Man nannte ihn Kelly

Young Anse is the most endearing character in the whole movie:when you deal with the experimented tough guy /sensitive greenhorn team,generally the latter is told lessons in life and survival by the former ;in "Yellowstone Kelly", on the contrary ,it's the young one who,all in all,shows the way.He's an orphan ,an uneducated young boy ,whose only "culture " is his "Our Father" prayer.He has understood,long before Kelly ,that life is sacred and that you can't "own" anybody.One can dream of what Nicholas Ray would have done with this subject.

That said,this low-budget western is enjoyable even though the Indians look like white guys with wigs ( they are ,particularly the Indian beauty everyone covets ,about as "Indian" as Debra Paget in "broken arrow" or Barbara Bush in "Taza Son of Cochise" )

Warner Brothers came up with a winner in this film of a fur trader who finds himself caught in the middle of a cavalry-Indian just wants to run his trap lines in Montana high country but proposed treaty-breaking by the government poses the threat of an Indian uprising. The film dwells a bit on a sub plot that has Kelly saving an Indian maiden's life as well as playing wet nurse to a tenderfoot who seeks to win the trapper's friendship and respect. There is a fine battle scene between the soldiers and the Indians, one of the best of its type and is the film's high point. John Russell, Ray Danton and Claude Akins are among the cast names that contribute greatly to fine story. Andra Martin is striking as the Arapahoe girl and a point of contention between Kelly and the Sioux warriors. Edd Byrnes is okay as Kelly's young helper. Outstanding camera work and music score make this forgotten western one of the genre's best pictures.

I like Clint Walker, I'm a fan of Gordon Douglas' movies (e.g., "Them!", "Rio Conchos", "The Detective") and I can even tolerate Edd Byrnes--in small doses--but I really wasn't expecting much from "Yellowstone Kelly" when I first saw it a few days ago. Turned out that I got a lot more than I bargained for.

First off, Walker is a hell of a screen presence. I haven't seen "Cheyenne" in many, many years, and I kind of forgot just how much he can fill up the screen, and not just physically; he has the kind of commanding presence that John Wayne has, and although Wayne's a better actor, Walker's no slouch himself. He does a first-rate job here, and Burt Kennedy's script doesn't make him the kind of stock "hero" type that many "B" westerns tend to make of their stars.

Second off, the scenery--as pointed out by other reviewers--is spectacular. It has the kind of power that John Ford brought to the screen with his Monument Valley locations yet it doesn't overwhelm the overall film, as Monument Valley tended to do. In addition, Gordon Douglas' westerns are noted for their "balls to the wall" action scenes, as in "Rio Conchos", and this film doesn't disappoint in that department. There are several of them, from bar-room brawls to full-out Indian attacks, and they're all extremely well done.

Then there's Andra Martin. She's not given much to do, actually, but she is one of the most strikingly and exotically beautiful women to have ever graced the screen, and she does the most here with what she's given, and she's actually quite good.

A good supporting cast--Claude Akins and Warren Oates stand out, and even Edd Byrnes is far less annoying than he usually is--helps greatly. If there's any downside to this picture, it's the casting of white actors in Indian roles. John Russell and Ray Danton are good actors, but they don't even come close to being convincing as Indians and, as this practice usually does, actually hurt the picture.

Overall, though, I was more than pleasantly surprised with "Yellowstone Kelly". Walker turns in a first-rate performance, the scenery is beautiful, the action is well done, and on top of everything else there's Andra Martin. A very good combination. Walker made another western that I haven't seen, "Fort Dobbs", and if it's half as good as this one was, I'll have to check it out.

I can't believe that there is only one comment about Yellowstone Kelly, I know you couldn't really call it a classic or anything but I know films that are a lot worse that have been much better received in your lists. That is only my opinion and I don't wish to upset anyone but again as previously stated I think this film is a real cracker and has lasted the test of time! Graham Lenegan.

This unpretentious and well-paced film min my judgment almost redefines the 'B' movie. It uses the talents of solid-plot novelist Clay Fisher, action director Gordon Douglas's skills, script additions by Burt Kennedy, lucid cinematography by Carl Guthrie, costumes by Marjorie Best, set decorations by William Wallace and a good cast of supporting actors. The storyline is a very simple one. Luther Kelloey has saved the life of a Sioux chief, Gall. Because of this during the troubles in their country, he is still allowed to set his traplines. After some trouble with toughs at a fort, he enlists young tenderfoot Anse Harper as his helper--before discovering he is hopeless at everything; then Kelley heads upcountry. Once there, they save an Arapaho woman fleeing her enemies. Answe worships her; she falls in love with Kelley, but he fights the urge as he nurses her back to health. Then all discover that it is the Sioux chief who wants her back. Anse dies; and finally he has to lead soldiers against the Sioux to save the ill-led patrol; and he kills Gall's nephew, the real troublemaker in the situation, in battle. He then advises the Sioux chief to leave the Yellowstone country, telling him it no longer smiles on them; and they follow his advice. The film stars popular and very large Clint Walker, in the best of several western he was allowed to make in the 1950s, as who did not; Anse is well-done by Edd Byrnes, John Russell is the Sioux chief, Ray Danton the deadly nephew and Andra Martin the lovely Arapaho woman. Claude Akins as a skeptical sergeant, Rex Reason, Gary Vinson and Warren Oates are also featured. This is a very authentic western, physically-beautiful. The viewer learns a lot about what it takes to survive in the West through the very Eastern eyes of Anse; also, Kelley's very sound advice is doubted, not heeded or contradicted by soldiers, with the result that they need him to save their hides. This is not a great picture; but I suggest as a writer its authors gave it clear motivations, a solid story line for its under-budgeted producers to realize. The dialogue is above average, terse, never show; and Douglas's camera has quite a bit to work with in the way of interior dialogue exchanges, action scenes and angry confrontations. The highlight comes when Martin tells Walker, "You have LOOKED AT ME." From that moment, we know he likes her, she wants him--and all they have to do is fight a major battle against angry Sioux warriors to win their future...Many viewers have found this to be a very unpretentious and entertaining 'B' effort.