Heiße Grenze

I give this movie an E for effort - Mitchum plays an American who had escaped to Mexico in his youth after a violent episode and has grown up working for the local bandits controlling that part of the country. When sent to a US border town to negotiate a weapons deal, he breaks his leg and spends enough time in he US to realize he could make a life for himself with a brighter future - of course things go wrong. Based on a novel by Tom Lea, a forgotten writer of westerns, and staring along with Robert Mitchum in the romantic triangle is Gary Merrill as the local cavalry boss and Julie London as his unhappy wife. What makes it all interesting is the fact that the movie never quite "jells"- Mitchum tries his best against a cast of grade B actors and his performance mostly works. The worst performance is from Julie London who not only is dressed incongruously but looks and acts like a robot. The scenery is spectacular and is the winner in this movie. Add the use of over the top music, and this movie presages the Spaghetti Western.

Nursed back to health from a broken leg by the residents of a small US town, an American-born illegal arms dealer becomes torn between whether to return to Mexico, where he has lived most of his life, or stay on in America in this Technicolor western starring Robert Mitchum. As it turns out, Mitchum has quite some history, residing in Mexico to avoid being arrested for avenging his father's murder, yet with so many welcoming him with open arms, offering him jobs and declaring that he should stay "this side of the river... where you belong", Mitchum soon finds himself in quite a dilemma. The title is intentionally ambiguous; it is never clear whether the USA or Mexico is meant to be the wonderful place. The plot is not really helped though by the inclusion of Julie London as a love interest in the town. She is married and it is hard to root for Mitchum when he convinces her that she must not really love her husband on account of a few glances. London is pretty dull too, and then as a self-defense incident forces Mitchum to make up his mind between the US and Mexico, it feels a case of too much being thrown on the plate here. The film's best moments are the quieter ones in which Mitchum sits and genuinely ponders over which side to join. There are enough of these moments to keep the film chugging along, but it is a little hard to enthusiastically recommend it.

So many times the title of the movie misleads the viewer. Not in this case. The title "Wonderful Country" perfectly describes this movie. The desert photography and imagery of frontier Texas and Old Mexico is almost overwhelming.

With a few exceptions, I have never been a Robert Mitchum fan, but this role brings out those qualities in him that have always attracted the fans. When commenting on his acting ability, he once said, "I only know two ways to act. With or without a horse." This is a great example of how to act with a horse. As a matter of fact, one of his co-stars in this movie IS his horse.

The story somewhat routine. Mitchum flees across the Rio Grande as a youngster after killing the man who killed his father. There he becomes a pistolero in the employ of a couple of corrupt brothers who control that part of Mexico. On a gun buying trip north across the border, he is thrown by his horse and is unable to return to Mexico. While in Texas he meets and falls for the wife of the military governor played by Julie London, in probably her only significant role. As he recovers, he is involved in another shooting and finally escapes back to Mexico, where he is falls out of favor with his patrons for losing the guns.

It isn't the story that makes this movie. It's the photography. It's the musical score and Mariachi orchestration. It's the touching performances of all the principal players. It is a BIG movie. The dusty majesty and corruption of Old Mexico along with the personal imagery of everyday life is riviting. In my opinion, this movie rates right up there with other Western giants like: Shane, The Searchers, Stagecoach, and a half dozen others. This is a movie that would be best seen on the big screen. Do it - if you ever get the chance.

I'd seen some good things about this one, but I was largely disappointed in "The Wonderful Country." First off, I applaud Robert Mitchum for stretching here: he plays a white Missourian raised in Mexico, his accent and even his posture a departure for Mitchum. The problem is, it just doesn't work. (That accent sure comes and goes!) The bigger problem is an unfocused (and rather hard to follow) screenplay that has Mitchum's Martin Brady running guns into Texas for the Mexican Castro family, recuperating there after a fall from his horse, then, after he kills a man, escaping back over the Rio Grande into Mexico. There's a spark with a married woman (Julie London's dissatisfied army wife, Helen Colton), meetings with rival Castro brothers... and, well, some more stuff which doesn't add up to quite enough in the end. Whether due to the accents and/or the sound recording, I found a significant amount of the dialogue simply hard to understand, and the story difficult to follow. But it also felt more than a little unfocused and rather dramatically inert, so that I found myself bored, which is one of the worst things I might say about a movie. Overall, maybe still worth a look for fans of classic Westerns, but mostly as a curiosity--an ambitious, if not exactly interesting, failure. (The Movie Czar 8/19/19)

Based on a story by artist Tom Lea (who cameos as a barber), The Wonderful Country stars Robert Mitchum, Julie London, Gary Merrill, Charles McGraw & Pedro Armendáriz. It's directed by Robert Parrish, the score is from Alex North with Floyd Crosby & Alex Phillips on cinematography around the Durango location shoot.

A rich western that admirably crams in a lot of genre based themes and boasts a lead protagonist of high complex value. Tightly directed by Parrish (Saddle The Wind), who is aware that this needs no action overkill, it's really with Mitchum and Robert Ardrey's script that the film owes its success. Give or take a couple of missteps with the accent (he is playing a gringo pistolero) Mitchum dominates with his stature and laconic form of acting. He's playing Martin Brady, a man who finds himself being pulled emotionally on both sides of the Mexican/American border, the contrast between both lands, and Brady's persona too (he's effectively a man without a country), is very interesting. There's a number of well drawn characters who file in and out of Brady's life, all serving purpose to the plot, with Julie London's love interest thankfully having a more darker edge than others that were often seen in the genre. There's even an appearance of Baseball Hall Of Fame inductee Leroy 'Satchel' Paige as part of an all black army regiment. Yet another strand in this multi angled movie.

Very sedate in tone but with deep character drama at its core, Parrish's film is a thinking persons movie. Some critics have called it routine, while others have said it's complicated! I just think it's a film that needs to be watched more than once to fully digest its themes. It's not one for the action fan as such, but it is excellently written and performed by the principals. It's also a truly gorgeous movie visually and aurally. A fine film that rewards further on repeat viewings, especially for fans of the great Robert Mitchum. 7/10