Der dritte Mann im Berg

Third Man on the Mountain ranks among the very best live-action films ever produced by Walt Disney. Period mountain-climbing film works as both a white-knuckle adventure thriller and compelling coming-of-age story. Highlights include sensational location photography and stunt work, strong character performances, terrific period detail, and a fine screenplay by Eleanore Griffin. Film takes its time establishing its characters, before building towards unusually gripping second half, where the human drama becomes as suspenseful as the high-altitude acrobatics.

Current DVD uses badly-worn elements for its source, with swarms of dirt, scratches, and ugly grain. It might, in fact, be the exact same transfer used in the 90's for the laserdisc release. Modern DVD resolution and large-screen televisions make the result unacceptable, especially for a film of this caliber. Disney Home Video needs to revisit this title and give it the respect it deserves.

Trivia: The Matterhorn ride at California's Disneyland theme park is based on the killer mountain seen in this film.

I saw this film on the old Disney show back decades ago, and liked it very much, then sort of forgot about it. These days the Disney channel shows it periodically, and whenever it's on and I'm watching television, I can't help but stayed tuned to this one. For anyone who's ever climbed a mountain this movie is a treat.

The story is beyond simple: a young man in 19th century Switzerland whose father was killed trying to climb the Citadel (which is what the Matterhorn is called here) wants to become a mountaineer himself, and of course climb to the top of the Citadel, which no man has done. His mother strictly forbids it, and his uncle downright nasty to him whenever the subject comes up. Persistent fellow that he is, the boy hooks up with an English mountain climber, then coaxes his uncle to take him along on a climb, makes an ass of himself, then has a go at it again. The boy doesn't really have the maturity for the task, but persists, and in time he grows up, almost in spite of himself.

There's a larger than life quality to this movie, which was filmed on location. Director Ken Annakin, who never achieved his potential, shows himself a first-rate movie man here. The Swiss village and the looming mountains beyond convey an odd mood, as the place feels alternately dangerous, as if on the edge of the world, and beautiful, because of what one sees out the window every day. There's an intimacy between the clannish villagers, with their peculiar garb and gingerbread homes, that's caught to absolute perfection by Annakin and his crew. Everything seems real in this film; stylized as it sometimes is, it has an unmistakable ring of (admittedly Disneyfied) truth.

As to the climbing scenes, they are wonderfully photographed, with the camera seemingly in the right place at all times. One gets just close enough to experience at least some of the danger and excitement of mountain-climbing, with the camera pulling back periodically to show a larger view, invariably breathtaking. The actors are all competent. James MacArthur's non-charisma actually helps movie the picture along, as one is often more aware of who he's with than his character. He fades into the background somewhat, as young men often do, with the older, more experienced adults dominating. James Donald is brilliant as his uncle, creating a fully rounded portrait of a man who looks after his nephew, who for reasons never wholly explained, likes to belittle him. Michael Rennie is sturdy as the Englishman and Janet Munro makes a perky love interest. Herbert Lom almost steals the show as Saxo, the outsider from beyond, who also wants to climb the Citadel, and has a disagreeable disposition. He dresses differently from the others, and even wears a different sort of hat. Lom comes across as foreign, as we can see why people don't take to him in this little close-knit society.

There are few surprises in this film, but it tells its familiar and largely predictable story with great flair and feeling for the people it's about, showing once more that one can make an outstanding, maybe even great film, out of seemingly routine, even threadbare material, if one hunkers down really hard and gives it one's best shot, as clearly everyone connected with this movie did.

Third Man On The Mountain has young James MacArthur working as a dishwasher in his uncle James Donald's hotel for tourists in Switzerland. But MacArthur longs to be a mountain climber guide as his father who was a legend in the field. The father was killed attempting a climb up a forbidding mountain outside their village some 16 years earlier.

Both Donald and MacArthur's mother Nora Swinburne keep him away from mountaineering, but he does it on his own. When he saves visiting British mountain climber Michael Rennie, Rennie becomes his champion.

Third Man On The Mountain is a fine coming of age film and it's perfectly cast. Both James MacArthur and Janet Munro were being cast in a lot of Disney films at that time and they made perfect young leads. I should also note the presence of Herbert Lom in the cast as a bragging mountaineer from another village who shames the men of MacArthur's village by accompanying Rennie on an attempt up the local Everest. He steals the film when he's on screen.

After 60 years Third Man On The Mountain holds up well and it's fine family viewing.

I was eight years old in 1970, when our primary school in Northern Ireland assembled all the students into the gymnasium to see "a film". The film was Third man on the Mountain. A quiet loner who detested the boredom of sports that chased an object around an enclosed playing field, I was captivated by this film, and knew that I wanted to climb. I am 43 years old now, and have spent my life climbing and enjoying the beauty of the mountains. I have just purchased this film on DVD but will wait until Christmas Eve, to see it for the first time in 35 years.

In an age where Hollywood gratifies violence, profanity, and promiscuity, caring parents would do well to, not only let their children see this great adventure story; but to sit with them and watch it as a family. As a teenager, I never once attended a 'house-party', drank, or engaged in the trash that often creates arrogant, ungrateful, and belligerent adolescents. The memory of this film never left my mind, and kept me focused in life. Honour, self discipline, respect for our elders and caring about what others think of us; as well as a great story of personal determination and effort, young people today need to be presented with the values that used to be 'normal' in society.

The real locations used in the filming provide a welcome relief from the slick, computer-animations and green-screen fakery of modern celluloid, and the climbing depictions are far, far superior to anything that has since been passed off by Hollywood, as 'mountaineering'. Having to EARN respect, working and striving for goals, personal sacrifice, and a good story: parents owe this film to their children.

This visually stunning film about the true story in the mid-19th century of a young man's need to conquer a mountain in the Swiss Alps that claimed the life of his father 16 years before is an exciting, gripping story that the entire family can enjoy. Young Rudi Matt (James MacArthur) is helped in his quest by famed British climber Captain John Winter, played by Michael Rennie, and their easy, warm chemistry also helps to make this a delightful film for all ages. If you are a fan of Michael Rennie, this film is a must-have for your collection, as his role is large and he gives a wonderful performance. If you are a fan of family adventure films, I recommend this film to you as one that your children will undoubtedly find entrancing, as will you. "Third Man on the Mountain" is a heartwarming, emotionally satisfying journey of a youth into a young man as well as an exciting story of mountain climbing in the 1800's.