Die Liebesnächte des Herkules

The totally rare Danish videorelease of this "trashy" film is full screen running 96.00 mins precisely. Italian tv channel RaiUno showed a letterboxed print(1: 1.70 cirka) the other day running ½ a minnute shorter. The 2 versions features a whole bunch of scenes filmed from different/alternative angles and many are diff/alternative takes. Quite "interesting" to compare actually...if you are into this sort of movie-watching. One scene found only in the Danish version shows Miss mansfield (hidden behind some see-through cloth)covering her naked body with some clothes. Extremely...uuhuuhhh...daring!!!!! I give it 5 out of 10.....but "reflecting" on it afterwards is worth a good laugh and....10 !!! Cheers sandal-genre comrades!!!

Mickey Hargitay is Hercules in this go-around, with wife Jayne Mansfield playing a couple of roles in a movie in which all the women seem to be what Jane Russell called 'full-figured women' in those Playtex commercials. Hargitay rides around in a very short chiton that must have caused considerable chafing, speaks with an Italian accent in the dubbed version I saw, and fights a three-headed hydra that looks and moves like a carousel critter.

There's almost nothing positive to say about this movie, which looks like it was made for an audience of libidinous five-year-olds.

Perfectly awful peplum/Hercules-movie: you know you're in trouble when leading lady Jayne Mansfield's prominent bust (forever on the verge of bursting through her togas) commands greater attention than the plot, the action or the special effects!; of course, the fact that the muscular hero is played by her real-life husband – Mickey Hargitay – adds to the fun quotient (of the unintentional kind, that is)…for rarely has there ever been an actor so clueless as to how to approach this mythical part!

Usually seen as a blonde, Mansfield here dons a black and a red wig: she appears as a couple of sovereigns – the heroine and an Amazonian (though the latter is technically played by another actress who takes up Mansfield's appearance via a magic potion in order to ensnare Hargitay). Of mild interest is the fact that the latter has a penchant of disposing of her lovers by having them turned into living trees – as if one needed further proof of how wooden this thing could be, the plot here takes it to a literal level! The chief villainous role in this one is entrusted to Massimo Serato, often a reliable presence in this type of flick, but in this case sporting long curly hair – which only serves to enhance the film's overriding camp factor. Also in the cast, as one of Serato's advisors, is Giulio Donnini from the obscure peplum FRINE, CORTIGIANA D'ORIENTE (1953) – which I watched as part of last month's "Epic Movie Challenge" (in time for the Easter period); incidentally, I had intended to rent the 5-Disc/7-Film set among which this was included back then but it wasn't available.

By the way, THE LOVES OF HERCULES was also known as HERCULES VS. THE HYDRA: this monster, which appears fairly early on in the game, is one of the worst of its kind ever constructed – what's the point of having a three-headed menace if lopping one of them off kills it instantly! Indeed, the mechanical creation is so bulky that it can barely move and so obviously fake that one is liable to burst out laughing at the mere sight of it, as I did, thus effectively destroying the illusion of the entire scene! Another hilarious obstacle the hero has to overcome during the course of the film is a meek-looking cow absurdly sprayed black by the penny-pinching film-makers in a lousy attempt to pass it off for a menacing bull!

In THE LOVES OF HERCULES, the titular titan (Mickey Hargitay) is vengeful after his wife is murdered. Herc goes on a quest that includes great tests of strength and feats of derring-do, complete with his toting of an enormous tree as if it was a toothpick, as well as senseless cattle slaughter.

Soon, Queen Deianira (Jayne Mansfield!) falls hopelessly in love with the big lug. A lot of time passes with no real action, though the mighty, shirtless one does glisten like a rotisserie chicken in the sun!

Then, Big H gets a chance to battle the hydra, which looks like a Rose Bowl parade float. He also gets captured by amazons, who look even better in mini-skirts than he does, though their cockatoo headdresses remain a mystery.

This isn't one of the more dynamic of its sub-genre. It mostly exists as an excuse to show off the physical attributes of Hunkules and Ms. Mansfield. So, don't expect a scintillating story line...

Years ago I managed to catch this one on a Saturday morning TV broadcast and watched it through to the end, with an amused smile. As other comments here attest, it's definitely not one of the better sword-and-sandal epics and, if you're a fan of that genre, you'd better appreciate what Jayne Mansfield has to offer should you give it a look-see. Like so many others in this canon, it's one of the tombstones marking the declining careers of Hollywood expatriates.

A side note: In the early 1960s Carol Burnett, in a one-woman engagement, appeared at the Greek Theater (an outdoor ampitheater, northeast of downtown Hollywood in Griffith Park, which each year had a summer season of big-name acts, ballet companies, fully-mounted operas, etc.) and, as part of her show, she did a very funny bit in which she imagined Jayne Mansfield accepting her Academy Award as Best Actress in a Hercules extravaganza. In her acceptance speech Carol/Jayne recreated a scene and I can still remember her screeching: "Hercules! Hercules! Put me DOWN!!" Got a BIG laugh. Carol must have used this film as her inspiration, for in it there's a scene toward the end where Mickey is rescuing Jayne from some peril or other and he appears to be staggering under the totality of her considerable assets. Before they had left for Italy, Jayne and Mickey had frequently performed a stunt, well-documented in filmed interviews, in which Mickey effortlessly lifted Jayne overhead and paraded her around airplane-style. His seeming inability to recreate that feat in this movie is one of the film's comic highpoints for this viewer.