The House in Marsh Road

Supernatural thriller. A woman inherits an old country house from her late aunt, and moves in with her wastrel husband. He soon begins an affair with a local woman, and before long he's plotting to murder his wife. But the resident ghost has other ideas...

Tony Wright and Patricia Dainton are good as the husband and wife, whilst Sandra Dorne is perfectly cast as the local trash he takes up with (she seemed to specialise in these sorts of roles). Nice to see popular character actor Sam Kydd as the local property developer interested in buying the house. Pretty enjoyable. 6/10.

It seems unusual for a story with a poltergeist character to be set in the modern era (1960) but the story is convincing and the narrative is helped by the effective and restrained performances of the main characters. The music seems strangely reminiscent of Bernard Hermann's Vertigo score in places; in others of that used in the One Step Beyond TV series; surely a coincidence since the latter was produced at around the same time as this film.

Patricia Dainton is married to Tony Wright, a writer.... when he isn't drinking up all the cash. She inherits a house from her late aunt, and loves it; he wants to be in London, especially when a local real estate man offers him an unlikely sum of money for it. She won't sell. She loves the memories, she loves owning something real, she's even fond of the house's resident poltergeist, at which Wright scoffs.He takes up with Sandra Dorne, and eventually the comes to him that if his wife is dead, he can sell the house and take his lover to London. So he tries a couple of ways to kill her.

Mostly it's a thriller,with Miss Dainton being the lovely, totally unobjectionable sort of blonde which, in my experience, can drive a man mad. Wright is a lazy cad, and Miss Dorne is.... well, she's easy. It's efficiently written and directed; Walter Harvey's shadowy cinematography is a big plus.

I enjoyed this unusual B movie, it's basically 75% domestic murder story, 25% supernatural thriller. Jean inherits a house, moves her drunken no good partner David in, and he meets someone else, a voluptuous blonde, Valerie Stockley. Valerie persuades David to kill his wife, but Jean is protected by a poltergheist, wonderfully named Patrick by the potty Irish maid Mrs O'Brien.

It's unusual to say the least, I can't think of many supernatural murder mysteries, but it works. Patricia Bainton appeared in some cracking films in the 50's and 60's, my favourite being The Third Alibi, and once again she's pretty good. Sandra Dorne is pretty fabulous it has to be said.

I'm struggling to believe it was made in 1960, it looks like it was should in the forties, production values are pretty poor, although the fire is pretty well done.

This nicely scary little ghost story is pretty straight-forward = in plot. A husband with a sexy mistress is trying to murder his wife, and a protect= ive (family-owned) poltergeist blocks him at every attempt. But the brief summary fails to convey some fine performances and lovely atmospherics t= hat rise above what is basically a "B" - level thriller. The women take act= ing honors -- Sandra Dorne is probably at her most-enticing ripeness as the buxom blonde divorcée who lures David Linton to his doom, and she pani= cs beautifully when trapped with her lover in the doomed house; Patricia Dainton is convincing, too, as the long-suffering wife of the promiscuou= s David. Third, for comic relief, Anita Sharp-Bolster is hilarious as the Irish housekeeper, who complains about "Patrick," whom she's named after her husband "because she never sees him" either! The black and white photography is moody and penetrating, as is the haunting music of John Veale (though it gets too loud and overrides the dialogue once or twice.= ) A hard-to-find video is available from several U.S. sources, both as "Invisible Creature" and "The House in Marsh Road."