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Since the play, "Laurette," was never realized, the movie version of "Bells are Ringing" serves as Judy Holliday's "final" performance.

It's to her credit that she comes off as well as she does. The film is extremely stagey, and looks contrived and bloated, despite a most competent cast and director.

Yet Holliday is buoyant, full of fun, and energetic--all hallmarks of her theatrical persona.

I've read Holliday's complete bio, and am amazed she was able to overcome the tremendous obstacles she endured, from her sad childhood and family relationship through the communist "witch hunt" period--which left her saddled with protest pickets that followed her around--to failed marriages, lack of employment, and care giving responsibilities for her child and parent. All the while working wherever she could and keep smiling.

In many respects her career is quite similar to that of Montgomery Clift. Both apparently gave their best work on the stage, night after night before live audiences, rather than on film. Had both stayed in the theatre, their respective careers and lives might have remained more stable and healthy--and be alive today.

"Bells are Ringing" is a final tribute to a great talent, an Oscar-winning actress and comedienne who graced the stage and screen with a radiant presence and winning demeanor. Fortunately, as long as her films are shown, Judy Holliday will live and be rediscovered by future generations.

Fans of Dean Martino and Judy Holliday (né Tuvim) will enjoy this musical. I am a fan of both of them so I could overlook the awkward staging of the Susanswerphone set, the believeability of Maritn as a writer and the dead weight of the subplot involving the racketeers. Still there are some well-sung songs and good, if not great chemistry, between the stars. For non-fans: 6/10. For fans: 7/10.

I found Bells Are Ringing accidentally when I was researching another film project and it has become a favorite. While Holliday is sparkling in her role, it is Martin's low-key reactions (which are, of course, what made him such a great straight man) that send me back to watch the film again and again. It's a "don't-miss" for fans of Holliday, Martin and the musical comedy - heavy on the comedy - genre.

If I really loved musicals, I would have probably scored the movie a 9. In fact, that I scored it as high as an 8 is an indication that, for the genre, it was a heck of a film. That's because the story apart from the songs is very sweet and romantic. Plus, the actors are so appealing and good that this certainly improved the film a lot. Judy Holliday was at her best and Dean Martin certainly was able to keep up with her and I really liked him more in this musical than as a comedian. Despite films like MATT HELM, he was a good actor and singer. Now, concerning the songs, it's rare that I have seen a musical with so many songs I have never heard before! But, after hearing them, I liked them a lot more than many of the more famous Rogers and Hammerstein musical scores from other pictures. This is because in addition to having nice music, the words were so often funny and charming. I particularly liked the song all the bookies sang as well as the name-dropping song! They were terrific.

The only thing is that watching the film I felt pretty depressed, as I knew that this was Ms. Holliday's last film--cancer limited her ability to act until she eventually succumbed six years later. It's a shame, as I loved her in so many wonderful films.

In contrast to the guy who wrote the comment on the main page in this board, I saw this movie and I really enjoyed it. I had never seen a Judy Holliday movie before and I was totally taken in by her charm and good acting. Dean Martin (a favorite of mine) showed his usual suave personality and I thought he was perfect for the role. The songs and the choreography are excellent. I just love the mood of this movie and its message of healthy humanism, whether or not it's something I really believe in. I like the scene where Judy and Dean say hello and introduce themselves to the man on the street. Also of note is Minnelli's smart direction. One of the best musicals of the 60s, sadly one of the last.