Das Schwert des roten Giganten

Rare Peplum pearl featuring Roland Carey and Massimo Girotti

After his stint as a stuntman for Burt Lancaster in "Trapez" and a foray into German local films ("The Country Doctor"), the attractive Swiss actor Roland Carey (1933-2019) was ready for leading roles in the sandal films of the Roman film industry. Unfortunately, this film from 1960, which was only released in West German cinemas on March 6, 1964, didn't really hit the mark. Director Riccardo Freda (1909-1999) later distanced himself from his own work for unspecified reasons. Elements from the Jason and Odysseus epics were mixed too unfavorably.

Jason (Roland Carey), the King of Thessaly, sets off with his mentor (Massimo Girotti, 1918-2003) and his Argonauts to Colchis to search for the Golden Fleece. His wife Creusa (Ziva Rodann, born in Haifa in 1933) is left alone and has to fend off the intrusive advances of Adrastus (Alberto Farnese). The Argonauts (including Raf Baldassarre and the physically very impressive Greek bodybuilder Takis Kavouras) experience a number of adventures fighting monsters and beautiful women. On the island of the beautiful Queen Gaia (Nadia Sanders) the men experience their blue miracle. The lovesick young man Euristeus (Luciano Marin) particularly stands out. Ultimately, Jason manages to steal the Golden Fleece from the red giant. The men happily return to their native Thessaly, where they still have to defend themselves against Adrastus and his men. Victims are inevitable...

There is action in this film, but it lacks the necessary cohesion. The story is too thin, and apart from the great Massimo Girotti ("Ossessione" (1943), "The Last Tango of Paris" (1972)), the actors can't make up for it. Roland Carey also remains all too pale and can only score points with his outstanding looks. He didn't have a really big career in Rome, but he did make a few films.

Nevertheless: A thoroughly enjoyable pastime, and not just for genre fans!

THE GIANTS OF THESSALY is one of the better PEPLUM films made during the PEPLUM/Musclemen/Sword & Sandal explosion of the the late 50s/early 60s. The assured hand of Riccardo Freda keeps it going even if there are some weak spots in it, the weak aspects being the acting (there's a scene with an actress tied to a rock and her acting is pitiful) and some cheesy sets and effects. But the bad aspect of this film do not diminish the entire overall effect and it's pretty cool. British actor Roland Carey makes a nice change over the usual Steve Reeves or Mark Forest or Gordon Scott. Physically, Roland is imposing. He looks tall and built but not too built like a body builder. His physique is believable. Roland plays Jason and the story is basically the quest for the Golden Fleece (part of this story was already incorporated in HERCULES(1958) ).

He leads a boat filled a beefy crew and they got through a bunch of great and not so great adventures, culminating with the finding of the Golden Fleece. The scene when Roland Carey gets the fleece is one of the greatest moments ever made in a PEPLUM. From the boat, to climbing up a cliff that leads to the statue where Jason as to climb all the way to the top of the statue to retrieve the fleece is simply amazing. Combined with the rousing score (one of the best and most familiar scores in any Sword & Sandal) and you have a brilliant scene. It makes the movie and Riccardo Freda's direction really shines here.

The DVD available in the US is of terrible quality. I've seen a clear fully widescreen HD version and it's amazing. The US DVD doesn't do it justice.

And to those who think this is nothing more than a weak rip-off of the Ray Harryhausen version of Jason & the Argonauts, well THE GIANTS OF THESSALY was made 3 years before the Harryhausen flick.

This is an earlier version of the same events narrated in JASON AND THE ARGONAUTS (1963), arguably the screen's finest mythological epic and Ray Harryhausen's magnum opus, and it's a reasonably intelligent and enjoyable retelling in which, surprisingly, even the comic relief works. Still, Roland Carey makes for a colorless Jason - but Massimo Girotti is a suitably morose Orpheus, though his contribution is minimal and was probably only featured for marquee value!

Though a subsequent effort - MACISTE ALL' INFERNO (1962) - proved a disappointment, Riccardo Freda's involvement here ensures that this is one of the better peplums, even if the result is rather static and hokey overall (particularly the cheap-looking Cyclops). Besides, Carlo Rustichelli's score - which may have been borrowed from some other film or was perhaps re-used, as it sounded oddly familiar to me! - is pretty good...

Pretty average spectacle of the crank 'em out kind that showed up every weekend when I was about six or seven.

Mickey Hargitay musta been busy greasin' up his biceps or frolicking around with Jayne and Reeves wanted good money so they opted for Roland Carey who despite a decent chest is very colorless and blah.

The plot is as thin as pizza but serves well for the usual blend of fight,flounder and flex.

TO it's credit there is some good fantasy music,a hilarious one eyed gorilla,a wacky witch and the requisite harem dance.

If you got some pals that are good with the MST3K style of back talk you'll have plenty of fodder here.Fans of SOuth Park will hardly resist a remark or two about Big Gay Al's Big Gay Boat Ride.

If your a fan ,check it out otherwise forget it unless you want something to clear the kids out of the room.

Not the greatest movie of its kind, but far from the worst. Certain things are low points. Like continuity. Its so so. When a terrible storm hits the Argos you'd expect the deck to pitch and not be stable. As the movie moves from one part of the story line to the next certain things seem to be left out. But for the most part these things are nonessential and their lack does not make the thing hard to follow, so the loss is minimal. But the upside ... The sets and costumes are well done. The movie, despite the lack of continuity in spots, flows well and is easy to follow. The dubbing, this flick being Italian, is OK. Dubbing, I think, can never be better than just OK. When a person speaks in one language and then the thing gets dubbed in another, well, the mouths and words are never going to match up all that well. But the folks who did the dubbed voices did their job very well. They carry the emotions that go with the plot and characters very well. In fact thats probably the best aspect, technically speaking, of the whole film. The choreography is pretty good. Fights actually look, more or less, like fights. The one eyed monster is campy style cool. The plot is fair for a movie about Jason and his friends. Its not hard to watch. If you like this genre I think you'll enjoy this movie.