Das Geheimnis der verwunschenen Höhle

Until "Mary Poppins" came along, I don't think Hollywood took Walt Disney seriously as a live-action movie producer. James Baskett received a special Oscar for "Song of the South", as did Hayley Mills in 1960 for "Pollyanna". However a great many performances in Walt's early output deserved a more substantial recognition, such as James Robertson Justice in "The Sword and the Rose" and Albert Sharpe in this film. Playing storytelling Irish codger Darby O'Gill, Sharpe is charming spinning tall tales in a quaint village, capturing himself a real live leprechaun and being rewarded with three wishes before the little King is freed. Colorful outing for older children and nostalgic adults, relying less on sugary sentiment and doting tots than on old-fashioned whimsy. Sean Connery has a nice romance with Janet Munro (who is always a pleasure) and the special effects, particularly near the end, are quite marvelous. **1/2 from ****

I first saw this film when I was 6 years old (I'm 49 now) and it stayed with me since then. The special effects are so good that I REALLY believed that the "little people" existed.(I also love Walt Disneys acknowledgement in the credits, thanking the "wee folk" for their cooperation in making the film). I still watch the film (usually around St.Patricks day) and after 43 years it still delights me. The story is short sweet and to the point, the acting wonderful, especially Albert Sharpe, Janet Munro and a very young Sean Connery(who sings very nicely), and Robert Stevensons' direction is right on the money. The later scenes, with the death carriage and the banshees scared me silly as a child and are still quite creepy. This is a film that holds up extraordinarily well and is terrific for family viewing. I have a copy on laser disc but look foward to its eventual release on DVD.

As a lad I well remember the kind of campaigns Walt Disney used to publicize his films. He used all the available outlets he had such as his Mickey Mouse Club show or the Walt Disney Wonderful World of Color television shows. If Walt Disney could have worked it out, he'd have plugged Darby O'Gill and the Little People on Zorro.

I remember Disney on one of his shows having a formal meeting with King Brian of Knocknasheega to sign over screen rights to the story of the leprechauns. It was all done with a kind of serious pomp that would impress a kid with Disney and Jimmy O'Dea who played the leprechaun king, Brian Conners.

According to the Films of Walt Disney by Leonard Maltin, Disney had it in mind to do an Irish story for over 15 years before Darby O'Gill was released. In fact when he saw the original Broadway production of Finian's Rainbow, he had his leading man in mind in the person of Albert Sharpe.

Sharpe's Darby O'Gill is a gamekeeper on the grounds of Lord Fitzpatrick who in his declining years spends more time at the local pub, regaling the patrons with his tales of encounters with the leprechauns. As Walter Fitzgerald who plays Lord Fitzpatrick says, Darby retired a couple of years ago without telling me. So he's hired himself a young new gamekeeper, an outsider from Dublin named Michael McBride played by a pre-James Bond Sean Connery.

Connery's a decent chap though and he'll give Sharpe time enough to vacate the gamekeeper's gate cottage. Besides Connery's taken a liking to Darby's daughter Katie in the person of winsome Janet Munro.

The film alternates and then blends the story of Connery's courtship of Munro with the person of her other suitor, the town bully played by Kieron Moore and Sharpe's adventures with the leprechauns. King Brian tricks him a couple of times, but Darby captures him by getting him drunk and keeping him out until daylight when he has no powers.

If Darby O'Gill had been made by someone other than Disney probably Barry Fitzgerald would have played Darby. Sharpe certainly has the elfin charm of Fitzgerald's Michaeleen O'Flynn from The Quiet Man. And because he was not a movie name, he worked a lot cheaper for Disney, always a consideration in The Magic Kingdom.

The special effects are really good here considering this was the age before computer generated graphics. Enough to give even a twelve year old a fright with the appearance of the banshee and the costa bower, the death coach.

The answer to a movie trivia question is this film if it is ever asked whether Sean Connery sang in a movie. It's in fact him singing, My Little Irish Girl, both he and Janet Munro sing it alone and duet it for the finale. No dubbing, in fact Sean Connery cut a 45 rpm record of it back in the day. Probably worth a fortune if you could find one.

Janet Munro did a few films for Disney. She was a wholesome lass in his films, very appealing and her death at too young and age was a real tragedy. Either Disney didn't spot anything in Sean Connery or Connery was too smart to be tied down to a long term contract to that studio. Connery after Dr. No premiered spent the next dozen years or so trying to prove both artistically and financially that he was capable of more than James Bond.

But it sure would be fascinating to speculate on what turn Sean Connery's career would have taken if I had starred in a half a dozen or so Disney features. Can you imagine him trying to escape that kind of typecasting?

Darby O'Gill and the Little People is a children's film and I think it still has charm a-plenty even for today's generation who might be skeptical about leprechauns.

In old Ireland, grandfatherly Albert Sharpe (as Darby O'Gill) is going to be replaced as castle caretaker, due to his advancing years. Instead of keeping the castle grounds tidy, Mr. Sharpe tells pub tales about his encounter with the "little people." Lord of the manor Walter Fitzgerald arrives from Dublin with young and sexy Sean Connery (as Michael McBride), to replace his retiring handyman. While Mr. Connery exchanges come-hither looks with Sharpe's pretty young daughter, Janet Munro (as Katie O'Gill), the old man plots to receive his "three wishes" from Leprechaun king Jimmy O'Dea (as Brian Connors).

While Walt Disney's animated films consistently looked state-of-the-art, some of his studio's 1950s "live action" features looked a bit cheap - not so with "Darby O'Gill and the Little People". The "Special Photographic Effects" by Peter Ellenshaw and Eustace Lycett and "Animation Effects" by Joshua Meador are excellent. Director Robert Stevenson and Technicolor photographer Winton C. Hoch compliment their efforts. Witchy Estelle Winwood (as Sheelah Sugrue) and no-good son Kieron Moore (as Pony) offer fine support. The story doesn't know whether to be glossy children's fare, or dark fantasy. With its emphasis on the latter, the last act is especially memorable. The "Banshee" and "death coach" aren't too original, but they are very nicely done.

******* Darby O'Gill and the Little People (6/24/59) Robert Stevenson ~ Albert Sharpe, Janet Munro, Sean Connery, Jimmy O'Dea

I saw this movie on TV as a child, and the scenes of the banshee and the death coach scared and impressed me so much, I carried the memory of them all my life. When I was an adult and saw it on video, I was astonished to find that the scenes are STILL impressive and creepy! Considering how sophisticated special effects have become since 'Darby O'Gill' was made in 1959, that's quite a tribute to the moviemaking skills of the day. The scenery is lovely, the actors skilful and wholeheartedly into their work, the music catchy and delightful, and really there's nothing not to like in this movie. The duels between Darby and his nemesis, King Brian, are wonderfully funny, as each tries to outsmart the other. The village characters are all well-drawn and likeable personalities. Pony Sugrue seems more 'American' than the others, but then, he's not supposed really to fit in in the village, and his punishment at the end is an enjoyable comeuppance. Favourite scenes - the banshee and death coach at the end, as mentioned, and all the leprechauns dancing under the fairy mountain then riding their little white horses out into the night as Darby plays them a wild tune on his fiddle. Don't be put off by the date on this movie; it's as good now as the day it was made.