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Das Schwert von Persien

Originaltitel: Esther and the King
  • 1960
  • Approved
  • 1 Std. 49 Min.
IMDb-BEWERTUNG
5,5/10
1011
IHRE BEWERTUNG
Das Schwert von Persien (1960)
Two decades before she would gain fame and some fortune as Alexis Carrington on Dynasty (1981), Dame Joan Collins starred as Esther in this melodramatic, routine Biblical story. The setting is Persia in the fourth century B.C., as Esther comes to the attention of the recently widowed King Ahasuerus. The King has been trying to stifle and defeat the campaign of hatred fomented against the Jews by his evil minister Haman. Before the King can pair off with Esther and defeat the villainous Haman, there are several intervening adventures and an additional, attractive woman who competes for attention.
trailer wiedergeben1:56
1 Video
44 Fotos
BiographieDramaGeschichteRomanze

Füge eine Handlung in deiner Sprache hinzuTwo decades before she would gain fame and some fortune as Alexis Carrington on Dynasty (1981), Dame Joan Collins starred as Esther in this melodramatic, routine Biblical story. The setting ... Alles lesenTwo decades before she would gain fame and some fortune as Alexis Carrington on Dynasty (1981), Dame Joan Collins starred as Esther in this melodramatic, routine Biblical story. The setting is Persia in the fourth century B.C., as Esther comes to the attention of the recently wid... Alles lesenTwo decades before she would gain fame and some fortune as Alexis Carrington on Dynasty (1981), Dame Joan Collins starred as Esther in this melodramatic, routine Biblical story. The setting is Persia in the fourth century B.C., as Esther comes to the attention of the recently widowed King Ahasuerus. The King has been trying to stifle and defeat the campaign of hatred ... Alles lesen

  • Regie
    • Raoul Walsh
    • Mario Bava
  • Drehbuch
    • Raoul Walsh
    • Michael Elkins
    • Ennio De Concini
  • Hauptbesetzung
    • Joan Collins
    • Richard Egan
    • Denis O'Dea
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,5/10
    1011
    IHRE BEWERTUNG
    • Regie
      • Raoul Walsh
      • Mario Bava
    • Drehbuch
      • Raoul Walsh
      • Michael Elkins
      • Ennio De Concini
    • Hauptbesetzung
      • Joan Collins
      • Richard Egan
      • Denis O'Dea
    • 22Benutzerrezensionen
    • 14Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 1:56
    Trailer

    Fotos44

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    Topbesetzung40

    Ändern
    Joan Collins
    Joan Collins
    • Esther
    Richard Egan
    Richard Egan
    • King Ahasuerus
    Denis O'Dea
    Denis O'Dea
    • Mordecai
    Sergio Fantoni
    Sergio Fantoni
    • Haman
    Rik Battaglia
    Rik Battaglia
    • Simon
    • (as Rick Battaglia)
    Renato Baldini
    Renato Baldini
    • Klydrathes
    Gabriele Tinti
    Gabriele Tinti
    • Samual
    Rosalba Neri
    Rosalba Neri
    • Keresh
    Walter Williams
    • Hegai
    • (as Robert Buchanan)
    Daniela Rocca
    Daniela Rocca
    • Queen Vashti
    Folco Lulli
    Folco Lulli
    • Tobiah
    Ennio Antonelli
    • Jewish Man
    • (Nicht genannt)
    Elio Bonadonna
    • Gladiator
    • (Nicht genannt)
    Omero Capanna
    • Soldier
    • (Nicht genannt)
    Pietro Ceccarelli
    • Bald Gladiator
    • (Nicht genannt)
    Aldo Cecconi
    Aldo Cecconi
    • Jewish Fighter
    • (Nicht genannt)
    Calogero Chiarenza
    • Villager
    • (Nicht genannt)
    Vincenzo De Palo
    • Villager
    • (Nicht genannt)
    • …
    • Regie
      • Raoul Walsh
      • Mario Bava
    • Drehbuch
      • Raoul Walsh
      • Michael Elkins
      • Ennio De Concini
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen22

    5,51K
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    Empfohlene Bewertungen

    Poseidon-3

    More a testament to Brillcreme and Aqua-Net than to The Bible!

