Terror Is a Man

This film, obviously inspired by H.G. Wells THE ISLAND OF DR. MOREAU, takes a while to get going but does pick up near the end. The acting, production values and cinematography were superior than expectation for a low budget film made in the Philippines although it's difficult to find a good print throughout. There are some intense, suspenseful and disturbing moments in Dr. Girard's underground laboratory.

Fitzgerald is the only survivor of a shipwreck and he finds himself washed up on an luscious Pacific island, which is inhabited by a close-minded doctor, his unsatisfied wife and edgy assistant. That night they found Fitzgerald, the doctor's experimental subject; a panther got loose and killed some natives. But they manage to get hold of it again. Not too long Fitzgerald learns what the doctor is trying to do, but he questions the ethical nature of his experiments. When Fitzgerald comes face to face with Dr. Girard's test subject it's something his eyes can't believe.

Like other users have already mentioned, this cheap b-grade flick is influenced by H.G. Wells novel "The Island of Doctor Moreau." You might call it a poor man's version of the story. But to my surprise this feature was incredibly well-made and mildly effective, it's just too bad that the print of the film is all scratched up and jumpy in parts. The low-budget production is well set-up with fine execution in the direction, thunderously high-strung score and solid camera-work in achieving a very heavy mood in the jarringly, grim atmosphere. The isolated island (which was filmed in the Philippines) and the doctor's house (especially his laboratory) have a dauntingly, unsteady feel. Slow-building terror is squeezed tight by a snail-like opening hour involving many stoppages and meandering about. The third-act though, is where things really get going with some nice doses of suspense and plenty of interesting moments occurring with the mystery of the doctor's work coming out of the dark. These sparks are few and far between, but the sub-due plot is strong enough to carry the film, even though it does have its wishy-washy details and understated ending. The routine script is filled with a lot of mumbo jumbo, maybe a little too much of it and a bit forced. Thrown in are ponderous theories about evolution and morality about interfering with nature's course and so on. Also the dramatic interplay between the characters have a variety of frictions that plays on their slowly decaying mentality. Though, the token romance link between Fitzgerald and Frances Girard was unconvincing and it felt overly padded for me. The performances were exceptional enough, with some buoyant acting at times. Francis Lederer, as Dr. Girard, Richard Derr as Fitzgerald and Oscar Keesee Jr. as Perrera were terrific in their roles. The beautiful Greta Thyssen as Frances Girard; I was 50/50 on, sometimes she was rather leaden, but still she has an awe that's hard dismiss. The make-up effects for our feline (and there's only one) was way above-average, even though it was kept in bandages and looking more like a mummy. But when we see glimpses of its face it was rather well-done up, though I found the creature's growling unintentionally amusing.

There's nothing great or particularly unfamiliar about it, but with what they had to work with, it's commendably done.

Side-note: I'm just glad that I didn't have to sit through the warning bell gimmick, which would destroy the whole purpose in you wanting suspense and surprises from this film. The idea just escapes me, especially since you'll know what you're getting yourself into.

The lone survivor of the sinking of the "Pedro Queen," William Fitzgerald (Derr) washes ashore on a remote Pacific island one thousand miles off the coast of Peru. He is taken in by Dr. Girard (Lederer) and his wife, Frances (Thyssen). Fitzgerald soon learns that the doctor is conducting unusual medical experiments the island, assisted by his wife, who is a nurse, and a few servants. Shortly after Fitzgerald's arrival, he learns that a "panther" is loose on the island and has even killed people. He is puzzled when he learns that the native villagers have fled the island, allegedly because they fear what the doctor might be doing. The mystery deepens when Fitzgerald starts investigating the mystery of the doctor and the creature he is working on.

"Terror is a Man" is an uncredited adaptation of the H.G. Wells novel "The Island of Doctor Moreau." Whereas the classic 1932 version "Island of Lost Souls" and the 1977 version "The Island of Dr. Moreau" both feature large numbers of "manimals," this film has only one. By excising these creatures, the film loses the interesting cultural aspects of the manimal society and lacks, among other things, the key character known as the Sayer of the Law. The creature in this one is the tormented victim of doctor and is abused by the servant Walter (Oscar Keesee). Despite the differences between this version and the two better known adaptations mentioned above, this film is reasonably well made though somewhat slow-paced. Dedicated horror film fans should probably give this one a chance.

"Terror Is a Man" (1959) is perhaps more well known for its status as the first Filipino horror film, rather than for its own fine merits. That's a real shame, as it turns out to be an extremely well done take on H.G. Wells' "The Island of Dr. Moreau," but with unique slants all its own. Here, the marooned sailor is played by the likable Richard Derr (who sci-fi fans may remember from 1951's "When Worlds Collide") and the not-so-mad surgeon/scientist by Francis Lederer. The doctor has a hotty wife in this version of the story, and she is played by Greta Thyssen (Miss Denmark, 1954), shown to good advantage in negligee and bathing suit in several steamy scenes. (She really does put the "thigh" in "Thyssen," lemme tell you!) In addition to uniformly fine, no-nonsense acting, the film boasts beautiful B&W photography (nicely presented on this clean and crisp-looking DVD), eerie and suspenseful music, stylish direction, and a unique-looking monster that is unfortunately (and literally) kept under wraps until the denouement. The film gives us some interesting speculations on just what makes a man a man, and is really quite intelligent and restrained throughout. A warning bell alerts the audience to a shocking scene (a close-up of a surgical incision) that should gross out only the most squeamish of viewers. My only problem with this DVD, really, was the fluctuating sound quality. But that should not deter viewers from checking out this most interesting horror tale. It's a winner.

I saw this a few times as a young child (thanks, KSTW in Washington!) and it always stayed in my mind and lo and behold, after recently watching it again (thanks, MOVIE MADNESS in Portland!) I must say that it holds up remarkably well; the things that stood out in my childhood memories are still pretty potent; for a film almost a half century old the monster make-up effects and the creature's attacks are surprisingly well handled. The performances, too, surprised me by their contemporary tone, especially good was Francis Lederer as the strangely sympathetic mad scientist. The creature is a well-drawn movie monster; more suffering animal than murdering beast, it always had my sympathy--at least this time around. The images of it skulking about in its mummy-like bandages remain pretty evocative. The one drawback is the films poky pace--i could have done with much less of the domestic dramas around the hut and more of the monster, but that is a small quibble; overall, Terror Is a Man is a forgotten gem.