IMDb-BEWERTUNG
7,9/10
1517
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuJohn Drake is a special operative for NATO, specializing in security assignments against any subversive element which threatened world peace.John Drake is a special operative for NATO, specializing in security assignments against any subversive element which threatened world peace.John Drake is a special operative for NATO, specializing in security assignments against any subversive element which threatened world peace.
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Often unfairly overshadowed by it's sequel series' (Secret Agent and "The Prisoner"). Dangerman is a kick-ass (Often literally) spy show, which follows N.A.T.O. agent John Drake around the world.
The great thing about this show is it's length at just 25 minutes per episode it's the perfect thing to have on video when you want to kill a quick half-hour,
the only problem is it'll soon become a quick 4 or so hours as you watch every episode on the disc backwards searching for demonic messages from Patrick McGoohan. (?rettoP ysuB) (aet fo puc a evol dluow i eladgniD .srM, sey yhW)
It'll then develop into a quick 4 days as you roam the country abducting people and then bludgeoning them with to death with ring-binders when they refuse to participate in your home-produced screenplays.
During your 72 hour manhunt you can amuse yourself by giving your REAL name as your alias (John Drake, must have single-handedly brought about the collapse of communism by operating under such crafty Codenames as "Johnny").
While the prosecution is wondering why corpses with nametags reading "Hobbs","Keller","Hardy" and "Potter" were found in your apartment you can tell them (under oath) that although not quite as eccentric as "Secret Agent" or as downright mad as "The Prisoner" the general undercurrent of weirdness is palpable , (In Fact it comes to the fore in some of the later episodes,"The Contessa" for example features Drake being Drugged by a beutiful angel-like woman.
While your Defence lawyer rattles on about your upbringing in a racoon hive and your "Obsessive" collecting of electronic cow prodders. You can pass the time by humming "yellow submarine"AND commenting on the often sublime balance of storyline and style, of narrative and direction, of Nachos and chillypeppers.
You can inform the Large bearded man in your cell that "Dangerman" is to "the Prisoner" as the Old Testament is to Christianity. You can also tell him that you are flattered by his gift of a scented candle but you don't think of him that way.
So if you don't mind your children growing up in a Drakist temple in Southern Cambodia, or you feel your family can deal with you writing "redrum sbboH" in your finest red crayon all over their walls then Dangerman is the relig......, then Dangerman is the TELEVISION SERIES for you.
However if you harbour notions of ever Having a Career/Living over 30/feeling the wish to go outside again. Then perhaps it would be better not to watch this show.
The great thing about this show is it's length at just 25 minutes per episode it's the perfect thing to have on video when you want to kill a quick half-hour,
the only problem is it'll soon become a quick 4 or so hours as you watch every episode on the disc backwards searching for demonic messages from Patrick McGoohan. (?rettoP ysuB) (aet fo puc a evol dluow i eladgniD .srM, sey yhW)
It'll then develop into a quick 4 days as you roam the country abducting people and then bludgeoning them with to death with ring-binders when they refuse to participate in your home-produced screenplays.
During your 72 hour manhunt you can amuse yourself by giving your REAL name as your alias (John Drake, must have single-handedly brought about the collapse of communism by operating under such crafty Codenames as "Johnny").
While the prosecution is wondering why corpses with nametags reading "Hobbs","Keller","Hardy" and "Potter" were found in your apartment you can tell them (under oath) that although not quite as eccentric as "Secret Agent" or as downright mad as "The Prisoner" the general undercurrent of weirdness is palpable , (In Fact it comes to the fore in some of the later episodes,"The Contessa" for example features Drake being Drugged by a beutiful angel-like woman.
While your Defence lawyer rattles on about your upbringing in a racoon hive and your "Obsessive" collecting of electronic cow prodders. You can pass the time by humming "yellow submarine"AND commenting on the often sublime balance of storyline and style, of narrative and direction, of Nachos and chillypeppers.
You can inform the Large bearded man in your cell that "Dangerman" is to "the Prisoner" as the Old Testament is to Christianity. You can also tell him that you are flattered by his gift of a scented candle but you don't think of him that way.
So if you don't mind your children growing up in a Drakist temple in Southern Cambodia, or you feel your family can deal with you writing "redrum sbboH" in your finest red crayon all over their walls then Dangerman is the relig......, then Dangerman is the TELEVISION SERIES for you.
However if you harbour notions of ever Having a Career/Living over 30/feeling the wish to go outside again. Then perhaps it would be better not to watch this show.
A low key, but absorbing, TV series of half-hour episodes, it is the first of three putatively related series, the latter two being (a) Secret Agent Man (hour long episodes), and (c) The Prisoner.
In the series, our protagonist John Drake (played by Patrick McGoohan) is an English spy - elegant, skilled, sophisticated, and never at a loss. He breezes through his weekly problem, and we enjoy every second of the short ride!
In my opinion, the series was the undisputed master of its era, and I loved its whimsy, its thoughtfulness, and good plot lines, simply and starkly delivered. The later Harry Palmer movies (with Michael Caine - for example, The Ipcress File) was reminiscent of this same style - austere story line, strongly built around its main character, employing few cinematic effects, yet full of impact.
It has been years since I have seen this series, but it it is still one I remember very fondly.
In the series, our protagonist John Drake (played by Patrick McGoohan) is an English spy - elegant, skilled, sophisticated, and never at a loss. He breezes through his weekly problem, and we enjoy every second of the short ride!
In my opinion, the series was the undisputed master of its era, and I loved its whimsy, its thoughtfulness, and good plot lines, simply and starkly delivered. The later Harry Palmer movies (with Michael Caine - for example, The Ipcress File) was reminiscent of this same style - austere story line, strongly built around its main character, employing few cinematic effects, yet full of impact.
