The Westerner

Sam Peckinpah had been active on such early TV adult westerns as Gunsmoke and The Rifleman, but he hoped to and dreamed of creating the most authentic TV cowboy show of all. Originally to have been titled "The Lone Westerner," it finally reached network TV in the fall of 1960, and lasted maybe thirteen weeks before being unceremoniously canceled. Meanwhile, Bonanza - the most stupid and least realistic western of all time - was allowed to continue even though it didn't initially score in the ratings. But I'm off track. The Westerner was every bit as good as Peckinpah (who wrote some episodes, directed others) wanted it to be. Attention to historic detail was fabulous, and it had the kind of grim, no-nonsense qualities that made Gunsmoke so terrific during its first three seasons - when it was, briefly, the High Noon of TV westerns rather than the corny folksy show it all too quickly degenerated into. Keith had a John Wayne kind of quality that served the show admirably while that underrated character actor John Dehner played his sometimes sidekick, Burgundy Smith. Throw in the dog from Old Yeller (here called Brown, which was his real name) and some intriguingly anecdotal tales, all very anti-heroic, and you had a show that captured the escapades of an ordinary saddle tramp in a way that no other did. Tom Gries, who later mounted the magnificent western movie Will Penny, tried out some of the plots and characters of that 1968 film here. Look for such later Peckinpah stock company members as Warren Oates in the varied casts.

A series of shows with Brian Keith being the constant lead actor and hero with various guest stars appearing in the different episodes. Very well acted and interesting to watch, especially if future star spotting is one of the viewers hobbies. Very realistic approach to the western not normally used by directors of the late 1950s and early 60s T. V. shows. The series has Dave Blassingame (Brian Keith) appearing in various situations over the course of the shows usually as a combination drifter turned hero that saves the day or the lady in distress from the villain or villains. Brian Keith plays the part in a very down to earth low key approach that is very refreshing and realistic.

I became a Peckinpah fan through The Wild Bunch, first saw it probably 1980. I never knew he had his own TV show back in 1960. I found out about The Westerner through a guest star overlap with Have Gun Will Travel. (That's a great show too.)

I found a homemade set of The Westerner DVDs on eBay and decided to take a chance. I'm two episodes into the 13 total episodes. In a word, "Wow!"

The director packs so much into the 25-minute run time. Brian Keith is outstanding as the lead, and the supporting characters have depth. Even the dog Brown has depth, and this has been established in only a few quick scenes over the two episodes. There's violence, but it fits the plot lines and isn't sensationalized or made to look operatic as in later Peckinpah works.

Recommended for western fans who value the steak over the sizzle.

This show was nothing less than brilliant. I saw it when it was first out, when I was in my last year of high school. I knew it was too good to be true then, and, sure enough, I was right.

It is to westerns on television what Fawlty Towers was to comedy. Yes, it was that good...

There were so many westerns on TV in 1960 that you could almost smell the phony gunsmoke. Most were forgettably simple-minded tales of good vs.evil, with cardboard characters, predictable outcomes, and no hint of real world complexity. Then along came an anonymous entry on Friday night without the big name stars or glamour of a Wagon Train, Bonanza, or Big Valley and long before the movie-going public had heard of Sam Peckinpah. You had to stumble across the show to even know it was there-- (what little publicity it got dwelled on a gimmick, Keith's 'scoped rifle', which Peckinpah ditched as soon as possible.). Nonetheless, The Westerner, as other reviewers point out, was ground-breaking in its willingness to explore nuance, and bring some realism to that most heavily fictionalized of American genres-- The Cowboy Movie. Instead of the usual cowboy hero as an unbeatable force for good, Bryan Keith's Dave Blassingame is a recognizable human being. He's a cowpoke drifter-- dusty from the trail, who befriends dogs, hookers, and lowlifes, can't read or write, likes to drink and brawl win or lose, and is obviously going nowhere in life. But he has an innate sense of honor that occasionally lifts him above the ordinary. In short, he's one of those rare characters who stands for the rest of us, not as a god, but as a real recognizable human being. It would be a mistake to read too much into the show-- it only lasted 13 weeks. But Peckinpah's willingness to challenge conventions is clearly evident, while the episode titled The Line Camp is as good as any show from that era. In this post-Vietnam period, it may be harder to see what was so special about the series. Still, the episodes wear well and the best are dramas as good now as they were then. I never thought I'd have a chance to share a public salute to what Peckinpah was trying to do, and was never even sure anyone else was watching. The series was simply there one week and gone the next as though it had never existed-- and I never knew why. I think now that the plots and characters were simply too offbeat for the time, and the sponsors and network lost their nerve. But I've never forgotten Dave Blassingame and his big scruffy dog. Thank you, Sam Peckinpah for trying to do something special, and thanks to The Western Channel for reviving this obscure but outstanding series.