Im Jahr 1836 opfert eine kleine Gruppe von Soldaten ihr Leben in einem aussichtslosen Kampf gegen eine gewaltige Armee, um einen Tyrannen an der Zerschlagung der neuen Republik Texas zu hind... Alles lesenIm Jahr 1836 opfert eine kleine Gruppe von Soldaten ihr Leben in einem aussichtslosen Kampf gegen eine gewaltige Armee, um einen Tyrannen an der Zerschlagung der neuen Republik Texas zu hindern.Im Jahr 1836 opfert eine kleine Gruppe von Soldaten ihr Leben in einem aussichtslosen Kampf gegen eine gewaltige Armee, um einen Tyrannen an der Zerschlagung der neuen Republik Texas zu hindern.
- 1 Oscar gewonnen
- 7 Gewinne & 8 Nominierungen insgesamt
- Dr. Sutherland
- (as Bill Henry)
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The first half certainly lives up to the self-indulgent label with endless scenes of Wayne and pals getting drunk, mouthing off, and punching one another; Jim Bowie and Colonel Travis' constant bickering, leading to Bowie's quitting at least twice; and a fairly useless subplot with Davey Crockett romancing a pretty young Mexican widow. (She was pretty hot.)
Instead of all that, we should have rode a bit with Santa Anna and/or visited some of the other battles and skirmishes that led up to the siege at the Alamo.
I thought that Richard Widmark was miscast as Jim Bowie. My preference would have been that Widmark and Richard Boone switch roles with Boone as Bowie and Widmark as Sam Houston, though I'll admit that it would be awfully hard to see Richard Boone cry like a baby in the scene where Bowie finds out his wife has died.
The second half is much better with great scenes of macho speech-making and awesome battle sequences that put the climaxes to other films I recently watched (Custer Of The West, El Condor, Two Mules For Sister Sara) to shame. Overall, the second part makes the movie worth watching.
I would be doing a great disservice if I didn't mention the excellent score by Dimitri Tiomkin.
Texans established a provisional government in 1835 and appointed Sam Houston (Richard Boone) commander in chief of their army... There followed a seesaw battle for control of San Antonio, including the ill-advised defense of the Alamo by a force of fewer than 200 Texas volunteers... General Antonio Lopez De Santa Anna was determined to take this key location in order to impress upon the Texans the futility of further resistance to Mexican ruler...
After a 13-day siege, every fighting man perished under the onslaught of 7,000 Mexican troops... Among the fallen defenders were Cols. William B. Travis, James Bowie and the legendary Davy Crockett... Only Mrs. Dickinson (Joan O'Brien), her little daughter and a black boy survive to provide the eyewitness story of the Siege and the Battle of the Alamo...
John Wayne portrays Davy Crockett, a frontiersman and politician, who saw the future of an independent Texas as his future and he loved a good fight... Crockett and his brave combatants - the Tennesseans, expert marksmen, held their position until death...
Richard Widmark is cast as Colonel Jim Bowie, a reckless adventurer, known for his famous 'Bowie knife'. Bowie has come to fight for Texas independence with a small force of volunteers. He had strong personal friction with Travis which threatens to develop into a private war... The difference in their personalities resulted in the two men sharing a somewhat antagonistic competition for command of the entire garrison... On one point they did agree: "The Alamo" is the most important stronghold of Texas...
Laurence Harvey plays Colonel Travis, "the grand Canyon of Texas," who arrives with 25 men to establish the first line of defense against Santa Anna... Travis is a disciplinarian officer who commanded the Texas defenders during the siege and battle of the Alamo, a genuine hero who anticipated a battle to the death, a polite gentleman who gave the men an opportunity to retreat with honor the ill-fated garrison but explained how important their defense of the Alamo is... His appeal from the Alamo of reinforcements becomes an American symbol of unyielding courage, heroism and self-sacrifice... Travis high moment in the film was when he fired his answer to Santa Anna with a cannon blast: Victory or Death!
With its seven Oscar nominations, including the Oscar-nominated hit song "The Green Leaves of Summer" and a superb score written by Dmitri Tiomkin and song-writer Paul Webster, and featuring some of the most spectacular battle sequences ever seen, "The Alamo," - a sacrifice on the altar of liberty - becomes the 'Battle Cry' that broke Santa Anna's back...