    There isn't a whole lot to distinguish this middling biblical epic from the sea of others that came out in the mid-50's and early 60's, but it offers a certain degree of entertainment. Egan (decidedly miscast) plays the King of Persia (with Brillcremed hair and a standard American accent) who returns from a long battle to find that his wife has been enjoying the services of one or more of his men. He excuses himself from her and sets out to find a new virgin bride, choosing from all the maidens in his kingdom. Virginal Jewess Collins (yes...that's right) is the title character. She is snatched away mere moments before becoming wed to Battaglia and is taken to the palace to be groomed for the selection process. Once there, she is protected by her uncle O'Dea (who entreats her to hide her Jewish heritage) and is targeted by Fantoni who is Egan's right-hand man. Fantoni has another lady in mind for the throne so he can use her to his own ends of taking over the kingdom. Eventually, Collins realizes that she and only she can spare her people from destruction and she decides to leave behind her dreams of a life with Battaglia and pursue Egan. Egan, still in very good shape physically, makes a handsome king and gives an okay performance. He is just patently contemporary in his look and delivery. Collins is very attractive throughout (complete with heavy bouffant 60's hair!) and does an adequate job as well, but is always more interesting as a villainess than as a docile young maiden. O'Dea lends able support as her wise and stalwart uncle. It would be difficult to summon up a more virile, hirsute, hunk of man than Battaglia as Collin's abandoned lover. Seeing him, one can understand the torment she had at having to turn her back on her past and move on. The location work, fancy sets, pageantry and gauzy costumes keep this from being too dull, but there is an awful lot of chatter and hand-wringing in between the action sequences. Stay awake for the scene in which Egan gifts Collins with a tiger cub and then immediately steps over to a lyre and plunks out what sounds like the opening strains of "Born Free"! As expected, considerable liberties have been taken with the original story, yet it doesn't result in that much more spectacular a film.
    5ma-cortes

    Overlong , impressive , but mediocre Biblical epic by the classic filmmaker Raoul Walsh

    ¨The power , the pageantry , the sweep of one of the greatest love adventures of all¨ . Biblical costumer with the hunk Richard Egan as the great Persian king , statesmanlike as well as conqueror ruler , and the gorgeous Joan Collins as Judean maid , the young Jewish girl , Hadassah , goes on to become the Biblical Esther , the Queen of Persia , who saves the Jewish nation from annihilation at the hands of its archenemy , Haman . As the stiff king wants to her in place of the murdered queen , Daniella Roca . The movie is partially true to the Biblical account of a Jewish woman who , at the risk of her own life, stands up to the King and a man named Haman , Sergio Fantoni , who was almost successful in convincing the king to wipe out all of the Jews in the land . In the Bible, one of the best lines is spoken by Mordecai , played by Denis O'Dea , Esther's uncle , who tries to assuage Esther's fear by saying, "Who knows, perhaps you have been chosen for such a time as this" . It was written : ¨Gather together all the fair young virgins unto the palace and let the maiden which pleased the king be queen¨ . In the end , Haman constructed a gallows from which to hang Mordecai whom he insisted was subversive , but things go awry .

    This is the classical and biblical story of Esther , a book in the Old Testament and King Artexerxis , a powerful Babylonian king . This is breathtaking movie in every sense : filmmaker used spectacular palaces , luxurious gowns , stirring dances full of beauties , and lots of extras . Writing and direction , however are average . ¨Esther and the king¨ is in the greatest Cecil B DeMille tradition , the best in mass audience , displaying great production design and lavishly made . There is romance , battles and intrigue as is common with many Old Testament accounts . Epic , rambling events and spectacle are regularly blended in this flick realized in Peplum style , if raggedly and tortuously scripted story of Esther and the King . Wooden acting by Richard Egan and marvelous Joan Collins , though this vehicle first was announced for Hedy Lamarr in 1953 . Here Esther is portrayed as one who is not only fun-loving but brave and wise and Artexerxes is portrayed as a man who carefully measures his decisions and falls deeply in love with Esther . It boasts superior secondary cast plenty of known American/Italian actors . As support cast is pretty well , such as Dennis O'Dea , Rick Battaglia , Gabrielle Tinti , Rosalba Neri , Folco Lulli , Renato Baldini and Sergio Fantoni as Haman who was hanged on his own gallows . There is another version about these deeds titled ¨One night with the king¨ (2006) by Michael O. Sajbel with Tiffany Dupont as Hadassah / Esther , Luke Goss as King Xerxes , John Noble as Prince Admantha , Omar Sharif as Prince Memucan , John Rhys-Davies as Mordecai and James Callis a Haman, the Agagite

    This long epic Italian/USA co-production shot in Cinemascope and color by De Luxe well photographed by Mario Bava . Evocative and moving musical score by Angel Francesco Lavagnino . The motion picture financed by Galatea Production and realised by Twenty Century Fox Corporation was professional but middlingly directed by Raoul Walsh . Raoul was an expert on action , thriller , Film Noir , Western genres . He made several adventure/epic movies as ¨Blackbeard pirate¨, ¨Sea Devils¨, ¨Captain Horacio Hornblower¨, ¨The world in his arms¨ and this ¨Esther and the king¨ and at the same time collaborated , but uncredited , in ¨Helen of Troy¨ by Robert Wise .
    gazebo

    Nice looking costumes, good looking actors, bad movie!

