Der rote Schatten

Remember that this is a horror film of British origin, not American, and as such if you're looking for a typical film of the genre, this is not one of them. British horror films tend to give more attention to the psychological aspects of horror and short shrift to the physical aspects. If you realize this, you should really enjoy this one.

The story revolves around a German plastic surgeon who, in 1947, botches a job badly and has to leave England to escape the notoriety. Fortunately a horrible car accident and near brush with death makes almost everyone convinced of the doctor's death and makes his escape easy. In France he runs across a young girl who was scarred in the war. He repairs her face and in turn inherits the father's circus when the father is mauled by a dancing bear. And I'm not talking about the parts that are a hoot yet.

Now for the discrete charm and campiness of it all. The doctor decides that, along with a name change and a new face for himself, running a circus will be a great front for continuing his plastic surgery practice and experiments. He seems to have no trouble finding scarred female criminals - they practically fall into his lap - and once repairing them he not only has no trouble bedding them, all of the doctor's girls have a talent for walking the high-wire, eating fire, lion taming, etc. - talents that befit a circus. Not a clumsy or shy one or one who would rather be an accountant in the lot.

The doctor does resent it though whenever one wants to leave. Every time one of them announces a desire to leave or an engagement they die a horrible "accidental" death in the ring during what was supposed to be - and tragically is - their last performance. In spite of the bodies piling up, the authorities allow the circus to remain open, and stranger yet - the girls keep TELLING the doctor whenever they want to leave! As for me, after the third freak accident, I'd be packing my things in the middle of the night and disappearing if I had any desire to change careers.

However, without these confrontational and agile girls there would be no story, so it's an understandable plot device. Don't think I'm disrespecting this film - it is great entertainment, just not horror in the conventional sense. And that hammy yet hummable little tune "Reach for a Star" that gets played during every performance is pure 60's British cinema.

This is a strange little horror gem from the early sixties about a mad plastic surgeon who must flee England because of some not very sound surgery practices. Once out of England, he(played by Anton Diffring with aplomb) and his two cohorts murder their way into owning a run-down circus whilst in France. From there on ten years pass as the doctor fixes the disfigured faces of thieves and prostitutes in return for their services in the circus. Well...I am not making this up but the doctor and his renegade circus performers then travel all over Europe and become a huge success. Problems start to happen though as the beautiful female star attractions want out of the circus...and the bed of Diffring...only to find their solace in bizarre deaths...circus-related of course. One female is killed in a knife-throwing accident while another falls while trapezing. This is a credulous scenario to be sure, but the film is quite fun. The acting is good: Diffring is marvelous as the mad physician plagued with his obsession for perfection in beauty, Donald Pleasance is quite good in a small role, and the female leads are quite stunning...visually of course. The music is rather hokey...very sixties, but atmosphere is otherwise rather well-staged. All in all I think I would prefer this over spending my time in a real circus...what a "real" horror. Enjoy.

'Circus Of Horrors' is one of the most entertaining movies it has ever been my pleasure to see! It is corny and melodramatic, and the plot is totally ludicrous (which is one of the things that make it so special), but you can't help but get caught up in it. Anton Diffring is wonderful as a brilliant plastic surgeon who flees England in disgrace and ends up running a French circus which he stocks with criminals and prostitutes that he has operated on. He wants it to be known as "the Circus Of Beauty", but it gains notoriety as "the Jinx Circus" after several mysterious deaths, all performers who intended leaving him. You get the picture. Diffring really makes the most of his role and it is impossible to keep your eyes off him. The supporting cast includes several fine British character actors, including 'Halloween's Donald Pleasence (who is in the most unintentionally hilarious scene of the movie, I'll say no more...) and Kenneth Griffith (a familiar face from countless movies and someone who fans of 'The Prisoner' will recognize as a #2). There are also a handful stunning beauties on screen, particularly Yvonne Monlaur (Hammer's 'The Brides Of Dracula'), who plays Diffring's adopted "niece", and Erika Remberg, who went on to appear in the erotic classic 'The Lickerish Quartet'. This movie is fantastic fun for 60s horror/suspense buffs. Highly recommended!

I recall seeing this film as a child in 1960. My mother was quite angry at dad for taking us to a movie that was "definitely not for children". This is a grim story of a doctor fleeing some botched plastic surgeries. He takes over a backwoods circus and populates it with beautiful, yet disfigured female performers whom he restores to beauty and rescues from lives of prostitution and rejection. Of course, once the circus becomes successful, the ladies no longer feel like putting up with, or putting out for him, so he devises elaborate circus "accidents" to deal with their ingratitude.

The song "Look For A Star" permeates the movie at various times. At first, it's almost unnoticeable, a seemingly lame early sixties pop tune. However, as the movie progresses it takes on a sinister, disturbing aspect and circulates the brain long after it is over.

The film is well acted and truly suspenseful. A must for those who like their sex and violence done in a literate, intelligent manner.

One of the best horror films of the 1960s is this entry with its interesting mix of suspense, sex and mysterious deaths that has the benefit of real circus settings and fine work by Anton Diffring as the outlaw plastic surgeon. Diffring is the erudite but flawed medical genius whose past is littered with botched operations but continues his work behind the prop of a circus staffed with female performers whose faces he has restored in exchange for fealty and silence. Diffring gives the film its pulse as the resourceful and controlling renegade who keeps his flawed females on a very short leash. The film moves along at a good pace with no filler or wasted scenes. Donald Pleasance, erstwhile owner of the circus, is among the good supporting cast that includes the buxom ladies who are at great risk under Diffring's watchful, evil eye.