It has been years since I have seen this series, but it it is still one I remember very fondly.
In the "View from the Villa" agent John Drake pulls up in what looks like an Aston Martin DB4 or DB5, thus beating Sean Connery to the punch by several years. At least on the screen. I think it also appears in a few other episodes, but I am not certain.
I have spent the last few years slowly catching up on this superb series via net flicks. As other reviewers have noted already the plots were nearly always excellent. The understatement and laconic delivery of Mr. McGoohan a foretelling of others who would try the same style and mostly fail, except for the wonderful Le Carre adaptions, and Mr. Caine's superb Ipcress File. The satire of Establishment figures was often very droll.
In the current editions I am getting from Netflicks the music track is provided by a powerful jazz orchestra. What happened to the superb Harpsichord jazz music that I remember from the original UK broadcasts? So much more subtle and intriguing than the blaring band arrangement, although it does have a period flavor I cant deny.
Mr. McGoohan passed away recently. I will remember him and Danger Man as one of the very influential forces in my teenage years.
I have spent the last few years slowly catching up on this superb series via net flicks. As other reviewers have noted already the plots were nearly always excellent. The understatement and laconic delivery of Mr. McGoohan a foretelling of others who would try the same style and mostly fail, except for the wonderful Le Carre adaptions, and Mr. Caine's superb Ipcress File. The satire of Establishment figures was often very droll.
In the current editions I am getting from Netflicks the music track is provided by a powerful jazz orchestra. What happened to the superb Harpsichord jazz music that I remember from the original UK broadcasts? So much more subtle and intriguing than the blaring band arrangement, although it does have a period flavor I cant deny.
Mr. McGoohan passed away recently. I will remember him and Danger Man as one of the very influential forces in my teenage years.
patrick mcgoohans's dicey 'new englander' accent notwithstanding, he's in fine form here. fast paced and inventive plots, exotic locales, and the extremely moral hero john drake all make the first series of danger man great television.
though he doesn't bed down with every girl he comes across, there's more than enough sexual tension to go around, as every female within a thirty-foot radius ends up throwing herself at johnny d. not keen on guns, drake's a master fighter and the resulting fight scenes are always fun to watch. his gadgets are realistic, much more believable than the ones used by bond or the man from wherever.
the very first episode, 'a view from the villa', takes us to portmeirion, PMG's inspiration for the village in 'the prisoner'. another one of the best television programs ever made.
you'll see a host of familiar faces in supporting roles here too. donald pleasance, barbara shelley--all kinds of great actors popped up on dm from time to time. by all means, if you're a fan of espionage shows, danger man should be high on your list of must-sees. it's got all the chewy goodness and none of the camp that marred so many spy programs in the sixties.
though he doesn't bed down with every girl he comes across, there's more than enough sexual tension to go around, as every female within a thirty-foot radius ends up throwing herself at johnny d. not keen on guns, drake's a master fighter and the resulting fight scenes are always fun to watch. his gadgets are realistic, much more believable than the ones used by bond or the man from wherever.
the very first episode, 'a view from the villa', takes us to portmeirion, PMG's inspiration for the village in 'the prisoner'. another one of the best television programs ever made.
you'll see a host of familiar faces in supporting roles here too. donald pleasance, barbara shelley--all kinds of great actors popped up on dm from time to time. by all means, if you're a fan of espionage shows, danger man should be high on your list of must-sees. it's got all the chewy goodness and none of the camp that marred so many spy programs in the sixties.
This show never laughs at itself (setting it apart from most of the James Bond and follow-on genre shows). Instead, it projects the inimitable Patrick McGoohan as a consistently efficacious hero: fast-thinking, innovative, ultra-capable, tenaciously-focused on the mission, yet when achieving the mission is not enough, he's able to think outside the box, to re-define his goals and achieve success in a wider context.
For a little boy starving to see a hero on television, "Danger Man" (and the subsequent "Secret Agent Man") was just what I needed. A hundred times over the years, facing my own moments of challenge, I remembered how John Drake had handled things. Nevermind the detail of his job being a "secret agent," the essential of this show is: a man of quintessential skill and reason who uses his mind to take him over, under, around or through all obstacles -- and *that* is what you take away from every episode.
It's food for the soul.
For a little boy starving to see a hero on television, "Danger Man" (and the subsequent "Secret Agent Man") was just what I needed. A hundred times over the years, facing my own moments of challenge, I remembered how John Drake had handled things. Nevermind the detail of his job being a "secret agent," the essential of this show is: a man of quintessential skill and reason who uses his mind to take him over, under, around or through all obstacles -- and *that* is what you take away from every episode.
It's food for the soul.
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- WissenswertesIn this early series, the character of John Drake is clearly defined as being an American. When the character returned for the second Geheimauftrag für John Drake (1964) series, the character had become either British or Irish (exactly which was never settled upon definitively).
- Zitate
John Drake: [Opening titles narration] Every government has its Secret Service branch: America, CIA; France, Deuxieme Bureau; England, MI5. NATO also has its own. A messy job? Well that's when they usually call on me, or someone like me. Oh yes: my name is Drake. John Drake.
- Crazy Credits"Introducing Patrick McGoohan."
- Alternative VersionenIt has been reported that a foreign (non-UK) syndicated version of this series incorporated the American "Secret Agent Man" opening credits used for the later series "Danger Man" (1964), thereby tying the two series together. This has yet to be confirmed.
- VerbindungenFeatured in Six Into One: The Prisoner File (1984)
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- Erscheinungsdatum
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- Auch bekannt als
- Danger Man
- Drehorte
- Produktionsfirma
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- Laufzeit
- 24 Min.
- Farbe
- Seitenverhältnis
- 1.33 : 1
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