    This is a good looking movie, too bad it is so mediocre. Joan Collins is beautiful and her acting is okay, but it can't save this movie. The other actors were okay too. This movie was hampered by the campy dialogue and a mediocre script. I was unhappy that partway through the movie, the story veers away from the traditional bible story of Queen Esther. I heard that this movie is one of Joan Collins' least favorite movies, and I understand why now. Somehow, if the writer of this movie had gone the traditional route of Queen Esther accusing Haman at the banquet, there would be the much needed drama and excitement.

    However, if anyone has a hankering to see a real campy film filled with pretty people, pretty clothes and silly dialogue, this is it!

    I give this movie a "D".
    8darius_m_klein

    Peplum adaptation of Old Testament book

    What do you get when you put middle-range American stars in the leading roles in a peplum film? Pretty good peplum, that's what. Contrary to what one might expect, "Esther and the King" is not a lavish Hollywood historical spectacle in the mode of DeMille, but is an Italian production using Joan Collins and Richard Egan to play the eponymous characters. For this reason the film is often characterized as a bargain-basement epic, whereas it is actually a peplum with a slightly higher than average budget. Appealing performances by the leads, a delightfully schlocky musical score, a good story, and atmospheric sets and cinematography makes this an enjoyable sword-&-sandal effort.
    dbdumonteil

    The king and E.

    They say it's more Mario Bava's work than Raoul Walsh's whose métier was not really the biblical epic .The cinematography ,often dark,recalls some of the Italian director's horror movies,particularly Haman's henchman's murders.And I think that Joan Collins was better at playing a Villainess as she did in Hawks' "land of the pharaohs" .

    The part of Simon-played by Ric(k) Battaglia ,a specialist of the cheap Italian sword and sandal ,who played such figures as Orlando(Roland) or Vercingetorix- was made from start to finish by the screenwriters ,to create a dilemma for the heroine.The Bible,anyway,is given a rough ride :nothing is told ,for example ,about the fact that Mordecai -not Esther's uncle ,but actually her cousin,which does not make a big difference anyway- did not want to make a deep bow to Haman.

    Richard Egan ,on the other hand, is a good king ,he has style ,and he is as convincing a monarch as he is the good doctor,Pollyanna's friend ,the same year.

    Handlung

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    • Wissenswertes
      Producer and Director Raoul Walsh did not like Daniela Rocca and did not believe she was a good actress or dancer. Walsh had Rocca's double perform Vashti's dance. He also gave one of Rocca's lines to another actress.
    • Patzer
      The ruins of an ancient Roman building complex are used as Simon's hideout. The ruins were disguised with some Persian elements (a broken statue, some sculptures on the walls), but Roman columns are visible. Most of the exterior/interior sets, however, are historically accurate representations of ancient Persian architecture.
    • Zitate

      Hegai: A plain white gown. Such simplicity! Was it your choice?

      Esther: Yes.

      Hegai: Indeed. One might think you have no desire to win a queen's crown. A most becoming modesty. It pleases me. An unassuming virtue that needs rewarding.

      [to the servants]

      Hegai: Fetch me the cloak of gold!

      [to the maidens]

      Hegai: You may rest, my little doves.

      [Hegai brings the golden cloak]

      Esther: I am grateful, but I don't wish to be so favored.

      Keresh: I will accept it.

      Esther: Oh, yes. Yes, give it to her.

      Hegai: [to Keresh] Speak only when you're spoken to!

      Keresh: Take care, eunuch! I have mighty friends.

      Hegai: In the brothels of the street of the soldiers, no doubt!

      [to Esther]

      Hegai: Here, my child. I ask you to wear it. Please.

      [wraps the cloak around Esther]

    • Verbindungen
      Referenced in Mario Bava: Maestro of the Macabre (2000)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 3. März 1961 (Westdeutschland)
    • Herkunftsländer
      • Italien
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Story of Esther
    • Drehorte
      • Titanus Appia Studios, Rom, Latium, Italien
    • Produktionsfirmen
      • Twentieth Century Fox
      • Galatea Film
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    Technische Daten

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    • Laufzeit
      1 Stunde 49 Minuten
    • Seitenverhältnis
      • 2.35 : 1

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