise, I gather that the film soundtrack has never been released in this country.