Ein Händedruck des Teufels

James Cagney was as great a star that existed in Hollywood. I enjoyed this film of the Irish "struggles" as they are referred to, and features a great beauty, Dana Wynter and a favorite actress of mine Glynis Johns. Mr. Cagney was perfect in his performances and again in this film Cagney when on screen dominates every scene. Don Murray is effective but frankly when Cagney is in a scene no matter who shares the scene one always looks at Cagney. That is what happens when a real movie star is in a scene and James Cagney bred at the great Warner Bros of the 1930's was a box office movie star and great actor.

James Cagney would make one or two more movies in particular Billy Wilder's zany "One Two Three" and then retire. When Cagney retired he retired. No cameos, no guest shots. Jack Warner asked Cagney to return in Warner Bros film version of My Fair Lady but Cagney -who would have been wonderful-refused. ( In fact J L Warner used to refer to Cagney as "the refuser" because James Cagney refused every enticement to return.

Shanke Hands With The Devil is a fine movie, and I recommend it

The powerful imagery extends to characters as well as extraordinary cinematography. A fine cast turns in great performances all around. Beautiful b&w photography appears to be born of a long and co-operative association between director Michael Anderson and cinematographer Erwin Hillier. There is ample evidence of a director at work with a firm sense of purpose and the creative ability to pull it off. Unusual for its time in this respect. This film confirms what I've heard today's filmmakers (Scorcese and Spielberg) are saying--the work of Michael Anderson deserves much greater recognition.

The politics of Shake Hands With the Devil have been eclipsed by the excellent biographical film Collins that starred Liam Neeson. But the other theme about war, especially endless civil war, is timeless and very relevant for today and not just in Ireland.

The setting is 1921 and the Rebellion is in full swing. James Cagney is a professor of medicine at Trinity College in Dublin by day and an Irish Republican Army commander at night. One of his students, an Irish-American played by Don Murray, gets innocently caught up in the Rebellion and chooses to join the IRA after being captured by the special British unit, nicknamed the Black and Tans who are not terribly squeamish in their methods.

Eventually the British opt for a truce and the General played by Michael Redgrave goes to London to sign a treaty giving Ireland Dominion status. Redgrave of course is Michael Collins and anyone who's seen the film Collins is aware of the politics. Redgrave was a great deal older than the real Michael Collins, then again he had to be in order to say that he's been fighting with Cagney for Irish independence for over 20 years.

Cagney is against the treaty and like he said in the film, the split over that treaty led to a long and bloody Irish Civil war in the 1920s, with far more blood spilled than in the struggle against Great Britain.

Gradually over the film it becomes apparent that Cagney has a lot of issues, violent and sexual. Think Cody Jarrett in the IRA and you'll have some idea. And there's no Ma Jarrett to control him. The tragic and luckless Glynis Johns is a victim of his wrath and Dana Wynter who is an IRA hostage almost becomes one as well. This is where the real acting talents of James Cagney are shown.

Among some of the IRA members in his cell is Richard Harris who got his first real notice in this film.

It's not Irish history per se, but it is a great story of the effects of interminable civil war.

This is without question a superbly well-made film on "The Troubles", back at a time when the IRA was in full bloom. As has been noted here, everything works well - the excellent cinematography (with beautiful vistas of the Irish countryside), a superb cast, great direction, and a richly textured script. All the characters are well drawn and fleshed out. Cagney's work here as the fanatic physician/seditionist is among his best screen portrayals. One suspects at first that the film is going to be an outright paean to the IRA, but as the film progresses, the murderous and fanatic side of their work is made clear, and we are left with a complex and ambiguous picture. My one quibble is with the casting of the uber-English Michael Redgrave as an IRA chief; he doesn't even attempt a brogue. However, I cannot recommend this film highly enough; it is simply not to be missed.

Irish-American Kerry O'Shea (Don Murray) is studying at the College of Surgeons in 1921 Dublin. He refuses to join the resistance after seeing the futility of war while fighting in the Great War. His professor Sean Lenihan (James Cagney) turns out to be a leader of the IRA. He and his friend Paddy get caught up in an IRA ambush. Paddy is killed and Kerry leaves behind his notebook which has his name. Kerry becomes a wanted man. He still refuses to join the IRA at first but the situation overtakes him.

Don Murray is horribly stiff and his character horribly naive. His story is melodramatic. In fact, there is a lot of old fashion melodramatic acting. I wish this movie is about Lenihan instead but at last, we're stuck with following Don Murray. James Cagney is definitely the more compelling actor and Don Murray pales in comparison. Cagney is brutal and exciting. His character is interesting. The story is a bit too long but it's still compelling enough.