I'd never seen the full-length version of "The Alamo" until it was released on VHS in the early 90s. I realized then the greatest scene in the movie is "The Birthday Party," which was cut from the general release version of the film. NOTE: For those that don't remember, during the 50s and 60s, Hollywood would release long, big budget movies as reserved seat attractions. The film would show at a "roadshow" theater for several months before general release. Since "roadshow" theaters showed the movies only twice a day, running time was restricted pretty much to the patience of audiences. However, when the same film was shown general release, time restrictions became important, so films were cut to maximize theater owner profits. It still happens today, except now the "director's cut" reaches the home audience via DVD. In any event, the short version of "The Alamo," while impressive, is still a pale shadow of the Wayne's original cut. Most importantly, to see "The Alamo" is to understand John Wayne as a man, not an idol or actor. Wayne generously gave virtually all the big scenes to his costars. Certainly, Lawrence Harvey, Richard Widmark, Ken Curtis, Joan O'Brian and Richard Boone get better scenes. Also certainly, Chill Wills, Jester Hairston (Jethro) Hank Worden (Parson) and Veda Ann Borg (Blind Nell Robertson) have showier ones than Wayne. The scenes between Wayne and Linda Crystal in the first hour seem out of a different movie, though neither Wayne's nor Cristals are as big or showy as the ones I've mentioned. One thing I hope to suffer again was the "reunion" video attached to the VHS. The same old garbage about Wayne not being able to direct actors (by his SON, no less), that he really wasn't a very good director (Wayne's action scenes will match or beat anybody's in Hollywood). Especially rude was Richard Widmark's idea of impressing Wayne by insisting Wayne call him "Richard" and not "Dick" during their first meeting. Widmark came across as a pompous ass. However, the rudest cut was from Ken "Festis" Curtis. Curtis never had a better, more respectful part in ANY movie, but he didn't miss an opportunity to try to soil Wayne's memory.
Forget that "The Alamo" is a topnotch, if not entirely historically accurate historical western. Forget that Wayne directs action better than his mentor, John Ford, or that Chill Wills got an Oscar nomination, the only of his career, thanks to this "lousy director/actor". Remember this, Wayne risked EVERYTHING on "The Alamo" and lost. He was broke for years afterward. Wayne's continued success on the "A" list was by no means assured. He was 54 years old and raising a second family. Wayne had recently been swindled by a business manager and recently lost a best friend to suicide (Grant Withers). Wayne had to take a role in "The Alamo" to secure financing, and "The Alamo" is probably STILL the biggest movie ever directed by one of its stars. During filming, Wayne had to contend with interference from mentor John Ford and a murder investigation of one of his actresses. That same year Wayne's house was severely damaged by fire. Yet Wayne took continued carping by lessor men, those "artists" in Hollywood who ridiculed his acting and his directing. I'm sure they sneered in satisfaction when "The Alamo" failed to break even. However, it's reported the movie eventually made a small profit, probably part of it through sale of "Alamo Village" in Bracketville, Texas.
Wayne continued to make fine movies for sixteen more years after "The Alamo." In 1969 he was finally awarded by his peers an Oscar for "Rooster Cogburn." However, by then, Wayne had P.O.d them again with "The Green Berets". War service or not, NOBODY can say the man ever ran from a fight.
I'm not sure I would have liked John Wayne had I known him. I'm not a drinker and I'm not obsessively patriotic about this country, particularly since we started picking fights in the Middle East. However, as Wayne proved with Lawrence Harvey and Rock Hudson, Wayne didn't have to agree with someone's lifestyle or even their personal views to treat them with respect. I most certainly would respect him better than the "friends" he gave jobs in "The Alamo;" at least, those who slandered him.
Oh, and by the way, "RICHARD Widmark never won an Oscar."
I give "The Alamo" a solid 8.
Wusstest du schon
- WissenswertesJohn Wayne formed a close friendship with Laurence Harvey during filming. According to Michael Munn's 2003 biography "John Wayne: The Man Behind the Myth", Wayne said Harvey should have received an Academy Award nomination for Best Supporting Actor instead of Chill Wills. However the accuracy of Munn's book has been called into question, along with his other celebrity biographies.
- PatzerSam Houston refers to the Alamo as being on the Rio Bravo (aka Rio Grande). The Alamo is located on the San Antonio River over 200 miles away.
- Zitate
Davy Crockett: Republic. I like the sound of the word. It means people can live free, talk free, go or come, buy or sell, be drunk or sober, however they choose. Some words give you a feeling. Republic is one of those words that makes me tight in the throat - the same tightness a man gets when his baby takes his first step or his first baby shaves and makes his first sound as a man. Some words can give you a feeling that makes your heart warm. Republic is one of those words.
- Alternative VersionenAfter its LA premiere the film was cut by approximately 26 minutes. It wasn't until 1992 that these scenes were restored for release on LaserDisc and VHS. As of April 2007 all DVD releases feature the shorter general release version. The following scenes were added back:
- The original overture, intermission, theatrical trailer, and end themes;
- The "Jefferson Speech" extended between Col. Travis & Cap. Dickinson;
- The death of Emil Sand;
- Conversation between Col. Travis & Col. Bowie regarding Col. Fannin;
- The death of the Parson and Scotty;
- Crockett's prayer following Parson's & Scotty's death;
- The "Philosophical Debate" when the Alamo defenders talk about God;
- More complete "Gunpowder Raid" scene;
- Crockett's night with Senora;
- Senora's brief scene with a fleeing young woman;
- Birthday Party for Dickson's child;
- Bonham's original report to Travis;
- A slightly different Crockett death scene.
- VerbindungenEdited into Das war der wilde Westen (1962)
- SoundtracksGreen Leaves of Summer
Lyrics by Paul Francis Webster
Music by Dimitri Tiomkin
Sung by an off screen chorus
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- The Alamo
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- Budget
- 12.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 6.334 $
- Laufzeit2 Stunden 42 Minuten
- Farbe
- Seitenverhältnis
- 2.20 : 1